The East Coast Black Age of Comics Convention is the Philadelphia region's first blackcomic book convention, bringing together hundreds of comic book, science fiction, and fantasy creators, their colleagues, and their fans. The ECBACC is a 501 non-profit community-based organization focused on education, literacy and the arts. ECBACC, Inc. was founded in 2002 by Yumy Odom, a multidisciplinary educator, scientist and researcher affiliated with Temple University, and Maurice Waters. ECBACC is an outgrowth of the “Black Age of Comics”, a movement and era dedicated to people of African descent creating a plethora and range of Black characters in the U.S. comic book industry. ECBACC is generally held on a May weekend in Philadelphia, with festivities kicking off on Friday evening for the Glyph Comics Awards ceremonies, followed by a full-day convention on Saturday. The ECBACC STARS Workshop is an ECBACC initiative designed to use comic book art and imagery as a vehicle to foster creativity and promote literacy, with a secondary focus on introducing participants to the various career options that exist within the comic book industry. ECBACC STARS participants learn what it is like to be comic book creators via the “Create Your Own Hero” exercises while they put their imaginations to work as they pen their own stories for the characters they create. Along with panels, seminars, and workshops with comic book professionals, ECBACC now features a costume contest.
History
Originally slated to be called the Pan-African Comic Convention or First World Komix Con , and after over a decade of deliberations, networking and consortium-building, the first convention was held in Temple University's Ritter Hall, in the Walk Auditorium, on May 11, 2002. Guests at the inaugural show included Arvell Jones, William H. Foster, III, Lance Tooks, and Jerry Craft. The 2003 show had 50 attendees coming to see such guests as William H. Foster, III, Jerry Craft, and Anthony Jappa. In 2004, ECBACC inaugurated the ECBACC Pioneer Lifetime Achievement Award; beginning in 2005, the convention expanded to two days. Starting in 2006, the Glyph Comics Awards became part of the annual ECBACC convention. The 2007 show featured guests Dwayne McDuffie, Kyle Baker, and Taimak. The 2008 show was dedicated to celebrating black women in comics; guests include Jerry Craft. The 2009 convention featured such guests as Kevin Grevioux, Jamal Igle, Reggie Byers, Leslie Esdaile Banks, and Eric Battle. Guests of the 2010 show included Eric Battle, Reggie Byers, Shawn Martinbrough, and Larry Stroman. The 2011 ECBACC featured guests Jerry Craft, Alex Simmons, and Eric Battle. ECBACC's first annual costume contest, dubbed "AfriCoz”, was held on Saturday, May 19, 2012. Guests at the show included William H. Foster, III, Alex Simmons, and Eric Battle. The 2013 ECBACC included the second annual costume contest and a screening of the documentary filmWhite Scripts and Black Supermen.
Events
Awards
ECBACC Pioneer Lifetime Achievement Award
The ECBACC Pioneer Lifetime Achievement Award honors those men and women, many unsung, who have made innovative, dynamic, and lasting contributions to the comic book and science-fiction industry, and who have paved the way for others.
ECBACC's AFRICOZPLAY costume contest is a new way in which ECBACC can fulfill its mission of celebrating positive images of Blacks in the comic book and sci-fi industry. “AfriCoz” cosplay is defined as pop-culture cosplay with a cultural or aesthetic focus on portrayals of Black characters. “AfriCoz” not only celebrates Black characters but also allows costumers and cosplayers of African descent to fully engage the recreation of fantasy costuming without the cultural biases that brand Black characters as second-rate, inferior, and/or unpopular. A costumer who costumes as a character of Black or African descent is described as an Africozer or and Africosplayer. Side note: Some Black cosplayers have felt they had few options but to dress as White superheroes and science-fiction characters, or even as Asian or Manga-styled characters, although doing so afforded them very little positive feedback, little notoriety, and a great lack of support from cosplayers at-large.
