Agolli first attained success as a poet. His early verse collections I went out on the street, My steps on the pavement, and Mountain paths and sidewalks, introduced him to the reading public as a sincere and gifted lyric poet of the soil who already demonstrated masterful verse technique. An attachment to his roots came to form the basis of his poetic credo.
Prose attempts
As a prose writer, Agolli first made a name for himself with the novel Commissar Memo, translated in English as The bronze bust, Tirana 1975 originally conceived as a short story. Agolli's second novel, The man with the cannon translated into English in 1983, takes up the partisan theme from a different angle and with a somewhat more subtle approach. After these two novels of partisan heroism, Agolli produced also some interesting work, his satirical Splendour and fall of comrade Zylo, which has proved to be his claim to fame. Comrade Zylo is the epitome of the well-meaning but incompetent apparatchik, a director of an obscure government cultural affairs department. His pathetic vanity, his quixotic fervour, his grotesque public behaviour, in short his splendour and fall, are all recorded in ironic detail by his hard-working and more astute subordinate and friend Demkë who serves as a neutral observer. Comrade Zylo is a universal figure, a character to be found in any society or age, and critics have been quick to draw parallels ranging from Daniel Defoe and Nikolay Gogol’s Revizor to Franz Kafka and Milan Kundera's Zert. But it is doubtless the Eastern European reader who will best appreciate all the subtleties of the novel. Splendour and fall of comrade Zylo first appeared in 1972 in the Tirana satirical journal Hosteni and was published the following year in a monograph form. All in all, Agolli’s strength in prose lies in the short story rather than in the novel. Sixteen of his short stories were published in English in the volume: Short stories, Tirana 1985. One early collection of tales, the 213-page The noise of winds of the past, had the distinction of being banned and ‘turned into cardboard.’ The author was accused of Soviet revisionism at a time when the party had called for more Maoist revolutionary concepts in literature and greater devotion to the working masses.
Dritëro Agolli has been a prolific writer throughout the 1990s, a rare voice of humanity and sincerity in Albanian letters. He has been exceptionally productive in recent years, with numerous well-received verse collections: The time beggar, The spirit of our forefathers, The strange man approaches, Ballad for my father and myself, Midnight notebook, and The distant bell. Among recent volumes of prose are: the short story collection Insane people ; The naked horseman, and The devil's box. Agolli, who was a heavy smoker all his adult life, died from pulmonary disease on 3 February 2017 in Tirana at the age of 85.
Writing style
Agolli delights in earthy rhymes and unusual figures of speech. His fresh, clear and direct verse, coloured with the warm foaming milk of brown cows in the agricultural co-operatives, with ears of ripening corn in the Devoll valley and with the dark furrows of tilled soil, has lost none of the bucolic focus which remained the poet's strength, and one which he cultivates consciously. Over the years, Agolli has advanced and managed to remain true to himself and to his readers despite the vicissitudes of public life. In the volume The belated pilgrim, his first book ever written without an eye to the invisible censor, we encounter a new chapter: not only in the life of the poet, but also in the struggle of his people for survival. Agolli confesses in a postscript: "For poets of my generation, an age of disappointments and dilemmas has dawned, an age in which to re-evaluate what we produced, without forgetting or denying those fair and humane values we brought forth. But the fortress of ideas and ideals which we believed in, some of us completely, others partially, has all but collapsed, and in its walls burn the fires of our dreams. Those fires have awakened a different type of verse..."
Though Agolli was a leading figure in the communist nomenklatura, he remained a highly respected pillar of public and literary life after the fall of the dictatorship, and is still one of the most widely read authors in Albania. In the early 1990s, he was active for several years as a member of parliament for the Socialist Party of Albania. He also founded his own Dritëro Publishing Company by means of which he has been able to publish many new volumes of prose and poetry, and make a major impact on literary and intellectual life in the country.
