Eat Drink Man Woman
Eat Drink Man Woman is a 1994 comedy-drama film directed by Ang Lee and starring Sihung Lung, Yu-wen Wang, Chien-lien Wu, and Kuei-mei Yang. The film was released on 3 August 1994, and it was both a critical and box office success. In 1994, the film received the Asia Pacific Film Festival Award for Best Film, and in 1995 it received an Academy Award Nomination for Best Foreign Language Film.
The title is a quote from the Book of Rites, one of the Confucian classics, referring to the basic human desires and accepting them as natural. The beginning of the quote reads as follows: “The things which men greatly desire are comprehended in meat and drink and sexual pleasure; ”, Chinese:「飲食男女,人之大欲存焉」.
Many of the cast members had appeared in Ang Lee's previous films. Sihung Lung and Ah Lei Gua played central elderly figures dealing with the transition from tradition to modernity in The Wedding Banquet, in which Winston Chao also starred. Sihung Lung played an immigrant father in Pushing Hands. These three films show the tensions between the generations of a Confucian family, between East and West, and between tradition and modernity. They form what has been called Lee's "Father Knows Best" trilogy. The script was written by Ang Lee, James Schamus and Hui-Ling Wang.
Plot
The setting is 1990s contemporary Taipei, Taiwan. Mr. Chu, a widower who is a master Chinese chef, has three unmarried daughters, each of whom challenges any narrow definition of traditional Chinese culture: Chu Jia-Jen, a school teacher nursing a broken heart who converted to Christianity; Chu Jia-Chien, a fiercely independent airline executive who carries her father's culinary legacy, but never got to pursue that passion; and Chu Jia-Ning, a college student who meets her friend's on-again off-again ex-boyfriend and starts a relationship with him.Each Sunday Mr. Chu makes a glorious banquet for his daughters, but the dinner table is also the family forum, to which each daughter brings “announcements” as they negotiate the transition from traditional “father knows best” attitudes to a new tradition which encompasses old values in new forms.
As the film progresses, each daughter encounters new men. When these new relationships blossom, their roles are altered and the dynamics within the family change. The father eventually brings the greatest surprise by marrying Liang Jin-Rong.
Cast
- Sihung Lung as Chu
- Kuei-Mei Yang as Jia-Jen
- * Jia-Chien believes that Li Kai broke the heart of her older sister Jia-Jen, and Dariotis and Fung wrote that the event seems to have caused Jia-Jen to turn away from the world. Later in film it is revealed that Jia-Jen fabricated the story, in order to "create a barrier against intimacy—even with her family" according to Dariotis and Fung. Ultimately she marries a new boyfriend after being abstinent for nine years. Her family members seem puzzled when they realize he is not a Christian but Jia-Jen says "He will be."
- * Wei Ming Dariotis and Eileen Fung, authors of "Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee", wrote that Jia-Jen's story is that of a "spinster turned sensual woman". They wrote that her Christianity was there "perhaps to match her role as a mother-figure". She suspects Jia-Chien of disapproving of her moral system. Dariotis and Fung wrote that after Jia-Chien states that she needs not a mother but sister, Jia-Jen "is able to become who she really is with all the complexity that entails" rather than being someone she believed her family needed, with "who she really is" being "a modern, conservative, Christian, sexually aggressive Taiwanese woman". Desson Howe of the Washington Post wrote that of the actresses, Yang was the "most memorable".
- Chien-lien Wu as Jia-Chien
- *Jia-Chien is sexually liberated. She suspects Jia-Jen of disapproving of her moral system. Dariotis and Fung wrote that the film's main focus is on the relationship between Jia-Chien and her father.
- *Chien-lien Wu, who plays Jia-Chien, also portrays Mr. Chu's dead wife. Lizzie Francke wrote that Jia-Chien taking the role of the cook "makes manifest the various needs that bind a family by setting a mother back at the heart of it". Dariotis and Fung wrote that therefore the phrase from Francke has multiple meanings since Jia-Chien takes her father's role of being a chef and therefore "is trying to be the son her father never had" and she takes the role of the mother.
- Yu-Wen Wang as Jia-Ning
- * Jia-Ning becomes involved with an on-and-off boyfriend of her friend Rachel and gets into a love triangle. She unexpectedly becomes pregnant and goes off to live with her boyfriend. Dariotis and Fung wrote that the Chu family expresses "little ceremony or question" before she leaves to be with Guo Lun.
- * Dariotis and Fung wrote that Jia-Ning's story is of "naïveté and immature love" and that the love triangle involving her, Guo Lun, and Rachel "is in many ways a parody of comic book romance." Dariotis and Fung argue that Jia-Ning's story, along with Jia-Jen's, is "not only flat but also dangerously uncomplicated." They further state that "he lack of inquiry is endemic of this storyline" and that its "superficial treatment" is "quite disturbing."
- Sylvia Chang as Jin-Rong
- Winston Chao as Li Kai
- * Jia-Chien believes that Li Kai broke the heart of her older sister Jia-Jen, and Dariotis and Fung wrote that the event seems to have caused Jia-Jen to turn away from the world. Later in film it is revealed that Jia-Jen fabricated the story, in order to "create a barrier against intimacy—even with her family" according to Dariotis and Fung.
- Chao-jung Chen as Guo Lun
- * Guo Lun reads Fyodor Dostoyevsky's works. In the beginning of the movie his girlfriend, Jia-Ning's friend, keeps standing him up and he complains about the situation. He lives alone in a house because for most of the year his parents are out of Taiwan. Dariotis and Fung wrote that Guo Lun's family is "dysfunctional". Desson Howe of the Washington Post describes him as "mopey". Dariotis and Fung wrote that Guo Lun has "invisible financial resources that no one in the film questions."
- Lester Chit-Man Chan as Raymond
- Yu Chen as Rachel
- Gua Ah-leh as Madame Liang
- Chi-Der Hong as Class Leader
- Gin-Ming Hsu as Coach Chai
- Huel-Yi Lin as Sister Chang
- Shih-Jay Lin as Chief's Son
- Chin-Cheng Lu as Ming-Dao
- Cho-Gin Nei as Airline Secretary
- Yu-Chien Tang as Shan-Shan
- Chung Ting as Priest
- Hari as Construction Worker
- Cheng-Fen Tso as Fast Food Manager
- Man-Sheng Tu as Restaurant Manager
- Zul as Mendaki
- Chuen Wang as Chief
- Reuben Foong as Drama Mamma
- Jui Wang as Old Wen
- Hwa Wu as Old Man
Reception
Critical response
In her review in The New York Times, Janet Maslin praised Ang Lee as "a warmly engaging storyteller". She wrote, "Wonderfully seductive, and nicely knowing about all of its characters' appetites, Eat Drink Man Woman makes for an uncomplicatedly pleasant experience".In his review in the Washington Post, Hal Hinson called the film a "beautiful balance of elements... mellow, harmonious and poignantly funny". Hinson concluded:
According to the review aggregator website Rotten Tomatoes, 90% of critics have given the film a positive review based on 48 reviews, with an average rating of 7.56/10. The site's critics consensus reads, "A richly layered look at the complex interactions between a widowed chef and his daughters, Ang Lee's generational comedy Eat Drink Man Woman offers filmgoers a tasty cinematic treat."
Influence
Tortilla Soup, a 2001 American comedy-drama film directed by Maria Ripoll, is based on Eat Drink Man Woman. A sequel, Eat Drink Man Woman 2012 was released, with Jui-Yuan Tsao, producer for the original film, serving as director, and a new set of characters exploring similar themes.Year-end lists
- 4th – Robert Denerstein, Rocky Mountain News
- 7th – James Berardinelli, ReelViews
- Top 10 – Mike Clark, USA Today
- Top 10 – Jimmy Fowler, Dallas Observer
- Top 10 – William Arnold, Seattle Post-Intelligencer
- Top 10 – Jeff Simon, The Buffalo News
- Top 10 – Mike Mayo, The Roanoke Times
- Top 10 – Steve Murray, The Atlanta Journal-Constitution
- Top 10 – Dennis King, Tulsa World
- Top 10 – George Meyer, The Ledger
- Top 10 – Bob Carlton, The Birmingham News
- Top 10 runner-ups – Janet Maslin, The New York Times
- "The second 10" – Sean P. Means, The Salt Lake Tribune
- Honorable mention – Michael MacCambridge, Austin American-Statesman
- Honorable mention – Betsy Pickle, Knoxville News-Sentinel
- Honorable mention – Duane Dudek, Milwaukee Sentinel
Awards
- 1994 Asia Pacific Film Festival Award for Best Film Won
- 1994 Asia Pacific Film Festival Award for Best Editing Won
- 1995 Academy Award Nomination for Best Foreign Language Film
- 1994 Golden Horse Film Festival Award Nomination for Best Supporting Actress
- 1994 National Board of Review of Motion Pictures Award for Best Foreign Language Film Won
- 1994 National Board of Review of Motion Pictures Award for Top Foreign Films Won
- 1995 BAFTA Awards Nomination for Best Film not in the English Language
- 1995 Golden Globe Awards Nomination for Best Foreign Language Film
- 1995 Independent Spirit Awards Nomination for Best Cinematography
- 1995 Independent Spirit Awards Nomination for Best Director
- 1995 Independent Spirit Awards Nomination for Best Feature
- 1995 Independent Spirit Awards Nomination for Best Female Lead
- 1995 Independent Spirit Awards Nomination for Best Male Lead
- 1995 Independent Spirit Awards Nomination for Best Screenplay
- 1995 Kansas City Film Critics Circle Award for Best Foreign Film Won
Citations