David Parry[Symphony No. 9 (Beethoven)|] is an English conductor who is particularly known for his work within the field of opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandosrecord labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice
Early career
Parry was educated at Cambridge University and the Royal Academy of Music in London. He explains how he became a conductor by way of wanting to be a singer: "Audrey Langford, who was a very important singing teacher in the 1960s and '70s, ran a rather good choir which she conducted herself, and with Ande Anderson, who was resident producer at Covent Garden, she'd founded the Kentish Opera Group..One day she simply said, "I think you ought to be a conductor....I'll give you a few lessons, and you can conduct my choir a bit." Well, she did, and I did, and there I was conducting La traviata. Geraint Evans came to hear it and told me that he thought there was something there and that I should go on conducting." He continued conducting studies with Sergiu Celibidache in Spain, covering a wide repertory: "I did a lot of Beethoven Ninths....a lot of Spanish contemporary music, too, quite a lot of Handel..I even did the Spanish premiere of Britten's Peter Grimes..." and subsequently served on the conducting staffs of the Dortmund Opera, Opera North and Glyndebourne, and became Music Director of English Touring Opera from 1983 to 1987.
Work for Opera Rara and Chandos
Parry's name has become associated with Chandos Records's recordings of operas in English, as well as Opera Rara's rare and unusual operas, many from the bel canto era of the early 19th century. The latter include the works of composers such as Vincenzo Bellini, Gioachino Rossini, Giovanni Pacini, Simon Mayr, and Saverio Mercadante. Of his recording of the latter composer's Emma d'Antiochia, one critic wrote: Critical reaction to a recording of a rare Rossini opera, Ricciardo e Zoraide is instructive:
