Early Modern English


Early Modern English or Early New English is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century.
Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland.
The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the King James Bible and the works of William Shakespeare, and they have greatly influenced Modern English.
Texts from the earlier phase of Early Modern English, such as the late-15th century Le Morte d'Arthur and the mid-16th century Gorboduc, may present more difficulties but are still obviously closer to Modern English grammar, lexicon, and phonology than are 14th-century Middle English texts, such as the works of Geoffrey Chaucer.

History

English Renaissance

Transition from Middle English

The change from Middle English to Early Modern English was not just a matter of changes of vocabulary or pronunciation; a new era in the history of English was beginning.
An era of linguistic change in a language with large variations in dialect was replaced by a new era of a more standardised language, with a richer lexicon and an established literature.
;Elizabethan era

Jacobean and Caroline eras

Jacobean era (1603–1625)
The English Civil War and the Interregnum were times of social and political upheaval and instability.
The dates for Restoration literature are a matter of convention and differ markedly from genre to genre. In drama, the "Restoration" may last until 1700, but in poetry, it may last only until 1666, the annus mirabilis, and prose, it last until 1688, with the increasing tensions over succession and the corresponding rise in journalism and periodicals, or until 1700, when those periodicals grew more stabilised.
The 17th-century port towns and their forms of speech gain influence over the old county towns. From around the 1690s onwards, England experienced a new period of internal peace and relative stability, which encouraged the arts including literature.
Modern English can be taken to have emerged fully by the beginning of the Georgian era in 1714, but English orthography remained somewhat fluid until the publication of Johnson's A Dictionary of the English Language, in 1755.
The towering importance of William Shakespeare over the other Elizabethan authors was the result of his reception during the 17th and the 18th centuries, which directly contributes to the development of Standard English. Shakespeare's plays are therefore still familiar and comprehensible 400 years after they were written, but the works of Geoffrey Chaucer and William Langland, which had been written only 200 years earlier, are considerably more difficult for the average modern reader.

Orthography

The orthography of Early Modern English was fairly similar to that of today, but spelling was unstable. Early Modern English, as well as Modern English, inherited orthographical conventions predating the Great Vowel Shift.
Early Modern English spelling was similar to Middle English orthography. Certain changes were made, however, sometimes for reasons of etymology.
Early Modern English orthography had a number of features of spelling that have not been retained:
Many spellings had still not been standardised, however. For example, he was spelled as both he and hee in the same sentence in Shakespeare's plays and elsewhere.

Phonology

Consonants

Most consonant sounds of Early Modern English have survived into present-day English; however, there are still a few notable differences in pronunciation:
The following information primarily comes from studies of the Great Vowel Shift; see the related chart.
The r sound was probably always pronounced with following vowel sounds. Furthermore, were not necessarily merged before, as they are in most modern English dialects. The stressed modern phoneme, when it is spelled, and perhaps , had a vowel sound with an a-like quality, perhaps about or. With the spelling, the sound may have been backed, more toward in words like worth and word. In some pronunciations, words like fair and fear, with the spellings and, rhymed with each other, and words with the spelling, such as prepare and compare, were sometimes pronounced with a more open vowel sound, like the verbs are and scar. See for more information.

Particular words

Nature was pronounced approximately as and may have rhymed with letter or, early on, even latter. One may have merged to the sound of own, with both one and other using the era's long vowel, rather than today's vowels. Tongue merged to the sound of tong and rhymed with song.

Grammar

Pronouns

Early Modern English had two-second-person personal pronouns: thou, the informal singular pronoun, and ye, the plural pronoun and the formal singular pronoun.
"Thou" and "ye" were both common in the early-16th century but by 1650,"thou" seems old-fashioned or literary. It has effectively completely disappeared from Modern Standard English.
The translators of the King James Version of the Bible had a particular reason for keeping the "thou/thee/thy/thine" forms that were slowly beginning to fall out of spoken use, as it enabled them to match the Hebrew and Ancient Greek distinction between second person singular and plural. It was not to denote reverence but only to denote the singular. Over the centuries, however, the very fact that "thou" was dropping out of normal use gave it a special aura and so it gradually came to be used to express reverence in hymns and in prayers.
Like other personal pronouns, thou and ye have different forms dependent on their grammatical case; specifically, the objective form of thou is thee, its possessive forms are thy and thine, and its reflexive or emphatic form is thyself.
The objective form of ye was you, its possessive forms are your and yours and its reflexive or emphatic forms are yourself and yourselves.
The older forms "mine" and "thine" had become "my" and "thy" before words beginning with a consonant other than h, and "mine" and "thine" were retained before words beginning with a vowel or an h, as in mine eyes or thine hand.

Verbs

Tense and number

During the Early Modern period, the verb inflections became simplified as they evolved towards their modern forms:
The modal auxiliaries cemented their distinctive syntactical characteristics during the Early Modern period. Thus, the use of modals without an infinitive became rare. The use of modals' present participles to indicate aspect, and of their preterite forms to indicate tense also became uncommon.
Some verbs ceased to function as modals during the Early Modern period. The present form of must, mot, became obsolete. Dare also lost the syntactical characteristics of a modal auxiliary and evolved a new past form, distinct from the modal durst.

Perfect and progressive forms

The perfect of the verbs had not yet been standardised to use only the auxiliary verb "to have". Some took as their auxiliary verb "to be", such as this example from the King James Version: "But which of you... will say unto him... when he is come from the field, Go and sit down..." . The rules for the auxiliaries for different verbs were similar to those that are still observed in German and French.
The modern syntax used for the progressive aspect became dominant by the end of the Early Modern period, but other forms were also common such as the prefix a- and the infinitive paired with "do". Moreover, the to be + -ing verb form could be used to express a passive meaning without any additional markers: "The house is building" could mean "The house is being built".

Vocabulary

A number of words that are still in common use in Modern English have undergone semantic narrowing.
The use of the verb "to suffer" in the sense of "to allow" survived into Early Modern English, as in the phrase "suffer the little children" of the King James Version, but it has mostly been lost in Modern English.
Also, this period reveals a curious case of one of the earliest Russian borrowings to English ; at least as early as 1600, the word ":wikt: steppe|steppe" first appeared in English in William Shakespeare's comedy "A Midsummer Night's Dream". It is believed that this is a possible indirect borrowing via either German or French.