Dorr Hodgson Bothwell was an American artist, designer, educator, and world-traveler. A varied artist, Bothwell was considered a part of the Bay Area Surrealist artist scene and has paintings, drawings, collages, and prints in notable museums throughout the world. She was particularly known for her innovative use of serigraphy as a fine art form. Born in San Francisco, California, and later raised in San Diego, California, Bothwell knew from the age of 4 that she wanted to be an artist. As a teenager, she studied dance at the Ratliff School for Dancing. Her art career began at the California School of Fine Arts in 1921 under the tutelage of Gottardo Piazzoni and Rudolph Schaeffer. Bothwell was married to sculptor Donal Hord in 1932 but divorced shortly after likely due to her independence in traveling and difference of opinion on "domestic duties".
Travels
Bothwell's travels began in 1928, after her father died. Her destination, Samoa, was influenced by watching the film Moana and a desire to live cheaply after a change in her financial situation. She spent 1928 and 1929 living and working in Samoa where she learned the language, and was appointed taupo, adopted daughter of a Samoan village chief. Upon consenting to be tattooed, she was accepted as a full Samoan, and subsequently learned their songs, dances and ceremonies. She spent another two years in Europe before resettling in San Diego in 1932, where she married her childhood friend, sculptor Donal Hord. Separating from Hord, she moved to Los Angeles in 1934, joining the post-surrealist group around Lorser Feitelson and Helen Lundeberg, and participating in the mural division of the Federal Arts Project, where she learned the art of screenprinting, which would become her favored graphic technique. She returned to San Francisco in 1942. She traveled to Paris in 1949/51, to Africa in 1966/67, to England, France and the Netherlands in 1970, to Bali, Java and Sumatra in 1974, and to China and Japan in 1982/85.
In 1968, Dorr Bothwell and Marlys Mayfield wrote Notan – on the Interaction of Positive and Negative Spaces. It was first reissued in 1976, and the first Danish translation was published in 1977. In 1991 the book was republished by Dover Publications as Notan: The Dark-Light Principle of Design; it has been in print continuously since then.
