Disney comics


Disney comics are comic books and comic strips featuring characters created by the Walt Disney Company, including Mickey Mouse, Donald Duck and Uncle Scrooge.
The first Disney comics were newspaper strips appearing from 1930 on, starting with the Mickey Mouse comic strip. Mickey Mouse Magazine, the first American newsstand publication with Disney comics, launched in 1935. In 1940, Western Publishing launched the long-running flagship comic book, Walt Disney's Comics and Stories, which will reach 750 issues in September 2019. Uncle Scrooge, launched in 1952, reached issue #450 in June 2019. In recent decades, Disney comics have seen a decline of popularity in the US.
In the rest of the world Disney comics have been very successful, especially in Europe, where weekly Disney comics magazines and monthly paperback digests are national best sellers.

United States: Comic strips

The first Disney comics appeared in daily newspapers, syndicated by King Features with production done in-house by a Disney comic strip department at the studio. Initially Floyd Gottfredson along with his responsibilities for the Mickey Mouse comic strip oversaw the Disney comic strip department from 1930 to 1945, then Frank Reilly was brought in to administer the burgeoning department from January 1946 to 1975. Greg Crosby headed the department from 1979 to 1989.

Mickey Mouse

The Mickey Mouse daily comic strip began on January 13, 1930, featuring Mickey as an optimistic, adventure-seeking young mouse. It was initially written by Walt Disney with art by Ub Iwerks and Win Smith. Beginning with the May 5, 1930 installment the art chores were taken up by Floyd Gottfredson, who also either wrote or supervised the story continuities. Gottfredson continued with the strip until 1975. By 1931, the Mickey Mouse strip was published in 60 newspapers in the US, as well as papers in twenty other countries.
From the beginning, the strips were parts of long continuing stories. These introduced characters such as the Phantom Blot, Eega Beeva, and the Bat Bandit, which Gottfredson created; Disney created Eli Squinch, Mickey's nephews, Morty and Ferdie Fieldmouse, and Sylvester Shyster, which were also introduced in the comic.
Starting in the 1950s, Gottfredson and writer Bill Walsh were instructed to drop the storylines and do only daily gags. Gottfredson continued illustrating the daily strip until he retired on October 1, 1975.
After Gottfredson retired, the strip was written and drawn by many other creators. The Sunday page went into reprints in February 1992, and the daily strip ended on July 29, 1995.
In 2011, Fantagraphics Books began the Walt Disney's Mickey Mouse series, a hardback collection of Gottfredson's run on the strip. A total of 14 volumes were published between 2011 and 2018, collecting the entirety of Gottfredson's Sunday color work and all of his serialized daily strips.

Silly Symphony

The Sunday Mickey Mouse strip started on January 10, 1932 with a topper Silly Symphony strip.Silly Symphony initially related the adventures of Bucky Bug, the first Disney character to originate in the comics. It went on to print more adaptations of Silly Symphony shorts, often using the characters and setting of the original shorts, but adding new plotlines and incidents. It also went on to print adaptations of the feature films, as well as periods of gag strips featuring Donald Duck and Pluto. By late 1935 the strip was a standalone half-page, not strictly a topper for the Mickey Sunday.
The strip was initially titled Silly Symphonies; after two years, the name was changed to Silly Symphony. The switch happened in the February 18, 1934 strip, just three weeks before Bucky Bug would be replaced with a new storyline, "Birds of a Feather".
The complete rundown of Silly Symphony strips, from 1932 to 1945:
The Silly Symphony Sunday strip ended on October 7, 1945, and was replaced by Uncle Remus and His Tales of Br'er Rabbit.
Three of the Silly Symphony stories inspired long-running features in Walt Disney's Comics and Stories. Original Bucky Bug stories first appeared in issue #39 and appeared every month for seven years, wrapping up with issue #120. "The Three Little Pigs" feature inspired the creation of Li'l Bad Wolf, the Big Bad Wolf's errant son, who wants to be friends with the Pigs. Li'l Bad Wolf's adventures began in issue #52, and he made regular appearances until almost the end of the comic's original run, issue #259. Finally, Little Hiawatha had his own monthly story for two years, from issue #143 to #168.
The complete strip has been reprinted in four hardcover collections, Silly Symphonies: The Complete Disney Classics, published by IDW Publishing's Library of American Comics imprint. The first volume, published in 2016, includes all of the strips from "Bucky Bug" to "Cookieland". Volume 2, published in 2017, includes "Three Little Kittens" to "Timid Elmer". Volume 3, published in 2018, includes "Pluto the Pup" to "Little Hiawatha". The fourth volume, published in 2019, concludes the series with "Bambi" through Panchito".

Donald Duck

made his first comics appearance in the Silly Symphony adaptation of the 1934 Disney short The Wise Little Hen. As Donald's popularity grew, he became the star of the Silly Symphony strip for an extended run, and then got his own daily strip starting on February 7, 1938. A Donald Sunday strip premiered December 10, 1939. Carl Barks, known to fans as "The Duck Man," wrote at least 20 of the strips between 1938 and 1940. Donald Duck ran until May 2005, when it went into reprints.
Starting in 2015, IDW Publishing's Library of American Comics imprint has been publishing hardcover collections of the Donald Duck strip. As of 2019, five volumes of ' and two volumes of ' have been released.

Uncle Remus and His Tales of Br'er Rabbit

Uncle Remus and His Tales of Br'er Rabbit was launched as a Sunday strip on October 14, 1945, as a preview of the upcoming 1946 film Song of the South. The Uncle Remus strip began, like Silly Symphony, as a topper for the Mickey Mouse strip, but after the first few years, almost always appeared on its own.
The previous comic strip adaptations of Disney films lasted for four or five months, but the Uncle Remus strip continued for almost thirty years, telling new stories of Br'er Rabbit and friends, until the strip was discontinued on December 31, 1972.

Walt Disney's Treasury of Classic Tales

In 1950, Disney distributed a limited-time Sunday strip adaptations of their new animated feature Cinderella, and followed the next year with Alice in Wonderland. Judged a success, the experiment was turned into an ongoing feature in 1952 -- Walt Disney's Treasury of Classic Tales—beginning with The Story of Robin Hood.
The Sunday strip ran for thirty-five years, from July 13, 1952 to February 15, 1987. The animated features adapted for the strip include Peter Pan, Lady and the Tramp, Sleeping Beauty, The Sword in the Stone and The Jungle Book. Classic Tales also featured animated shorts, including Lambert the Sheepish Lion and Ben and Me, and featurettes like Peter & The Wolf and Winnie the Pooh and the Honey Tree. The 1979-80 adaptation of The Black Hole was particularly notable for featuring pencil art by comics icon Jack Kirby, with Mike Royer inking.
Treasury of Classic Tales also adapted live-action films like Old Yeller, Swiss Family Robinson, Mary Poppins and The Love Bug. The strip transitioned from historical dramas like The Sword and the Rose and Kidnapped to comedies like The Shaggy Dog and The Parent Trap.
In 2016, IDW Publishing and their imprint The Library of American Comics began to collect all the Treasury of Classic Tales stories in a definitive hardcover reprint series. As of 2019, three volumes have been published, reprinting all the stories from Robin Hood through In Search of the Castaways. In April 2018, it was announced that, due to the sales goal of the series not being met, the third volume may be the last one to be published.

Scamp

In 1955, the animated film Lady and the Tramp inspired a new comic strip based on an adorable, unnamed puppy glimpsed at the end of the movie. Scamp debuted in newspapers on October 31, 1955, and ran for more than 30 years, ending on June 25, 1988. The strip was created by Ward Greene, a King Features Syndicate editor who wrote the original magazine story, Happy Dan, the Whistling Dog, and Miss Patsy, the Beautiful Spaniel, which inspired the film. Greene and artist Dick Moores produced the strip for eight months as a continuing story. Starting in May 1956, other creators took over, and the strip moved to a gag-a-day format.

Disney Christmas Story

Beginning in 1960, a special daily strip with a holiday theme utilizing the Disney characters was offered each year through 1987. It generally ran for three to four weeks with the concluding strip appearing a day or two before Christmas, often promoting the latest Disney release or re-release. These were unique in that in some cases, they showcased the crossover of Disney characters that otherwise rarely interacted.
The tradition was revived in 1992 as Disney Holiday Story to publicize contemporary Disney feature animated films.
In 2017, the Christmas stories were collected in a hardback volume, Disney's Christmas Classics, published by IDW Publishing. The collection includes all of the Christmas stories except for 1986's story based on Song of the South.

Winnie the Pooh

Disney created a Winnie the Pooh comic strip for King Features Syndicate starting June 19, 1978. Based on the Disney adaptations of the characters, the strip was written by Don Ferguson and drawn by Richard Moore. In addition to the regular cast of characters, Ferguson and Moore also added a knight named Sir Brian, and his worrywart dragon. The strip lasted for almost ten years, ending on April 2, 1988.

More comic strips

Besides the strips described above the other Disney strips distributed over the years included :
A proposed Roger Rabbit strip underwent development but cancellation of the sequel led King Features to pass on it.
The Disney comic strip department closed in January 1990. The last two strips, Mickey Mouse and Donald Duck, continued to be supervised by King Features. The Donald strip was drawn by Larry Knighton with King Features staffers writing it. The Donald strip was discontinued in the mid-1990s. In this period the Mickey strip had Floyd Norman as the writer and art rotating between Rick Hoover and Alex Howell. Norman convinced the syndicate to allow him to drop the gag-a-day format in favor of adventure continuities of up to four weeks, much in the style of the classic Gottfredson era. By 1994 the strip was running in only 30 newspapers and by mutual agreement of Disney and King Features it ended. Both strips continued with reprints.
In recent years Creators Syndicate has offered reprints of the Donald Duck, Mickey Mouse and Winnie the Pooh strips as part of a "classics" package and posts the current strip on its site. Domestically the strips have 20-30 clients at any one time; they also appear in many newspapers outside the United States.

United States: Comic books

Mickey Mouse Magazine

Mickey Mouse Magazine was the first Disney comics publication, and preceded the popular 1940 anthology comic book Walt Disney's Comics and Stories. There were three versions of the title—two promotional giveaway magazines published from 1933 to 1935, and a newsstand magazine published from 1935 to 1940. The publication gradually evolved from a 16-page booklet of illustrated text stories and single-page comic panels into a 64-page comic book featuring reprints of the Mickey Mouse and Donald Duck comic strips.

Walt Disney's Comics and Stories

In October 1940, Western rebranded Mickey Mouse Magazine as Walt Disney's Comics and Stories, an anthology comic book series featuring an assortment of Disney characters, including Donald Duck, Scrooge McDuck, Mickey Mouse, Chip 'n Dale, Li'l Bad Wolf, Scamp, Bucky Bug, Grandma Duck, Brer Rabbit, Winnie the Pooh, and others. With more than 700 issues, Walt Disney's Comics & Stories is the longest-running Disney comic book in the United States.
By the mid-1950s, WDC&S was the best selling comic book in America, with a circulation hovering around three million a month. It's regarded as one of the best-selling comic books of all time.
The book was originally published by Dell Comics, and there have been many revivals over the years, continuing the same legacy numbering. The revivals have been published by Gold Key Comics, Gladstone Publishing, Disney Comics, back to Gladstone Publishing, Gemstone Publishing, Boom! Studios and IDW Publishing, where it was relaunched as Disney Comics and Stories in September 2018.

Four Color

When Walt Disney's Comics and Stories launched in 1940 as a partnership between Dell Comics and Western Publishing, the comic only reprinted existing Mickey Mouse, Donald Duck and Silly Symphony comic strips, rather than creating original stories specifically for the comic book form. This was common for comic books at the time.
Dell also had an anthology series, Four Color, which started in 1939 as a series of "one-shot" specials, each focused on a particular character. In the early days, Four Color mostly featured comic strip reprints of Dick Tracy, Little Orphan Annie, Terry and the Pirates and others. The first series included two issues of Disney comic strips -- Donald Duck strips were reprinted in issue #4, and Gottfredson's Mickey Mouse serial Mickey Mouse Outwits the Phantom Blot was colored, reformatted into comic form and released as issue #16.
In 1941, Four Color published the two earliest Disney comic book stories, based on new Disney films. Issue #13 featured an adaptation of The Reluctant Dragon, and a Dumbo adaptation was the focus of issue #17. Both of these stories were assembled by using a film-editing machine called the Moviola, and having artist Irving Tripp trace the actual frames of the film to make up each panel. Each issue also had additional short back-up features—the Reluctant Dragon issue included comic adaptations of the 1941 shorts Old MacDonald Duck and Goofy's How to Ride a Horse, and Dumbo of the Circus had an illustrated text adaptation of the Donald Duck short The Village Smithy, as well as some filler comic strips from Silly Symphony and Mickey Mouse.
The next story specifically created for Disney comic books was Pluto Saves the Ship, published in Dell Comics' Large Feature Comics #7 in July 1942. The story was written by Disney animators Carl Barks, Jack Hannah and Nick George; it was Barks' first comic book work.
Four Color relaunched with a new numbering system in 1942, and in October, Dell published "Donald Duck Finds Pirate Gold" as issue #9 of the second series. This 64-page story was the first Donald Duck story drawn by Barks.
Four Color went on to produce more than 1,000 issues from 1942 to 1962, and the major ongoing Disney comics series were all launched as individual issues of the Four Color series. "Donald Duck Finds Pirate Gold" eventually became the first Donald Duck comic, Mickey Mouse began as issue #27, and the first Uncle Scrooge comic was issue #386. Scamp also began as a Four Color one-shot with issue #703, which turned into a series in 1958. When they each "graduated" to their own comic books, Dell continued their numbering as if they had been part of a series all along.
There were many other Disney characters featured in issues of Four Color. This list shows the first issue for each character:
Donald Duck first appeared as part of the Four Color one-shot series, beginning in issue #9. Carl Barks, the first great figure among Disney comic book creators, wrote all of his early long stories for the Donald Duck one-shots, including Donald Duck and the Mummy's Ring, The Terror of the River!, Volcano Valley, The Ghost of the Grotto, Christmas on Bear Mountain, The Old Castle's Secret, Sheriff of Bullet Valley, Lost in the Andes!, Voodoo Hoodoo and Luck of the North.
The title received its own numbering system with issue #26 and ended with issue #388.

Mickey Mouse

Mickey Mouse first appeared as part of the Four Color one-shot series, beginning in issue #27. It received its own numbering system with issue #28, and after many iterations with various publishers, ended with #330 from IDW Publishing.

Dell Giants

In 1949, Dell began a tradition of publishing occasional "Disney Giants", plus-size comic books with more pages and a higher price. The first Giant was Walt Disney's Christmas Parade #1. This was a 132-page square-bound comic that sold for 25 cents, considerably higher than the typical 10-cent comics. Christmas Parade had a cover by Walt Kelly, and began with a Carl Barks-penned Donald Duck story, "Letter to Santa".
Christmas Parade was a success, and Dell followed up the next year with Walt Disney's Vacation Parade #1 and Christmas Parade #2. Dell also introduced Bugs Bunny's Christmas Funnies in 1950, and soon all of Dell's top-selling characters had regular annuals and giant issues.
Christmas Parade ran for ten issues from 1949 to 1959, and was followed by Walt Disney's Merry Christmas and Donald Duck Merry Christmas.
Vacation Parade ran for five annual issues from 1950 to 1954, before being retitled Picnic Party from 1955 to 1957, Mickey Mouse Summer Fun, Walt Disney's Summer Fun, Daisy Duck and Uncle Scrooge Picnic Time and Mickey and Donald in Vacationland. There were also six annual issues of Donald Duck Beach Party from 1954 to 1959.
Dell also published nine annual issues of Silly Symphonies.
When Disneyland, the first Disney theme park, opened in 1955, Dell celebrated with the Giant Donald Duck in Disneyland, and made frequent returns to the park over the next few years, including Mickey Mouse in Frontierland, Mickey Mouse in Fantasyland, Uncle Scrooge Goes to Disneyland, Christmas in Disneyland Donald and Mickey in Disneyland on Tom Sawyer Island, Vacation in Disneyland, Disneyland Birthday Party and Disneyland U.S.A..
There were also three annual issues of Huey, Dewey and Louie Back To School in October 1959, 1960 and 1961, and a number of one-shot Giants, including Peter Pan's Treasure Chest, Mickey Mouse Birthday Party, Mickey Mouse Club Parade, Mickey Mouse Almanac and Daisy Duck and Uncle Scrooge Showboat.

Uncle Scrooge

Carl Barks introduced Donald's Uncle Scrooge in the story "Christmas on Bear Mountain", published in Four Color #178. Scrooge made regular returns to both the Donald Duck comic and Barks' stories in Walt Disney's Comics and Stories over the next few years, and he finally received his own title in Four Color #386.
The spin-off title was very popular, and by issue #4 Uncle Scrooge shed its Four Color association and became its own independent book. Scrooge is one of the longest-running American Disney comics books, and is still presently ongoing, reaching issue #450 in June 2019.
The book has been produced under the aegis of several different publishers, including Western Publishing, Gladstone Publishing, Disney Comics, Gemstone Publishing, Boom! Studios, and IDW Publishing, and has undergone several hiatuses of varying length. Despite this, it has maintained the same numbering scheme throughout its six decade history, with only IDW adding a secondary numbering that started at #1.

Gold Key/Whitman era

By the late 1950s, relations between Dell and Western had become strained. Former Western writer Mark Evanier states part of this was due to "... a small battle going on between the two companies over the ownership of properties in non-licensed comics." In 1962 Western, ended the partnership and continued their comic book line under the Gold Key Comics label. Comic book historian Joe Torcivia has dubbed the mid-1960s "... a period of creativity for Western Publishing’s Disney line not seen since its formation, and never seen again."
Western continued publishing Dell's four main titles: Walt Disney's Comics and Stories, Mickey Mouse, Donald Duck and Uncle Scrooge. They also started several titles:
By the 1970s, Disney comics were undergoing a steep decline in circulation, with newsstand distribution discontinued in 1981. Western thereafter released its comics under the Whitman label, distributing them to candy stores and other outlets in bags containing three comics and also eventually distributed them to the emerging network of comic book stores. Western ceased publishing comics in 1984.

Disney Studio Program

From 1962 to 1990 the Walt Disney Studio had a unit producing comic book stories exclusively for foreign consumption, in response to complaints of foreign comic book licensees that Western Publishing was producing fewer stories that they could reprint.
Many European publishers saw great demand for Disney comics, and it was a typical pattern for a company to publish a comic once a month, then add regular specials, then phase out the specials and publish the comic biweekly, and finally turn it into a weekly magazine. France's Le Journal de Mickey and the Netherlands' Donald Duck Weekblad started the trend, publishing weekly comics in 1952, and the others followed in the late 1950s. Germany's Micky Maus turned weekly in 1957, Denmark's Anders And & Co. in 1958, Sweden's in 1959, and Italy's Topolino in 1960. By the early 60s, the weeklies' voracious need for material was using up the available inventory of stories.
George Sherman, head of Disney's Publications Department at the time, hired Tom Golberg to run the program. Sherman noted the purpose of the program was "We use new characters in our foreign comics, characters that we don't have .... to bring out facets of existing characters, give the stories more variety."
Tony Strobl, Cliff Voorhees, Al Hubbard, Paul Murry, Jack Bradbury, Carson Van Osten, Ellis Eringer and Romano Scarpa were among the artists during its early years; Carl Fallberg, Floyd Norman, Ed Nofziger, Cecil Beard, Jim Fanning, Dick Kinney, Diana Gabaldon and Mark Evanier were among those who at some point did scripts for it. From the late 1970s on, the Jaime Diaz Studios of Argentina drew most of the stories.
In a few instances, Studio Program stories were reprinted in the United States in promotional giveaways of Gulf Oil in the late 1960s and Procter & Gamble in the mid-1970s. Mickey and the Sleuth stories were published by Gold Key in Walt Disney Showcase #38, 39 and 42. Besides the Sleuth, other characters created for the program include Donald's cousin Fethry Duck and the hillbilly hermit Hard Haid Moe. Also, while Carl Barks created John D. Rockerduck, he used the character only in a single story while the program subsequently created numerous stories with the Scrooge McDuck rival and helped refine him.
Domestic printing of Studio Program stories became common starting in the late 1980s as the Disney comics published by Gladstone and Gemstone have featured them on a regular basis, along with reprints from Gold Key/Dell and material produced by foreign licensees.
This program was merged into Disney Comics, and is the precursor of the comics that subsequently appeared in Disney Adventures.

Revivals

Starting in 1986, Disney comics in the USA were published by Gladstone Publishing. Impressed by Gladstone's unanticipated success, Disney revoked their license in 1990 to publish the comics themselves by the subsidiary W. D. Publications, Inc. under the name "Disney Comics", and a large expansion was planned. However, following the Disney Implosion in 1991, Disney gradually returned licensing to Gladstone again and Marvel Comics. Respectively, reprints of classic Barks stories were licensed to Gladstone again from 1991, while it took Gladstone until the demise of Disney Comics in 1993 to regain a license also for other stories containing the classic characters. Gladstone from then on remained publishing Disney comics until 1998.
In 2003, after a few years' hiatus, regular publication was restarted by Gemstone Publishing, a reformed version of Gladstone. Gemstone's two monthly Disney titles were Walt Disney's Comics and Stories and Uncle Scrooge, but the license was not renewed with the last releases dated Nov. 2008.
More recently, Disney licensed some of their modern properties to Slave Labor Graphics and BOOM! Kids. Boom eventually also got the license for the classic characters, and began publishing comic books with them in 2009. Although cancelling two titles previously published by Gladstone and Gemstone, Boom! expanded their Disney portfolio in 2010-'11 by launching three new titles based upon the 1990s Disney Afternoon TV format. However, in August 2011, it was reported that Disney and Boom! were to end the licensing agreement, leaving the future of comics including their classic characters as well as those from the Disney Afternoon format uncertain.
In October 2014, Comic Book Resources reported that Joe Books, a small new Canadian publisher founded by former BOOM! vice president Adam Fortier, had acquired the rights to a "remastered" omnibus reprint of BOOM's entire Darkwing Duck comic series that would lead into an all-new on-going Darkwing Duck series produced by Joe Comics, and in February 2015, CBR ran an interview with series artist James Silvani and series writer Aaron Sparrow on the new "remastered" omnibus collection published by Joe Books that month, as well as their plans for the announced new series. As the November 2014 edition of the Overstreet Comic Book Price Guide also contained ads for Joe Books comic adaptations of two theatrical Disney features, observers have expressed rumors that Joe Books has acquired the full North-American comic license to all Disney animated and live-action properties.
In January 2015, IDW Publishing announced on their public Facebook account that they were to start publishing all the classic-characters Disney titles, starting with Uncle $crooge in April of that year and focussing on reprints of European Disney comics with these characters by artists such as Marco Rota and Romano Scarpa. The rights to North-American reprints of Carl Barks and Don Rosa comics are currently held by Fantagraphics Books.
Disney has also begun publishing a bimonthly magazine based on Phineas and Ferb, featuring comic stories based on the show. Between 1999 and 2005, Dark Horse Comics published occasional adaptations of Disney's new movies.
The Disney Studio launched Kingdom Comics division in May 2008 led by writer-actor Ahmet Zappa, TV executive Harris Katleman and writer-editor Christian Beranek. Kingdom was designed to create new properties for possible film development and reimagine and redevelop existing Disney library movies with Disney Publishing Worldwide getting a first look for publishing.

Disney Afternoon comics

There have been many comic books based on the popular 1990-1997 "Disney Afternoon" slate of afternoon television cartoon series:
Notable American Disney comic book writers and artists include Carl Barks, Tony Strobl, Paul Murry, William Van Horn, and Don Rosa.
Disney comic titles in the USA include:
The first Italian Disney comics were published in the early 1930s, and Federico Pedrocchi wrote and illustrated the first Italian Donald Duck adventure comic as early as 1937—a story called "Paolino Paperino e il mistero di Marte" in the weekly paper Paperino e altre avventure.
Italy is the country of origin for some of the most famous Disney comic authors, including Guido Martina, Luciano Bottaro, Giovan Battista Carpi, Romano Scarpa, Carlo Chendi, Giorgio Cavazzano, Marco Rota and Silvia Ziche. Italy has introduced several new characters to the Disney universe, including Donald's superhero alter ego Duck Avenger, created in 1969. Production has been handled by :it:Casa Editrice Nerbini|Nerbini, Mondadori, Disney Italy and Panini Comics.
Topolino is the main Italian Disney publication, and its first incarnation was a weekly newspaper published from 1932 to 1949, for a total of 738 issues. In 1949, Topolino switched to a digest-sized format and its numbering restarted at #1: originally a monthly, it became a biweekly in 1952 and a weekly in 1960. The second incarnation of Topolino reached its 3000th issue in 2013. At first, Topolino alternated between translations of foreign stories and original stories produced by Italian authors, however since the early 1990s foreign stories have mostly disappeared from it. The number of Disney stories produced and published in Italy is far larger than in the US. Italian stories are regularly translated in other European languages.
Italy's digest-sized format has been adopted by many other countries in the long running Donald Duck pocket book series.
In the late 1990s, Disney Italy launched several new lines, including PKNA - Paperinik New Adventures, MM Mickey Mouse Mystery Magazine, Wizards of Mickey, DoubleDuck, and W.I.T.C.H., plus the comics published under the imprint Buena Vista Comics.
The Disney comics published in Italy include:
French-produced stories started in 1952, as a one-pager comic published in each issue of Le Journal de Mickey, drawn by Louis Santel and written by Pierre Fallot. After a few issues, a new series started and continued up to 1978, drawn almost entirely by Pierre Nicolas and written by Fallot and Jean-Michel le Corfec.
Later in the beginning of the 1980s, a new production started, led by Patrice Valli and Pierre Nicolas as editors with adventures of Mickey Mouse, Uncle Scrooge, Donald Duck. Among the best artists, one recalls Claude Marin, or Claude Chebille, and Italian artists like Giorgio Cavazzano. Some of the best writers were Michel Motti and Pierre-Yves Gabrion. In the late 1980s up to now, an increasing number of Spanish artist from the Comicup studio provided the art, while the writing stayed to French authors.
Disney comics published in France include:
Disney comics first appeared in the United Kingdom in the Mickey Mouse Annual, which published 18 editions between 1930 and 1947. The books were published by Dean & Son, and illustrated by Wilfred Haughton.
Inspired by the 1935 launch of the US newsstand Mickey Mouse Magazine, UK publisher Odhams Press established Mickey Mouse Weekly, a large-size 12-page comics magazine, with four pages in full-color photogravure. Wilfred Haughton contributed to this publication as well, which featured the full range of characters from the Mickey Mouse and Silly Symphony cartoons. The magazine included new material—both Disney and non-Disney—as well as reprints of the American comic strips. Mickey Mouse Weekly featured the first ever Donald Duck comic book serial, originally called Donald and Donna, which began in issue #67, drawn by William A. Ward. There were 15 weekly parts of this first serial featuring Donald and his girlfriend Donna, an early version of Daisy Duck. Donna left the series after the first story, which was continued as Donald Duck, Donald and Mac and Donald Duck with Mac for the next three years, ending in issue #222. Goofy and Toby Tortoise also had their own strip, The Defective Agency, and so did Elmer Elephant, Pinocchio, Thumper and the mice from Cinderella, Jaq and Gus. The popular magazine ended in 1957, after 920 issues, because of a copyright dispute with Disney.
Immediately after the close of Mickey Mouse Weekly, another Disney comics magazine was launched: Walt Disney's Mickey Mouse, which ran for 55 issues from 1958 to 1959, and then changed title to Walt Disney's Weekly, publishing another 111 issues until 1961.
Other Disney comics published in the UK include:
Danish publisher Egmont has one of the largest productions of Disney comics in the world. This production is not only for Denmark proper, but nearly identical magazines are being published simultaneously every week for all the Nordic countries, Germany, and since the fall of the Berlin Wall in 1989, Eastern Europe. The Danish company started publishing their own series in the early 1960s, however, a majority of Egmont's production have been made by foreign artists such as Vicar and Daniel Branca, even US based artists such as Don Rosa, and Willam Van Horn. The Scandinavian countries are among the countries in which Donald Duck is more popular than Mickey Mouse.
Disney titles published in Denmark include:
Sweden was the first Scandinavian country to publish a Disney comic book—the flagship comic , which started in September 1948. The comic began as a monthly, became bimonthly in 1957, and then a weekly magazine in July 1959. The comic is now identical to Anders And & C:o from Denmark and Donald Duck & C:o from Norway. All are published by the Scandinavian corporate group founded in 1878 as Gutenberghus; the name changed to Egmont in 1992. The Finnish Aku Ankka is published separately, but is largely the same.
In the 1950s, Swedish Disney comics reprinted existing material from America, both in Kalle Anka & C:o and a monthly series, Walt Disney's serier. When the supply of American comics started to dry up in the 1960s, Denmark's publishing house Gutenberghus began producing original series, followed by Italy's Mondadori and Disney's own "Disney Studio" program. The pocket book Kalle Anka's Pocket was introduced in 1968, and is still running today. A second pocket book, Farbror Joakim was added in 1976.
In 1980, Musse Pigg & C:o was added as a monthly comic, and it continues as a bimonthly. Other current titles are Kalle Anka Extra and Kalle Anka Junior.

Germany

Though Mickey Mouse was a famous movie character in Germany since his first appearance in 1929, no regular comic books were produced until the 1950s. Initially, a few comic strips were published in some German newspapers, e.g. the Kölner Illustrierte Zeitung. The only regular publication in German language was the Swiss Micky Maus Zeitung published by Bollmann in 1937, but it lasted only for 18 issues. As the Nazi government did not like comic books at all, in the Third Reich there were almost no Disney comic books.
After World War II the Ehapa Verlag in Stuttgart, West Germany, a subsidiary of Danish Egmont Publishing started in September 1951 the monthly publication Micky Maus, a format similar to Walt Disney's Comics & Stories. From the start it featured stories by Carl Barks, translated by chief editor Dr. Erika Fuchs. The comic book was published on a biweekly basis 1956/57 and from 1958 on it changed into a weekly. Renamed Micky Maus Magazin it is still published today from the now Berlin located Egmont Ehapa publishing company and thus is the longest running German comic book. In its heyday its weekly circulation number rose up to one million copies. Since then it dropped down to ca. 180.000 today. In spite of the name, most stories of Micky Maus feature Donald Duck as he is the most popular Disney character in Germany.
Many other titles were/are published by the same company, most notably Die tollsten Geschichten von Donald Duck, the Lustige Taschenbuch and many others.
In East Germany, no Disney comics were printed.
Disney comics from Germany include:
The first Mickey Mouse stories were published in Brazil in 1930, in the comics anthology O Tico Tico, under the name Ratinho Curioso. The magazine reprinted US comic strips by Floyd Gottfredson.
In Brazil, through the publisher Abril, national stories have been published since the 1950s, with artists like Jorge Kato, hugely inspired by Carl Barks. In the 1960s and 1970s, Renato Canini drew a number of stories in a style inspired by the popular design of the era. He also developed a universe around José Carioca, a very popular character in Brazil. In the 1970s and 1980s, Abril intensified the production. Except for José Carioca, recurring characters in the production included Daisy and Fethry Duck. Among the most prolific authors, were the writer Arthur Faria Jr. and the artist Irineu Soares Rodriguez. Brazil is also known to have retained many "obscure" characters, largely forgotten elsewhere, besides Portugal.
Initially "O Pato Donald" was published in comic book format, from #22 began to be published in digest-sized format.
At the end of the 1990s, the Brazilian production ceased, to start up a new for a short while in the 2000s. After an absence of almost 10 years, with just a few special events stories, production started up again in the end of 2012.
During the 2010s Abril was also responsible for publishing Disney's manga in Brazil, including titles like Kingdom Hearts, Big Hero 6, Kilala Princess, Stitch!, Miriya and Marie, Star Wars, and others.
Disney comics were published by Editora Abril since 1950, but the troubled company stopped publishing them in 2018.
In 2019 however the comics returned to be published through the recent publisher Culturama, returning to sell the comics of the characters best known to the public with the exception of José Carioca.
Disney comics include:
The Netherlands has a significant school of Disney comics. The first Dutch Disney comics appeared in 1953. In 1975, Daan Jippes became the art director for production of these comics, and created a heavily Barks-inspired line that remains the best-known Dutch Disney style. Donald Duck is the most popular Disney character in the Netherlands, but Sanoma also produces comics starring lesser-known characters such as Li'l Bad Wolf.
The Disney comics published in the Netherlands include:
While the Donald Duck comics thrive in the Netherlands, the audience for Mickey Mouse has been relatively weak. A monthly magazine, Mickey Maandblad, was published in several formats from 1976 to 1989, finally dropped for lack of sales.

Egypt

Mickey Mouse was introduced to the Arab world through a comic book called Samir, which published Samir Presents Mickey #1 in April 1958. This series published 24 issues in 1958 and 1959.
Mickey Mouse was very popular in Egypt, and in 1959 he got a weekly comic book with his name, ميكي. After 44 years of publication, the publisher Dar-Al-Hilal stopped the magazine in 2003 after disputes with Disney. The last issue was #2188, published in March 2003.
In 2004, publisher Nahdat Masr got the Disney license, and the first issues were sold out in less than 8 hours. The new version of Mickey published issue #0 in December 2003, and issue #1 in December 2004. As of 2018, the magazine had reached more than 700 issues.
Besides the publication of the weekly magazine, two monthly magazines are published: مجلد سوبر ميكى and Mickey Geib "Pocket Mickey".

Greece

The weekly Miky Maous comic was first published on July 1, 1966, and continued in print for more than 45 years, ending on September 6, 2013 with issue #2460-61. The comic was discontinued in 2013, with the publisher Nea Aktina A. E. facing financial difficulties.
In 2014, the comic was relaunched by Kathimerini, starting the numbering again from #1.

Other countries

Starting in the 1970s, as production of new Disney comics stories moved from a mostly-centralized American publishing program to a group of international publishers sharing work, it became a practice to give each Disney comics story a unique letter-number code. This helps to identify a single story across language translations.
The code is usually printed at the bottom of the story's first panel, and it consists of one or more letters, representing the publisher or country of origin, followed by a multi-digit number. In some cases, the code ends with another letter.
The main publishers are:
Story code prefixProducer
ARAnother Rainbow, USA
BAbril
DEgmont
EDisney Europe
FDisney-Hachette
GEhapa
HOberon
IMondadori, Disney Italy, Panini Comics
KDisney Comics
MMarvel Comics
SDisney Studios
WWestern Publishing

When a licensee decides they wish to reprint stories originally produced by another licensee and need films or other reproducible materials to facilitate said reprinting, the request is made making reference to the story code. It's Disney policy that all licensees must cooperate in the facilitating of such reprinting by providing the reproducible materials at cost. The codes are also a useful tool for indexers, especially those wishing to keep track of the diverse output of the various Disney comics publishers worldwide through the database.

I.N.D.U.C.K.S. Database

is a freely available database aiming to index all Disney comics ever printed in the world. The project started in 1992; today, the database lists Disney publication, stories, characters, authors, over sea publication of stories in countries that are not known to have ever produced any stories such as Iceland and much more. Most people use the I.N.D.U.C.K.S. through a search engine, browser and website abbreviated COA, which is daily updated based on I.N.D.U.C.K.S. data, and is available in a dozen languages.

Notable writers and artists