Donna Summer (album)


Donna Summer is the self-titled tenth studio album by American singer-songwriter Donna Summer, released on July 19, 1982. It featured the Top 10, Grammy-nominated "Love Is in Control " single.

Background

Having left Casablanca Records, with whom she had had some of the biggest selling and most popular hits of the disco era in the 1970s, Summer had signed to Geffen Records in 1980 and had continued working with Giorgio Moroder and Pete Bellotte, with whom she had written the vast majority of her hits. However, label owner David Geffen had been disappointed with the chart performance of the 1980 The Wanderer, Summer's debut album for Geffen and rather than release the follow-up I'm a Rainbow, which Summer had recorded with Moroder/Bellotte in 1981, Geffen had Summer record a new album with Quincy Jones from whom a production credit – given Jones' track record particularly his work with Michael Jackson – Geffen felt would guarantee a commercial smash. The resultant Donna Summer album was the first time the singer had worked with a producer other than Moroder and Bellotte since 1974 save for the one-off track "Down Deep Inside " which was produced by John Barry for the film The Deep, and the "No More Tears " duet with Barbra Streisand which was co-produced by Gary Klein of The Entertainment Company.

Writing and recording

Since the disco era, Summer's work had covered a variety of musical genres and this album was no exception. It had quite a strong soul influence, and featured a couple of gospel-styled tracks, namely " Hurts Just a Little" and a version of Jon and Vangelis' "State of Independence", which featured an all-star choir. Rock music was also found in the form of the Bruce Springsteen-penned "Protection"; the track had been planned as a Donna Summer/Bruce Springsteen duet but that concept was abandoned as unworkable. The album concluded with Summer's take on the Billy Strayhorn torch standard "Lush Life". The song "Mystery of Love" used the opening material from Bach's "The Well-Tempered Clavier", Book 1: Prelude and Fugue No. 2 in C minor for the keyboard part in the introduction and verse.
Several very popular songwriters were used on this album. As well as the aforementioned Springsteen, Vangelis and Jon Anderson, Quincy Jones himself contributed to the writing, as did other names such as Rod Temperton, Merria Ross, John Lang, Richard Page, Bill Meyers, Michael Clark, John Bettis, David Foster, Steve Lukather, Michael Sembello, Dan Sembello and David Batteau. This made it the largest number of songwriters ever to contribute to a Donna Summer album.
A period of six months elapsed between the first session for the Donna Summer album and the completion of the tracks. Summer has since stated that this was one of the hardest albums ever to record – some of the songs were quite challenging, plus she was pregnant with her daughter Amanda Grace at the time. It has also been reported that she found producer Quincy Jones to be rather boisterous and controlling and soon after the album's release she opened up to the Los Angeles Times: "Sometimes I feel it's a Quincy Jones album that I sang on".

Release

The Donna Summer album was released July 19, 1982 with the advance single: "Love Is in Control " having been issued six weeks previous. "Love Is in Control" would peak at No. 10 on the Billboard Hot 100 in September 1982 when the Donna Summer album would reach No. 20 in Billboard; the album's subsequent single releases: "State of Independence" and "The Woman in Me", which respectively peaked on the Hot 100 at Nos. 41 and 33, failed to increase the album's chart impact.
Ultimately the Donna Summer album would fall short of its goal to restore its singer to the level of stardom she'd enjoyed in the 1970s: "Love Is in Control" would have the lowest Hot 100 peak of a lead single from an album of new material by Donna Summer since 1977 and the No. 20 peak of the Donna Summer album evidenced a further drop in popularity from the singer's debut album of the 1980s: The Wanderer, whose No. 13 peak had disappointed David Geffen to the point where he'd suppressed the follow-up album Summer had prepared with Giorgio Moroder and Pete Bellotte instigating the Quincy Jones-produced Donna Summer album project.
"Love Is in Control" did represent a considerable comeback for Summer on the R&B charts with a No. 4 peak affording the singer her fifth Top 5 R&B hit. Summer also reached the UK Top 20 with both "Love Is in Control" and "State of Independence" with these tracks both reaching the Top Ten in the Netherlands – at respectively Nos. 6 and 1 – where "The Woman in Me" reached No. 7.
The aforementioned advance single "Love Is in Control" featured a non-album track on its B-side: "Sometimes Like Butterflies", a song that Summer penned with Bruce Roberts. This song would later be covered by Dusty Springfield, and Summer's original version was included on the CD, A Different Love by Canadian singer, Mark Tara, as a benefit for CANFAR. Quincy Jones is credited as producer for this song as well, although the minimalistic approach to this song was very different from the tracks included on the Donna Summer album.
French electronic duo Cassius sampled " Hurts Just a Little" on their 1999 single "Cassius 99 Remix".

Track listing

Personnel

Production

Weekly charts

Single