Dean Semler


Dean Semler, A.C.S., A.S.C., is an Australian cinematographer and film director. Over his career, he has worked as a cinematographer, camera operator, director, second unit director, and assistant director. He is a three-time recipient of the AACTA Award for Best Cinematography and an Academy Award winner. He is a member of both the Australian Cinematographers Society and the American Society of Cinematographers. In 2002 he was appointed a Member of the Order of Australia.

Life and career

Early years

Semler was born in Renmark, South Australia. His first work in the production industry was as a camera operator at a local television station. Later, he began making documentary and educational films for Film Australia. He was the cinematographer for A Steam Train Passes, Moving On, Let the Balloon Go, and A Good Thing Going.

1980s

His first film was Stepping Out, in 1980. Allmovie praised his "stunning work" on the film Hoodwink with a screen play by Ken Quinnell. Semler was also the cinematographer for Mad Max 2. Semler's vast panoramic shots of the Australian Outback's deserts "...convincingly conveyed a parched, dusty, post-apocalyptic world" and led to international attention for his work. Semler also acted as cinematographer for the follow-up film to The Road Warrior, Mad Max Beyond Thunderdome. Semler was also a cinematographer for the acclaimed Australian miniseries Bodyline. In the late 1980s, Semler was the cinematographer for several popular films, such as Cocktail and Young Guns.

1990s

In 1990, Semler was hired as cinematographer for Kevin Costner's Dances with Wolves, for which he won an Academy Award for Best Cinematography. Semler lensed the comedy City Slickers and the action film Last Action Hero in the early 1990s. In 1995, Semler again worked with Costner on his film Waterworld.
In 1992 Semler was the cinematographer of The Power of One

2000s

In the 2000s, Semler was the cinematographer for a range of movies that included comedies, action films. In the mid-2000s, Semler was the cinematographer for the football comedy The Longest Yard and Just My Luck. In 2006, Semler worked with Mel Gibson again for the film Apocalypto. Semler's camera work conveyed the beauty of the lush Mesoamerican jungle setting in Apocalypto.

Filmography

Film

Television

Directing credits