By 1785, when her daughter was born, she was married to a blacksmith, Mr. Hands. They lived near Rugby. Poems written by Hands using the pseudonym "Daphne" were published in Jopson's Coventry Mercury. Among those impressed by her work was Thomas James, the headmaster of Rugby School. In 1789 the school's press published by subscription a book of her poems, The Death of Amnon. A Poem, with an Appendix: containing Pastorals, and other Poetical Pieces. It is not known whether Hands continued writing after the publication of Amnon. The classics master at Rugby school, Philip Bracebridge Homer, used his extensive network of contacts in clerical and literary circles to secure 1,200 subscribers for The Death of Amnon, including members of the nobility from across England and members of parliament such as Edmund Burke and Charles James Fox. The volume was reviewed in several important literary journals of the period: the Gentleman's Magazine, the Monthly Review and the politically radicalAnalytical Review.
Style and themes
Hands' poems treat a wide variety of subjects and are frequently satirical. The Death of Amnon, a long poem in blank verse, divided into five cantos, tells the violent and sombre biblical story of how King David's son Amnon raped his sister Tamar and was killed by their half brother Absalom. Other poems, mostly in more informal iambic tetrameter, concentrate on themes that were conventional for the pastoral mode in poetry, as well as poetics, philosophical topics, and occasional observations from everyday life. Literary and social historians have highlighted Hands' astute management of how her poems' would be interpreted by eighteenth-century literary journalists and general readers. Her ironic handling of how her poems would be judged was intended to cause her social superiors discomfort. Hands' anticipation of her poems' reception is especially evident in the first two poems in the Appendix: "A Poem, On the Supposition of an Advertisement appearing in a Morning Paper, of the Publication of a Volume of Poems, by a Servant Maid" and "A Poem, On the Supposition of the Book having been published and read". These poems present readers with scenarios in which the volume of poems they are holding – and its author – are being commented on by members of the rural gentry. The two "Suppositions" satirise the manners and taste of various bourgeois personages, showing the impoverished state of their literary judgement, at the same time that those personages dismiss Hands' poetry because it is written by a servant. In "A Poem, On the Supposition of an Advertisement appearing in a Morning Paper, of the Publication of a Volume of Poems, by a Servant Maid", Hands shows the assembled characters' incredulity and disdain, while allowing the reader to see that she knows more than they do: Clifford Siskin argues that the satire of the second "Supposition" is directed at all those people who discussed the book at social gatherings, but never read it. Carolyn Steedman describes the "Suppositions" as "intentionally offensive, and wonderfully so", and shows how Hands manages to suggest the limitedness of her superiors' worldview and critical powers.
