Dante Spinotti
Dante Spinotti, A.S.C., A.I.C. is an Italian cinematographer and a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences. He is known for his collaborations with directors Michael Mann, Michael Apted, and Brett Ratner, and is frequently credited with helping to pioneer the use of high-definition digital video in cinematography. He is a BAFTA Award recipient and two-time Academy Award nominee.
Biography
Spinotti was born in Tolmezzo, near the Austrian border. He began experimenting with still photography at the age of 11 with a camera given to him by his uncle, a cinematographer and director specializing in documentaries and newsreels. He worked as a camera operator on documentaries for much of his early career.Among the more notable films he has worked on are The Last of the Mohicans, Heat, and L.A. Confidential. Spinotti also was the cinematographer for Brett Ratner's films, such as Red Dragon, After the Sunset, and .
Spinotti has the distinction of being the cinematographer on both film versions of author Thomas Harris' Red Dragon: Michael Mann's 1986 adaptation, and Brett Ratner's 2002 adaptation. He won the Golden Camera 300 award at the Manaki Brothers Film Festival in Macedonia for lifetime achievement.
Filmography
Year | Title | Director | Notes |
1981 | La disubbidienza | Aldo Lado | |
1983 | Cinderella '80 | Roberto Malenotti | |
1983 | Dream of a Summer Night | Gabriele Salvatores | |
1983 | Hearts and Armour | Giacomo Battiato | |
1984 | Basileus Quartet | Fabio Carpi | |
1984 | Così parlò Bellavista | Luciano De Crescenzo | |
1985 | The Berlin Affair | Liliana Cavani | |
1985 | The Dark Side of Love | Salvatore Samperi | |
1986 | Crimes of the Heart | Bruce Beresford | |
1986 | Manhunter | Michael Mann | |
1987 | From the Hip | Bob Clark | |
1988 | Beaches | Garry Marshall | |
1988 | The Legend of the Holy Drinker | Ermanno Olmi | |
1988 | Fair Game | Mario Orfini | |
1988 | Illegally Yours | Peter Bogdanovich | |
1989 | Torrents of Spring | Jerzy Skolimowski | |
1990 | The Comfort of Strangers | Paul Schrader | |
1990 | A Violent Life | Giacomo Battiato | |
1991 | Frankie and Johnny | Garry Marshall | |
1991 | Hudson Hawk | Michael Lehmann | |
1991 | True Colors | Herbert Ross | |
1992 | The Last of the Mohicans | Michael Mann | Nominated – American Society of Cinematographers Award for Outstanding Cinematography |
1992 | The End Is Known | Cristina Comencini | |
1993 | The Secret of the Old Woods | Ermanno Olmi | |
1993 | Blink | Michael Apted | |
1994 | Nell | Michael Apted | |
1995 | Heat | Michael Mann | Nominated – Chicago Film Critics Association Award for Best Cinematography |
1995 | The Quick and the Dead | Sam Raimi | |
1996 | The Mirror Has Two Faces | Barbra Streisand | |
1997 | L.A. Confidential | Curtis Hanson | Los Angeles Film Critics Association Award for Best Cinematography Nominated – Academy Award for Best Cinematography Nominated – BAFTA Award for Best Cinematography Nominated – American Society of Cinematographers Award for Outstanding Cinematography Nominated – Chicago Film Critics Association Award for Best Cinematography Nominated – National Society of Film Critics Award for Best Cinematography Nominated – Satellite Award for Best Cinematography |
1998 | Goodbye Lover | Roland Joffé | |
1999 | The Insider | Michael Mann | Los Angeles Film Critics Association Award for Best Cinematography Nominated – Academy Award for Best Cinematography Nominated – American Society of Cinematographers Award for Outstanding Cinematography |
1999 | The Other Sister | Garry Marshall | |
2000 | The Family Man | Brett Ratner | |
2000 | Wonder Boys | Curtis Hanson | |
2001 | Bandits | Barry Levinson | |
2002 | Pinocchio | Roberto Benigni | |
2002 | Red Dragon | Brett Ratner | |
2004 | After the Sunset | Brett Ratner | |
2006 | The Contract | Bruce Beresford | |
2006 | ' | Brett Ratner | Nominated – Satellite Award for Best Cinematography |
2007 | Slipstream | Anthony Hopkins | |
2008 | Deception | Marcel Langenegger | |
2008 | Flash of Genius | Marc Abraham | |
2009 | Public Enemies | Michael Mann | Nominated – Satellite Award for Best Cinematography |
2010 | ' | Michael Apted | |
2011 | Tower Heist | Brett Ratner | |
2013 | ReWined | Ferdinando Vicentini Orgnani | |
2014 | Hercules | Brett Ratner | |
2015 | I Saw the Light | Marc Abraham | |
2017 | Freak Show | Trudie Styler | |
2018 | Traffik | Deon Taylor | - |
2018 | Ant-Man and the Wasp | Peyton Reed | |
2019 | Black and Blue | Deon Taylor | |
2020 | Fatale | Deon Taylor | |
TBA | Beverly Hills Cop IV | Adil El Arbi and Bilall Fallah |