Hamlin’s work has appeared in numerous literary magazines, including Ploughshares, the Colorado Review, the Bellevue Literary Review, the Missouri Review and Chariton Review. His short story collection, Night in Erg Chebbi and Other Stories, was selected by author Karen Russell as winner of the 2015 Iowa Short Fiction Award and was subsequently published, to positive reviews, by the University of Iowa Press. The collection went on to win the Colorado Book Award for short story collections. In addition to the Iowa and Colorado awards, Hamlin’s work has been recognized with a Nelligan Prize and a Top of the Mountain Book Award, and has been a finalist for the Flannery O’Connor Award for Short Fiction, the Narrative Story Contest, the American Fiction Prize, the Mary C. Mohr Editors’ Award, the David Nathan Myerson Fiction Prize and the Jeffrey E. Smith Editors’ Prize. In 2013, his story “The Release” was named runner-up for the Nelson Algren Award. In the United Kingdom, his stories “Indígena” and “After Dreamland” were shortlisted for the Bridport prize in 2014 and 2016 respectively. Two of his stories have been nominated for the Pushcart Prize. The story “Phone Phone Gun” was performed theatrically, in Denver, as part of the 2012-2013 season of Stories on Stage. Critical response to Hamlin’s work has been positive. Pulitzer Prize finalist Karen Russell called his stories “sweeping and intimate and awesomely confident of their own effects,” while Publishers Weekly described Night in Erg Chebbi and Other Stories as “a memorable read from a writer with considerable talent.” Foreword Reviews described the collection as “eautiful, terrifying and compassionate.”
Themes and style
Hamlin’s writing explores what happens when ordinary people are confronted with choices they never thought they would have to make. His characters are often caught unprepared by circumstances in which they must quickly decide what to do, then live out the consequences—often unintended—of their actions. Stylistically, Hamlin’s stories make extensive use of free indirect discourse and third-person narrative; very few of his stories are told in first person. Many feature women as central point-of-view characters, and international settings such as Haiti under the regime of Jean-Claude Duvalier, Brazil, Morocco and Northern Ireland are common. Reviewers have noted Hamlin’s close attention to sensory detail and use of exotic locales.
Music
In addition to his literary work, Hamlin is a composer and performer of acoustic guitar music. His 2007 CD Rooted and subsequent work explores the possibilities of jazz- and Celtic-inflected fingerstyle guitar, making extensive use of altered tunings, especially DGDGCD and CGDGCD. Of Rooted, Minor 7th Magazine wrote: “This debut outing reveals a mature acoustic guitarist who is unnecessarily modest about his well-refined craft… The tone is elegiac… ne hears surrender to the allure of the instrument, all in itself.”
