Elizabeth M. "Beth" Stephens is an American artist, sculptor, film maker, photographer, professor and Chair of the Art Department at UC Santa Cruz. Stephens, who describes herself as "ecosexual", collaborates with her wife since 2002, ecosexual artist, radical sex educator, and performer Annie Sprinkle.
Life and career
Stephens was born in Montgomery, West Virginia on November 18, 1960. Her family co-owned Marathon Coal-bit company. She grew up in Appalachia, moving to Boston, New Jersey, and later to San Francisco. Stephens studied Fine Arts at Tufts University, The Museum School, and Rutgers University. She worked with Martha Rosler and Geoffrey Hendricks in her graduate education. She has been a professor at UCSC since 1993, chaired the department from 2006 until 2009 and is currently the chair again. In December 2004, Stephens committed to doing seven years of art projects about love with her wife and art collaborator, Annie Sprinkle. They call this their Love Art Laboratory. Part of their project was to do an experimental art wedding each year, and each year had a different theme and color. The seven-year structure was adapted to their project by invitation of artist Linda M. Montano. Sprinkle and Stephens have done seventeen art weddings, fourteen with ecosexual themes. Critics relate the project to contemporary political debates including marriage equality, ecofeminism, and the environmental movement. Critics also note that Stephens' work explores and challenges the validity of the boundary between what is "art," and what is "pornography." Starting with their 2008 performance wedding to the Earth, Stephens and her partner Annie Sprinkle became pioneers of ecosexuality, a kind of earth-loving sexual identity, which states, “The Earth is our lover.” Their Ecosex Manifesto proclaims that anyone can identify as an Ecosexual along with being “GLBTQI, heterosexual, asexual, and/or Other.” Most recently Stephens has produced and directed two feature documentary films with Annie Sprinkle: Water Makes Us Wet: An Ecosexual Adventure and Goodbye Gauley Mountain: An Ecosexual Love Story, a film addressing Mountaintop removal mining near her birthplace and its effects on the environment and nearby communities. Her work has been shown internationally, including at Museum Kunstpalast, , Museo Reina Sophia, the San Francisco Museum of Modern Art, 53rd Venice Biennale, and Documenta 14. In 2017, Stephens and her wife/collaborator Annie Sprinkle were official artists in Documenta 14. They presented performances and visual art, lectured, and previewed their new film documentary, Water Makes Us Wet: An Ecosexual Adventure.
Director
2017 Water Makes Us Wet: An Ecosexual Adventure
2013 Goodbye Gauley Mountain: An Ecosexual Love Story
2006 Exposed; Experiments in Love, Sex, Death and Art
2006 Orange Wedding Two
2006 Red Wedding One
2005 Kiss
2004 Lüba; The Mother Teresa of Art
1992 Do You Mind?
1989 Interviews with Oaxacan Women
1989 Women Eating
Articles
2017 Documenta 14: Daybook, eds. Laimer, Quinn, Adam Symczyk, Prestel Press, Munich-London-New York, 2017, Annie Sprinkle and Beth Stephens, April 24 pgs 19-20.
2010 Post Porn Politics; Queer_Feminist Perspective on the Politics of Porn Performance and Sex_Work as Culture Production, Post Porn Brunch, Elizabeth M. Stephens, Annie M. Sprinkle and Cosey Fanni Tutti, ed. Tim Stüttgen, B_Books, Berlin, Germany pages 88–115
2008 Live through This; On Creativity and Self Destruction, Double Trouble in the Love Art Lab: Our Breast Cancer Experiments. ed. Sabrina Chapadjiev, Seven Stories Press, New York, pp 105–117
2004 Interview of Annie Sprinkle for Women and Performance — 20th Anniversary Issue, New York University Press
1998 Looking Class Heroes: Dykes on Bikes Cruising Calendar Girls The Passionate Camera: Photography and Bodies of Desire
Film/Video
2017 Water Makes Us Wet: An Ecosexual Adventure
2013 Goodbye Gauley Mountain: An Ecosexual Love Story