One More Shelter is a series of small paintings, considered miniatures, that Brodsky commenced in 2012. She traveled throughout the United States to discover and visit the abandoned homes and buildings that are depicted in this series of paintings. The abandoned interiors, in disarray, are congruous to the artist's plight to the United States from the former Soviet Union with her family. The decay also contrasts with the hopeful future their inhabitants once had for these abandoned homes. In some paintings, a glimmer of hope is symbolized by birds or light penetrating the dilapidated windows of each interior. The exhibition has been reviewed in The Journal Mag, Streetlight Magazine, Fusion, and Fine Art Connoisseur.
Cycling Guide to Lilliput
Started in 2013, Cycling Guide to Lilliput is a series of paintings of the Northern German countryside that Brodsky painted while on a several months long solo cycling trip. All the paintings are on tondo or round plexiglass panels measuring 2 inches in diameter. Brodsky exhibited this series in a solo exhibition in 2015 at Island Weiss Gallery in New York City. With these small paintings, Brodsky marries traditional Northern Renaissance painting techniques to representations of the contemporary Northern German countryside.
In 2016, Brodsky asked hundreds of thousands of followers of her various social media outlets, including Facebook and Instagram, to send her photos of trees and corresponding stories. Each story was personal and kept secret by the artist. Using mostly these photos as references for her drawings, Brodsky started the series called The Secret Life of Trees comprising over 100 drawings of trees, all no larger than 11 x 14 inches and some as small as 3 x 5 inches. Some drawings were done only in ballpoint pen, while others were also painted with oil paint. Brodsky exhibited this series in a solo exhibition in 2016 at Bernarducci Meisel Gallery in New York City.
Curatorial Projects
Brodsky is an avid curator and has curated several noteworthy exhibitions such as 'Point of Origin' at the Lodge Gallery in 2015, followed by 'Palette' at Abend Gallery in Denver, CO. and 'Sketchbook Vol. 1' at Sugarlift Gallery in 2019, both in New York City.
'Point of Origin' and 'Palette'
Point of Origin is a group exhibition curated by Brodsky, in 2015, that included paintings by 50 artists, all of which, were on a painter's palette. Painter's palettes are a glimpse into how an artist mixes their paints. They are the origin of the painting, so-to-speak. Some of the artists included in the exhibition were Steven Assael, Alonsa Guevara, Marshall Jones, Alex Kanevsky, Tim Lowly, and Daniel Maidman. Brodsky continued the curatorial project, curating a second group exhibition of painter's palettes at Abend Gallery in Denver, CO. The exhibition, entitled 'Palette' opened in 2017. The exhibition included paintings on palettes by Steven Assael, Alonsa Guevara, F. Scott Hess, Daniel Maidman, and many more.
Sketchbook Vol. 1
Sketchbook Vol. 1 is a group exhibition curated by Brodsky, in 2019, that included 14 sketchbooks, by 14 different artists, that were on view for visitors to peruse. These sketchbooks are not for sale. The goal of the exhibition is to introduce the artist's process to the viewer because sketchbooks are used by artists a tool to document their artistic ideas. The exhibition is on view at Sugarlift Gallery in Long Island City. The exhibition included sketchbooks by David Morales, Diana Corvelle, Dilleen Marsh, Paul Heaston, Dina Brodsky, Evan Kitson, Guno Park, Joshua Henderson, Luis Colan, Marshall Jones, Nicolas V. Sanchez, Sarah Sager, Ted Schmidt, and Vi Luong.
