Diana Dors


Diana Dors was an English film and television actress and singer. She first came to public notice as a blonde bombshell in the style of American Marilyn Monroe, as promoted by her first husband, Dennis Hamilton, mostly via sex film-comedies and risqué modelling. After it turned out that Hamilton had been defrauding her, she continued to play up to her established image, and she made tabloid headlines with the parties reportedly held at her house. Later, she showed a genuine talent as a performer on TV, in recordings, and in cabaret, and gained new popularity as a regular chat-show guest. She also gave some well-regarded performances in worthwhile films at different points in her career.
According to David Thomson, "Dors represented that period between the end of the war and the coming of Lady Chatterley in paperback, a time when sexuality was naughty, repressed and fit to burst."

Early life

Diana Mary Fluck was born in Swindon, Wiltshire, on 23 October 1931 at the Haven Nursing Home,, Kent Road, Swindon, Wiltshire. Her mother Winifred Maud Mary was married to Albert Edward Sidney Fluck.
Mary had been having an affair with another man, and when she announced she was pregnant with Diana, she admitted she had no clear idea if he or her husband was the father.
Diana was educated at a small private school, Selwood House. She enjoyed the cinema; her heroines from the age of eight onwards were Hollywood actresses Veronica Lake, Lana Turner and Jean Harlow.
Towards the end of the war Dors entered a beauty contest to find a pin-up girl for Soldier magazine; she came third place. This led to work as a model in art classes and she began to appear in local theatre productions such as A Weekend in Paris and Death Takes a Holiday.

Early career

LAMDA

Having excelled in her elocution studies, after lying about her age, at 14 she was offered a place to study at London Academy of Music and Dramatic Art, becoming the college's youngest student.
She lodged at the Earls Court YWCA, and supplemented her £2 per week allowance, most of which was spent on her lodgings, by posing for the London Camera Club for one guinea an hour. Signed to the Gordon Harbord Agency in her first term, she won a bronze medal, awarded by Peter Ustinov, and in her second won a silver with honours. She supplemented her earnings by posing as a model.

First Films

Dors acted in public theatre pieces for LAMDA productions, one of which was seen by casting director Eric L’Epine Smith. He suggested Dors for what became the actor's screen debut in the noir film The Shop at Sly Corner. Dors was cast in a walk-on role that developed into a speaking part: her pay rate was £8 per day for three days.
During the signing of contracts, in agreement with her father, she changed her contractual surname to Dors, the maiden name of her maternal grandmother; this was at the suggestion of her mother Mary. Dors later commented on her name:
Returning to LAMDA, two weeks later she was asked by her agent to audition for Holiday Camp by dancing a jitterbug with actor John Blythe. Gainsborough Studios gave her the part at a pay rate of £10 per day for four days; she danced with a young actor, John Blythe.
Dors' third film was Dancing with Crime, shot at Twickenham Studios opposite Richard Attenborough during the coldest winter for nearly 50 years, for which she was paid £10 per day for 15 days.
Following her return to LAMDA, she graduated in spring 1947 by winning the London Films Cup, awarded to LAMDA by Sir Alexander Korda for the "girl most likely to succeed in films". Greta Gynt presented the award to her at a ceremony. Dors timed her return to Swindon to visit her parents, with the local release of The Shop at Sly Corner.

Rank Organisation

Charm School

At the age of 16, Dors signed a contract with the Rank Organisation, and joined J. Arthur Rank's "Charm School" for young actors, subsequently appearing in many of their films. The Charm School had been established by producer Sydney Box who Rank appointed head of production at Gainsborough Studios, one of the companies under the Rank umbrella. Dors received a great deal of publicity in part because of her willingness to be photographed in glamour shots and attending premieres. An August 1947 article said her nickname was "The Body".
That same month she was cast as Charlotte in Rank's adaptation of Oliver Twist, directed by David Lean.
In October 1947 Dors had a small role as a maid in Gainsborough's The Calendar, and a good part in Good-Time Girl, as a troubled teen being warned at the beginning and end of the film. Dors had a bigger part in a B, Penny and the Pownall Case, a 50 minute movie for Highland Productions. This was her first signficant role, the second female lead after Peggy Evans. Bob Monkhouse wrote in his memoirs that when he saw the film in the cinema he thought it was "really bad" but was impressed by Dors. "It was her energy that at first attracted me," he wrote. "Her acting was raw but promising and her vitality made me remember her afterwards as if her part of the screen had been in colour."
In August 1948 Rank announced Dors would be one of its young players that they would be building up into stars. In September she was in A Boy, a Girl and a Bike.
After a bit in My Sister and I, Dors was given a showy comic support part in Here Come the Huggetts, a series that followed Holiday Camp, playing the lazy niece of the Huggetts who causes trouble when she goes to stay with the family. Dors was so well received that she returned for the second movie in the series, Vote for Huggett. She was also in It's Not Cricket
David Shipman later argued that when Dors "was young she was very funny: she did a neat parody of the man-mad teenager, the nubile cousin who ogles the best man at the wedding breakfast, the office junior ready for a bit of slap and tickle behind the filing cupboard. She was the best thing about most of her early films."

Leading lady

Rank promoted Dors to leading roles in 1949's Diamond City, the story of a boom town in South Africa in 1870. Dors played a saloon owner in love with hero David Farrar, who loves a missionary played by Honor Blackman. Filming took place in late 1948 and early 1949 when Dors was only seventeen years old.
While waiting for Diamond City to come out, Rank sent Dors to appear with Barbara Murray in The Cat and the Canary at the Connaught Theatre, Worthing.
In November 1949 Dors was contracted out to Ealing Studios who put her in Dance Hall, as one of the four female leads, along with Natasha Perry, Petula Clark and Jane Hylton.
In February 1950 she went into the play Man of the World with Lionel Jeffries, which opened at the Shakespeare Memorial Theatre, and capped her works that year to win her Theatre World magazine's Actress of the Year Award.
However Diamond City flopped at the box office and with Rank now £18 million in debt, Rank closed their "Charm School" and made Dors redundant in September 1950. David Shipman argued that "though the Rank Organization knew how to put Dors through its Charm School paces they had no idea how to handle such an individual talent."

British Stardom

Dors had a leading role in a TV movie for the BBC, Face to Face and supported Ronald Shiner in Worm's Eye View, a comedy which was one of the most popular movies of 1951 in Britain. She did a week on stage in a production of Born Yesterday. She auditioned for the lead in Lady Godiva Rides Again and was turned down because it was felt she did not appeal to men and women, but she was given a support role.

Dennis Hamilton

With her boyfriend in jail and having just undergone her first abortion, Dors met Dennis Hamilton Gittins in May 1951 while filming Lady Godiva Rides Again for Rank, a film which has uncredited appearances by Joan Collins, and a four-months pregnant Ruth Ellis. The couple married five weeks later at Caxton Hall on Monday, 3 July 1951.
Later that month Dors starred in a British film noir The Last Page, directed by Terence Fisher for Hammer Films and association with producer Robert L. Lippert. Lippert reportedly offered Dors a one-picture deal on condition she divorced Hamilton but Dors refused.
Dors often played characters suffering from unrequited love, and by the mid-1950s, she was known as "the English Marilyn Monroe". Hamilton also made sure that she had the lifestyle attachments of a sex symbol, agreeing to a lease-deal with Rolls-Royce such that a headline could be created in the tabloids that, at the age of 20, she was the youngest registered keeper of a Rolls-Royce in the UK.
Hamilton went to great lengths to advance Dors' career and his income or influence from it. After her death, friends and biographers said that Hamilton would lend Dors as a sexual favour to hiring producers and leading actors, much as in the "casting couch" practices of Hollywood.
In December 1951 a newspaper reported that " likeliest British names for glamor in 1952 are probably Britain's Glynis Johns and plumpish Diana Dors. Both are going to Hollywood." She gained a second offer from Burt Lancaster for a lead role in his His Majesty O'Keefe, but this time Hamilton turned down the part on her behalf before she even knew of the offer. The result was that her early career was restricted to mainly British films.
Dors worked with Terry Thomas on the TV series How Do You View?.

Maurice Elvey

Dors appeared in a show in Blackpool, Life with Lyons. It only had a short run.
In May 1952 Dors appeared in a flop production on stage, Rendezvous.Variety said in May she made the "only noteworthy contribution" to the play. However until Hamilton's guidance she received enormous publicity. Dors later said these reviews, in addition to Hamilton's publicity, helped turn her career around.
Laurence Olivier reportedly offered her a role in The Beggar's Opera but Hamilton turned it down.
In July 1952 it was reported she was earning £175 a week in a show in Blackpool.
Dors' film career started to improve when she was cast in a support role in My Wife's Lodger, directed by Maurice Elvey. Elvey cast her in a small role in another low budget comedy called The Great Game made by Adelphi Films.
In December 1952 Dors appeared on stage in It Remains to be Seen which only ran seven performances. The Observer said Dors "bangs at it with goodwill."
She did another comedy, It's a Grand Life with Frank Randle. In March 1953 Dors did a cabaret act in Glasgow. Variety said she showed "little ability to be a personality act." In April she made Is Your Honeymoon Really Necessary?.
Adelphi were impressed by Dors in February 1953 announced they had bought the screen rights to the popular play Is Your Honeymoon Really Necessary? as a vehicle for Dors; it was directed by Elvey in April.
Dors had a support part for Hammer in The Saint's Return. In September 1953 the producer of that movie Julian Lesser announced he had an option for Dors' services on two more movies.

British Stardom

Dors career stepped up another level when cast in a supporting role in a prison drama, The Weak and the Wicked, directed by J. Lee Thompson alongside Glynis Johns. She made the movie in August 1953, only a few weeks after having been convicted in real life of stealing alcohol from a friend's house. By this stage she was earning a reported £12,000 a year. When the film came out it was a big hit in Britain and earned Dors some excellent reviews.
She did "The Lovely Place" for Rheingold Theatre on TV. In April 1954 she said "I'm picking and
choosing my parts now. That doesn't mean I'm waiting for the perfect part, but I'm sick to death of being the sexy siren."
In 1954, Hamilton had the idea of exploiting the newly printed technology of 3D. He engaged photographer Horace Roye to take a number of nude and semi-nude photographs of Dors which Hamilton subsequently had published in two forms; the semi-nude pictures were issued as a set called "Diana Dors 3D: the ultimate British Sex Symbol", which was sold together with a pair of 3D glasses; the full-nude test shot photographs became part of Roye's booklet London Models. Police pressed charges, alleging the books were obscene but a court ruled that they were not.
Dors had a guest role in Thompson's As Long as They're Happy with Jack Buchanan. She was one of the leads in A Kid for Two Farthings, directed by Carol Reed in mid 1954; the film was one of the most popular movies of 1955 in Britain.
In October 1954 questions were asked in Parliament about why she was allowed to claim her mink coat as a tax deduction.
In December 1954 she reportedly turned down a seven year contract with Rank worth £100,000 because she could make more freelance.
She went into a series of comedies: Adelphi called her back for Miss Tulip Stays the Night ; then she did Value for Money for director Ken Annakin co starring with John Gregson, filmed in early 1955; and An Alligator Named Daisy, directed by Thompson for Rank, starring Donald Sinden.
The success of her movies, particularly Kid for Two Farthings, led to British exhibitors voted her the ninth-most popular British star at the box office in 1955 - the sole female star in the top ten. She ranked after Dirk Bogarde, John Mills, Norman Wisdom, Alastair Sim, Kenneth More, Jack Hawkins, Richard Todd and Michael Redgrave, and in front of Alec Guinness In November 1955 the press criticised her for wearing revealing necklines when meeting royalty.
Dors made a fourth film with Thompson, Yield to the Night, filmed in late 1955. It was a crime drama with Dors playing a role similar to Ruth Ellis. She received some of the best reviews of her career. She was acclaimed at the 1956 Cannes Film Festival.
She turned down the female lead in Rank's The Big Money. "They still think I'm only good for the dumb blonde parts I played five years ago, I thought everyone in the business knew I'd come some way since then."

Hollywood

RKO

Dors' performance attracted interest in Hollywood. In February 1956 she guest starred on a TV special Bob Hope made in England.
In May 1956 Dors signed a contract with RKO to support George Gobel in I Married a Woman. She left Southampton on board the Queen Elizabeth for New York City and then to Hollywood.
She said "I'm hoping to enjoy myself, keep my sense of fun and do a good job. It took me 10 years hard work in poor pictures, in revue, in straight plays and touring to become a star, and I don't intend to let Hollywood push me about, crop my hair, change my style or personality."
In July 1956 Dors - through her company, Treasure Pictures - signed a contract with RKO Pictures to make three more movies, the first of which was to be The Unholy Wife with Steiger, which started filming in September. Her fee was a reported $75,000, with the other films to go up $25,000. Dors reportedly had an affair with Rod Steiger during the filming of The Unholy Wife. In October 1956, Hamilton started an affair with Raymond's estranged wife in London. In November, Dors announced she and Hamilton were separating.
William Dozier of RKO announced Dors would star in Blondes Prefer Gentlemen with Eddie Fisher, but the film was never made. In August 1956 she announced she had signed a one picture deal to appear in a Bob Hope movie. This never happened - nether did a project Robert Aldrich announced he wanted to make wtih Dors and Paul Douglas at UA, Potluck for Pomeroy.
Hamilton and Raymond arranged a Hollywood launch party at Raymond's house in August 1956, with a guest list that included Doris Day, Eddie Fisher, Zsa Zsa Gabor, Liberace, Lana Turner, Ginger Rogers, and John Wayne. After 30 minutes while lining up next to Raymond's pool with her US agent Louis Shurr and her dress designer Howard Shoup, all four, including Dors and Hamilton, were pushed into the pool after the party crowd and photographers surged forward. Hamilton emerged from the pool and hit the first photographer before he could be restrained. The headlines in the National Enquirer read: "Miss Dors Go Home – And Take Mr. Dors With You". Because of the resulting negative publicity, the couple failed to buy Lana Turner's house, settling into a rental property in Coldwater Canyon.
In October Dors appeared again on the Bob Hope Show. The New York Times said she "displayed considerable stage presence. The gal can handle her lines." Hedda Hopper reported around this time that Dors had replaced her agent "and her popularity is slipping even before her first film is shown." Hopper also said Dors' fee for English films were now $40,000 up from $20,000. In November, Dors returning to London announcing she and Hamilton had separated with the latter blaming Steiger.

Return to Britain

In England she made The Long Haul for Columbia with Victor Mature, which started filming in February 1957. While making The Long Haul, Dors started a relationship with co-star Victor Mature's stuntman, Tommy Yeardye. Details about the affair were reportedly leaked to the press by Yeardye.
Gerd Oswald wanted her for The Blonde. In October 1957 Hedda Hopper reported that Dors intended to make the last two films under her RKO contract but Hopper thought "she was just whistling Dixie."
She went to Italy to play an American in the French-Italian The Love Specialist with Vittorio Gassman. Dors stayed in crime for Tread Softly Stranger, made for Gordon Parry with George Baker co-starring.
She and Gassman were to reunite in Strange Holiday but it was not made. She was a prostitute in Passport to Shame. In August 1958 she reported she had been robbed of £11,000. She made a series of advertisements believed to have earned her £25,000.
Dors' RKO films flopped and RKO elected not to make the other two films. In December 1958 RKO terminated its contract with Dors alleging she "has become an object of disgrace, obloquy, ill will and ridicule." Dors sued the studio for $1,250,000 in damages.
Joseph Kaufman announced he wanted to make a film starring her called Stopover but it was never made. In May 1959 she said she wanted to retire from acting and focus on her other interests, including a shampoo factory. She had a cameo on Scent of Mystery shot in Spain.

Cabaret

Following her final separation from Hamilton in 1958, Dors discovered that her company Diana Dors Ltd was in serious debt. Hamilton had steered the company toward the dual purpose of publicising his wife and helping himself, overpaying tax bills and establishing financial stability.
Having been forced by Hamilton to sign over all of her assets on their separation, and in need of money to pay her divorce lawyers and their accountants, she agreed to the suggestion of agent Joseph Collins to undertake a theatre-based cabaret tour titled "The Diana Dors Show".
Yeardye suggested that they hire the comedian Dickie Dawson, later known as Richard Dawson. Dawson subsequently scripted the show and wrote most of the material. Dors started a relationship with Dawson and ended the relationship with Yeardye, who subsequently emptied her cash box at Harrods of £18,000 and sold his story to the media. This brought negative publicity to the show, but audience numbers remained high, which allowed Dors extra time to explain her affairs to a subsequent Inland Revenue investigation of her cash holdings. In 1959, Hamilton died, and Dors married Dawson in New York while making an appearance on The Steve Allen Show. "The Diana Dors Show" was commissioned for two studio-based series on television at ITV.
In 1959 Variety said Sabrina was "to Diana Dors in Britain what Jayne Mansfield is to Marilyn Monroe."
In 1960 was announced Dors and Dawson would make a film of the stage show Grab Me a Gondola but it never eventuated.

Back in Hollywood

After the birth of her first child in February 1960, and wishing to stay in the United States with Dawson, Dors undertook a cabaret contract to headline at the Dunes hotel and casino in Las Vegas.
She appeared in some American films: On the Double, a Danny Kaye comedy, and The Big Bankroll, a crime film also known as King of the Roaring 20's: The Story of Arnold Rothstein. She also sold her memoirs to News of the World for $140,000. She later claimed she turned down a role in Saturday Night and Sunday Morning.
During the summer of 1961, Dors shot "The Sorcerer's Apprentice", based on Robert Bloch's story, for Alfred Hitchcock Presents. The episode was so gruesome that it was suppressed for decades.
Dors returned to Britain. In 1961 she narrowly escaped death at a Guy Fawkes Night party in Wraysbury where fireworks were accidentally ignited indoors. The house was destroyed, three people died in the fire and another one had a fatal heart attack, and Dors was slightly injured while escaping through a window.
She appeared in Mrs. Gibbons' Boys, West 11, The Counterfeit Constable, and The Sandwich Man.
In the early 1960s she was living in Los Angeles. While there she guest starred on episodes of Burke's Law and The Eleventh Hour, and starred in a 1963 episode of The Alfred Hitchcock Hour titled "Run for Doom", co-starring John Gavin as well as an episode of Straightaway and Armchair Theatre in Britain.
She toured Australia in 1963. While there she said 1956 was "my biggest year, "and you never can tell whether you will do it again. That is what makes show business so fascinating —you never can tell."

Later career

Bankruptcy

Dors divorced Dawson in 1966 and returned to the UK in order to find work, leaving behind her two sons. She resumed cabaret work with her pianist and musical director Denny Termer. And subsequently was served with a writ of bankruptcy. As her popularity had fallen, this time she was touring working men's clubs, and smaller venues.
In June 1968 she reported that she owed £53,000, of which £48,000 was to the Inland Revenue, and had assets of a little over £200. She declared bankruptcy in October 1968.
Dors' film career was now strictly supporting roles: Danger Route ; Berserk!, with Joan Crawford; Hammerhead ; Baby Love ; Deep End ; and There's a Girl in My Soup. She returned to the West End in 1970 for the first time in 17 yearsin a play called Three Months Gone.

TV stardom

She had the lead role in a sitcom, Queenie's Castle, which lasted for three seasons. Less popular was another sitcom in which she starred, All Our Saturdays.
She was in a TV adaptation of A Taste of Honey and episodes of Z Cars and Dixon of Dock Green.
Dors' film work included Hannie Caulder ; The Pied Piper ; The Amazing Mr. Blunden ; Swedish Wildcats ; Nothing but the Night ; Theatre of Blood ; Steptoe and Son Ride Again ; From Beyond the Grave ; and Craze.
In 1974, she appeared on stage in a production of Oedipus Rex.
In the mid-1970s, she became in high demand for sex comedies: The Amorous Milkman, Bedtime with Rosie, What the Swedish Butler Saw, Three for All, Adventures of a Taxi Driver, Keep It Up Downstairs, Adventures of a Private Eye and Confessions from the David Galaxy Affair.
She was in episodes of Just William, The Sweeney, Hammer House of Horror, and Shoestring. In 1977 she won a court battle to prevent Wolf Rilla from writing a biography based on interviews she had done with Rilla.

Final Years

Still making headlines in the News of the World and other print media in the late 1970s thanks to her adult parties, in her later years, Dors' status began to revive.
In 1979 while touring Australia she said "I used to think it was a lot of hooey that life begins at 40. But I know what I can put up with; I've mellowed. I'm a homey person, although I don't expect people to believe it."
Although her film work consisted mainly of sex comedies, her popularity climbed thanks to her television work, where her wit, intelligence, and catchy one-liners developed as a cabaret performer won over viewers. She became a regular on Jokers Wild, Blankety Blank and Celebrity Squares, and was a regular guest on BBC Radio 2's The Law Game. She also had a recurring role in The Two Ronnies in 1980. A popular chat-show guest, an entire show – Russell Harty: At Home with Dors – came from the pool room of her home, Orchard Manor. Younger musical artists engaged her persona, brought about after the 1981 Adam and the Ants music video "Prince Charming", where she played the fairy godmother opposite Adam Ant, who played a male Cinderella figure.
Dors' other final appearances were in Dr. Jekyll and Mr. Hyde, Timon of Athens, Dick Turpin, and Cannon and Ball.
Having turned her life story into a cash flow through interviews and leaked tabloid stories, like many celebrities in their later careers, she turned to the autobiography to generate retirement cash. In 1960 she wrote and published Swingin' Dors and between 1978 and 1984, she published four autobiographical books under her own name: For Adults Only, Behind Closed Dors, Dors by Diana, and A. to Z. of Men.
Diana Dors was the subject of This Is Your Life on two occasions, in April 1957 when she was surprised by Eamonn Andrews at the BBC Television Theatre, and in October 1982, when Andrews surprised her at London's Royalty Theatre.
Having gone through her first round of cancer treatment, by the early 1980s Dors' hour-glass figure had become plumper, and she addressed the issue through co-authoring a diet book, and creating a diet and exercise videocassette.
This resulted in her working for TV-am, ITV's breakfast station, in the summer of 1983, in a regular slot focusing on diet and nutrition, which later developed into an agony aunt segment. As the cancer treatment took its toll again, though, her appearances became less frequent. She sued the show for withholding her fan mail.
Her last public appearance was in cabaret at Harpoon Louie's, Earls Court, West London, on 15 April 1984 where she looked considerably frail but stood throughout her whole set. Her final film appearance was in Steaming.

Discography

The earliest recordings of Dors were two sides of a 78-rpm single released on HMV Records in 1953. The tracks were "I Feel So Mmmm" and "A Kiss and a Cuddle ". HMV also released sheet music featuring sultry photos of Dors on the cover. She also sang "The Hokey Pokey Polka" on the 1954 soundtrack for the film As Long As They're Happy.
Dors recorded only one complete album, the swing-themed Swingin' Dors, in 1960. The LP was originally released on red vinyl and with a gatefold sleeve. The accompanying orchestra was conducted by Wally Stott.
She also sang as a special guest for the Italian TV show Un, due, tre on 31 May 1959, at the Teatro della Fiera in Milan, with orchestra conducted by Mario Bertolazzi and recorded singles on various record labels from the 1960s through the early 1980s, including a single for the Nomis label, "Where Did They Go?" / "It's You Again", while she was battling cancer. While promoting the single on TV, Dors claimed "Where Did They Go?" had been especially written for her, but in fact, the track had been recorded originally by Peggy Lee in 1971 and in 1972 by Sandie Shaw.

Studio albums

Singles

Other recordings

Personal life

Dors was married three times:
In 1949, while filming Diamond City, she had a relationship with businessman Michael Caborn-Waterfield, the son of the Count Del-Colnaghi, who later founded the Ann Summers chain, which he named after his cousin/secretary. During the short relationship, Dors became pregnant, but Caborn-Waterfield paid for a back-street abortion, which took place on a kitchen table in Battersea. The relationship continued for a time, before Dors met Dennis Hamilton Gittins on the set of Lady Godiva Rides Again, with whom she had a second abortion in 1951.
It is said that Dors became a close friend of Ruth Ellis, the last woman to be hanged in Britain, after Ellis had a bit part in Lady Godiva Rides Again, four years before she was executed by Albert Pierrepoint, having admitted to and been found guilty of shooting her lover. However Diana never mentioned having known Ruth either in interviews or in her memoirs. Through her husband Hamilton, Dors was close friends with the notorious Kray twins and their mother Violet.

Parties

During her relationship with Hamilton and until a few months before her death, Dors regularly held adult parties at her home. There, a number of celebrities, amply supplied with alcohol and drugs, mixed with young starlets against a background of both softcore and hardcore porn films. Dors gave all her guests full access to the entire house; her son Jason Lake later alleged in various media interviews and publications that she had equipped it with 8 mm movie cameras. The young starlets were made aware of the arrangements and were allowed to attend for free in return for making sure that their celebrity partners performed in bed at the right camera angles. Dors later enjoyed watching the films, keeping an INVESTIGATE of the best performances.
Dors became an early subject of the "celebrity exposé" tabloids, appearing regularly in the News of the World. In large part, she brought this notoriety upon herself. In desperate need of cash after her separation from Hamilton in 1958, she gave an interview in which she described their lives and the adult group parties in full, frank detail. The interview was serialised in the tabloid for 12 weeks, followed by an extended six-week series of sensational stories, creating negative publicity. Subsequently, the Archbishop of Canterbury Geoffrey Fisher denounced Dors as a "wayward hussy".
Television news and film companies with more general interests, partly because of her popularity and partly because of who was attending the parties, were unwilling to repeat the stories until well after Dors' death. Her former lover and party guest Bob Monkhouse later commented in an interview after Dors' death, "The awkward part about an orgy, is that afterwards you're not too sure who to thank."

Death

Towards the end of her life Dors had meningitis and twice underwent surgery to remove cancerous tumours. She collapsed at her home near Windsor with acute stomach pains and died on 4 May 1984, aged 52, at the BMI Princess Margaret Hospital in Windsor from a recurrence of ovarian cancer, first diagnosed two years before.
She had converted to Catholicism in early 1973; hence, her funeral service was held at the Sacred Heart Church in Sunningdale on 11 May 1984, conducted by Father Theodore Fontanari. She was buried in Sunningdale Catholic Cemetery.

Alan Lake suicide

After her death, Alan Lake burned all of Dors' remaining clothes and fell into a depression. On 10 October 1984, Lake did a telephone interview with Daily Express journalist Jean Rook and then walked into their son's bedroom and took his own life by firing a shotgun into his mouth. He was 43. This was five months after her death from cancer, and 16 years to the day since they had first met.
Her home for the previous 20 years, Orchard Manor, was sold by the solicitors. The house's contents were bulk-sold by Sotheby's, which sold her jewellery collection in an auction. After solicitors' bills, outstanding tax payments, death duties, and other distributions, the combined estates of Dors and Lake left little for the upkeep of their son Jason, who was subsequently made a ward of court to his half-brother Gary Dawson in Los Angeles.
On 14 September 2019, Jason Dors Lake, the son of Diana Dors and Alan Lake, was reported to have died several days after his 50th birthday at his flat in Notting Hill Gate, London.

In popular culture

Dors was portrayed by Keeley Hawes and Amanda Redman in the TV biographical film The Blonde Bombshell.
On the cover of the 1967 album Sgt. Pepper's Lonely Hearts Club Band by the Beatles, Dors' wax figure appears in the collage of celebrities, on the right below the tree.
The Kinks paid homage to her when they included the Ray Davies-penned tribute tune "Good Day" on their album Word of Mouth.
As well as appearing as Adam Ant's fairy godmother in his music video "Prince Charming", Dors was also included in the Adam and the Ants song "Scorpios" with lyrics ‘Black's the colour watch the claws, With nails as sharp as Diana Dors’.
Dors was the cover star of the Smiths’ album Singles.

Alleged fortune

Dors claimed to have hidden away more than £2 million in banks across Europe. In 1982, she gave her son Mark Dawson a sheet of paper on which, she told him, was a code that would reveal the whereabouts of the money. His stepfather Alan Lake supposedly knew the key that would crack the code, but he committed suicide soon after her death and Dawson was left with an apparently unsolvable puzzle.
He sought out computer forensic specialists Inforenz, who recognised the encryption as the Vigenère cipher. Inforenz then used their own cryptanalysis software to suggest a 10-letter decryption key, DMARYFLUCK. With the aid of a bank statement found among Alan Lake's papers, Inforenz was then able to decode the existing material to reveal a list of surnames and towns only - suggesting that there must be a second page that would reveal first names and bank details, to complete the message. As this has never come to light, no money has ever been traced. In 2003, Channel 4 made a television programme about the mystery.

Filmography