Down by Blackwaterside


"Down by Blackwaterside" is a traditional folk song, provenance and author unknown, although it is likely to have originated near the River Blackwater, Northern Ireland.

Synopsis

The song tells the story of a woman who has her heart broken "down by Blackwaterside" when a suitor breaks his promise of marriage, which he made to trick her into having sex with him. Her suitor mocks her for believing that he would marry her and tells her to go back to her father. He tells her she has only herself to blame for having sex before marriage. She realizes he will never return and berates herself for believing his lies.

Roud 564 Variant

The Roud 564 variant of the song was popularized by a BBC Archive recording of an Irish Traveller, Mary Doran recorded by Peter Kennedy and Sean O'Boyle on either the 24th of July or the 1st of August 1952. During the same recording sessions her husband Paddy Doran and Winnie Ryan also performed versions of the song.
Mary Doran's version was taught to the singer Anne Briggs by A. L. Lloyd. Briggs in turn taught it to singer/guitarist Bert Jansch. Early in 1965, Briggs and Jansch were performing regularly together in folk clubs and spent most of the daytime at a friend's flat, collaborating on new songs and the development of complex guitar accompaniments for traditional songs. Briggs has noted that "Everybody up to that point was accompanying traditional songs in a very... three-chord way.... It was why I always sang unaccompanied... but seeing Bert's freedom from chords, I suddenly realisedthis chord stuff, you don't need it". "Blackwaterside" was one of the first songs that they worked on. Briggs belatedly recorded the song on her eponymous 1971 album, though Jansch had recorded it in 1966 on his album Jack Orion. It is not known when Jansch started singing the song in the folk clubs, but certainly before the recording of Jack Orion. The story of Jansch learning the tune from Briggs is retold in Ralph McTell's "A Kiss in the Rain."

Recordings

The Irish traditional singer Paddy Tunney recorded versions of both songs. A well as the traditional singers, the two songs have been covered by numerous artists including Isla Cameron, Anne Briggs, Bert Jansch, Sandy Denny, Show of Hands, Oysterband, the Clancy Brothers and Tommy Makem, particularly during the folk music boom in Britain in the 1960s.
A number of the artists in the recordings listed below have issued the same version on multiple albums. Only the first one of each version appears below.
YearAlbumArtistVariantNotes
1966The Irish EdgePaddy TunneyRoud 564named "Blackwater Side"
1966Jack OrionBert JanschRoud 564
1969Led ZeppelinLed ZeppelinRoud 564Instrumental, named "Black Mountain Side"
1971Anne BriggsAnne BriggsRoud 564
1971The North Star Grassman and the RavensSandy Denny
1991Home FireRon Kavana
1996BlackwaterAltan
1998Folk MusicShow of HandsCombined with "The Train"
1998The Voice of the People Vol. 10Paddy TunneyRoud 312Recorded in 1965 as "Blackwaterside"
1998A Folk Song A Day 1: July 2010Jon Boden-
2002Rise AboveOysterband
2014The Flax in Bloom Paddy DoranRoud 564Recorded in 1952
2017WandererCara DillonHenry H811Recorded in 2017
2018Hand Rolled HaloThe Eastern SwellRoud 564Recorded in 2018
2019Bonny Light HorsemanBonny Light HorsemanRecorded as "Blackwaterside"

Comparisons with "Black Mountain Side"

's song "Black Mountain Side" is similar sounding to "Blackwaterside". Singer-songwriter Al Stewart claims to have taught the folk song to Zeppelin's guitarist Jimmy Page. Stewart, who had arrived in London in early 1965, followed Jansch's gigs closely and learnt what he thought was Jansch's version of "Blackwaterside". However, he mistakenly believed that Jansch was using the DADGAD tuning on his guitar, whereas he was in fact using 'drop-D' tuning. At the time, Stewart was recording his own debut album and had engaged Page as a session musician. According to Stewart's account, it was he who taught Page "Blackwaterside" in DADGAD during a tea-break. This may even have been Page's first acquaintance with DADGAD.
In spite of this difference, Jansch's record company sought legal advice in consultation with two eminent musicologists and John Mummery QC, a copyright barrister in the United Kingdom, following the release of the Led Zeppelin album, on which "Black Mountain Side" appears. Ultimately, however, no legal action was ever taken against Led Zeppelin, although it was likely that Page had borrowed from Jansch's piece because it could not be proved that the recording in itself constituted Jansch's own copyright, as the basic melody was traditional. Nevertheless, Jansch said that Page "ripped me off, didn't he? Or let's just say he learned from me."