Uzochukwu started with self-portraiture and evolved to photographing portraits in nature. His photography combines post-production and intimate portraiture, frequently imparting images with an aura of isolation hanging over his body in physical manifestations of smoke, clouds, water, and fire. His surreal images present, for example, blue skies that become walls, crystals that float in mid-air, volcanic sand that becomes a comforting shroud, or blood that turns into a mask. His work has often channeled his observations on race and queerness. At Unseen Amsterdam, for instance, he premiered a series of photographs which used the image ofhumanoid water creatures, equipped with fins, tails, or sharp teeth. In 2019, Uzochukwu was quoted saying that these works express 'what it means to be dubbed 'black," to have an oppressive notion of race imposed upon, and to thrive nonetheless.' His latest project is a celebration of Nigerian creatives. Each portrait focuses on the 'disruptive energy' these artists use to push boundaries and make things happen. His work is inspired by artists such as American photographer Gregory Crewdson and Kenyan-American artist Wangechi Mutu, whose works construct personal universes that conflate gender, race, art history, and personal identity. In 2016, his series A Familiar Ruin was shown at BOZAR Center for Fine Arts as part of the group show Dey Your Lane!, curated by Nigerian Azu Nwagbogu.
Exhibitions (selection)
FOM Foto Maastricht, 6211-kunskwartier, Maastricht, August 2014
Flickr Friday: A Living Room, iGNANT, Berlin, January 2014; co-organised with Fantastic Frank
The EyeEm World Tour 2015, traveled to Alte Teppichfabrik, September 12–13, 2014; NUMA, Paris, November 13–15, 2014; EyeEm Studio San Francisco, San Francisco, CA, November 14, 2014; Roppongi Hills, Tokyo, November 29–30, 2014; Art Basel Miami, The Lab Miami, Miami, FL, December 1–7, 2014; Tokyo Institute of Photography, Tokyo, December 3–21, 2014; Haus der Universität, Düsseldorf, January 30, 2015, as part of Düsseldorf Photo Weekend; Soho House Toronto, Toronto, February 25, 2015; Openhouse Gallery, New York, NY, March 26, 2015
Unlocked, curated by Vassilis Zidianakis, ATOPOS Contemporary Visual Culture, Athens, February 24–April 22, 2016
27th Festival of African, Asian and Latin American Film Cinema, Where Future Beats, curated by Azu Nwagbogu and Maria Pia Bernardoni, Casello Ovest di Porta Venezia, Milano, March 19–26, 2017; co-organised by Lagos Photo Festival, Lagos
Portraits, Photo Brussels Festival 02, Hangar, Photo Art Center, Brussels, November 17, 2017–January 19, 2018
Songe du Présent, MuPHo Musée de la photographie de Saint Louis, St Louis, Sénégal, May 3–25, 2018; organised on the occasion of Dak'art Biennale 2018
Innate: Future Blooms , La Villa Rouge, Dakar, May 3–25, 2018; as part of the exhibition Bridge curated by MuPHo Musée de La Photographie de St Louis, on the occasion of Dak'art Biennale 2018
Transparent, Kalonoma Festival, Munich, May 5, 2018
When Ethics meets Aesthetics, Vogue Italia initiative, Leica Gallery Milano, Milan, June 4–20, 2018
Liquid Thunder, An Immersive Soundscape Experience With David Uzochukwu, MONOM, Berlin, October 13, 2019;
PhotoVogue Festival 2018, Embracing Diversity, curated by Alessia Glaviano and Francesca Marani, BASE Milano, November 14–17, 2019
Unseen Amsterdam, September 20–22, 2019; represented by Gallery Number 8, Brussels
PhotoVogue Festival 2019, A Glitch In The System, curated by Alessia Glaviano and Francesca Marani, BASE Milano, November 14–17, 2018
In 2014, he was named EyeEm Photographer of the Year, as well as one of Flickr's inaugural 20under20. In 2015, he was among the few selected for Adobe Photoshop's 25 Under 25 and received the Canon x Exhibitr Student Photography Award. In 2019, he was selected for the CPH:LAB 2019/2020, the talent development program of.