Emil Draitser is an author and professor of Russian at Hunter College in New York City. Besides twelve books of artistic and scholarly prose, his essays and short stories have been published in the Los Angeles Times, Partisan Review, North American Review, San Francisco Chronicle, Prism International, and many other American and Canadian periodicals. His fiction has also appeared in Russian, Polish, and Israeli journals. A three-time recipient of the New Jersey State Council on the Arts fellowships in writing, he has also received numerous grants for writing both fiction and non-fiction from the City University of New York. Draitser has given numerous public lectures and book talks at universities and cultural centers in the United States, Canada, UK, Israel, Australia, New Zealand, and Russia.
Early life
Draitser grew up in a Jewish family in the Soviet Union in the post-World War II years, in the anti-Semitic atmosphere of late Stalinism, at a time when Jews were forced to be silent about their religion and often tried to change their Jewish names. It was an oppressive childhood filled with suspicion and mistrust. As a young student, Draitser excelled at literature and decided that he wanted to be a journalist, despite his mother's preference that he study engineering. At that time, Jews attempting to enter the humanities encountered resistance, as Soviet system saw those areas as politically vulnerable and felt that Jews entering them would try to subvert the system. Despite this, Draitser earned degrees first in engineering, and later in journalism.
Career
Draitser has published both fiction and nonfiction since 1965. His work has appeared in leading Russian journals under his pen name 'Emil Abramov'. He began his writing career as a freelancer contributing satirical articles to Soviet newspapers and magazines, though he had to be careful about what he wrote. For example, while he could criticize a particular factory for the poor workmanship of goods it produced, he could not criticize the economic system as a whole, although it became increasingly clear to him that the lack of competition that would inspire innovation combined with the Soviet mandate to guarantee work for all employees, regardless of their work ethic, made it impossible to produce quality products. Eventually, Draitser wrote an article critical of an important official which led to him being blacklisted, and prompted him to leave for the United States. In 1975, he settled in Los Angeles, where he earned a Ph.D. in Russian literature from the University of California, Los Angeles. In 1986, he accepted a position at Hunter College in New York City, where he continues to teach. His first book published in the United States, Forbidden Laughter brought him national attention. Feature articles on him and his book appeared in , , and the Los Angeles Times. He has appeared on NBC News with Tom Brokaw, the , and National Public Radio. Draitser's research and writing have been supported by grants from the American Council of Learned Societies, the Memorial Foundation for Jewish Culture, the Social Science Foundation, and numerous grants from the City University of New York. A three-time recipient of fellowships from the New Jersey State Council on the Arts, he has been awarded residencies at the Vermont Arts Studios, Byrdcliffe Woodstock Art Colony, Renaissance House, and Banff Center for the Arts. Since spring 2009, he has been working on a sequel to his memoir Shush!, which covers his adulthood and move to the United States.
Books
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; In the Jaws of the Crocodile: A Soviet Memoir
Selected essays and short fiction
"Oh My God, My Name's Not on Any of Those Lists," Los Angeles Times, 1976.
"He Recalls the Soviet System and Goes Buggy," Los Angeles Times, 1977.
"Let's See... a Socko Ending to This Disease Might Be...", Los Angeles Times, 1980.
"Would You Buy a Used Soul From This Man,” Los Angeles Herald Examiner, 1983.
"He Won't Make It," Studies in Contemporary Satire, Summer 1987.
"The Supervisor of the Sea," Midstream, October 1988.
"My First Ticket," The New Press Literary Quarterly, Summer/Fall 1995.
"Clown," Confrontation, Fall 1997.
"American Gospozha,” American Writing, 1998
”Dvorkin”, International Quarterly, Fall 1999.
"Zugzwang" The Kenyon Review, Summer/Fall 1999.
“Wedding in Brighton Beach” in Intersections: Fiction and Poetry from The Banff Centre for the Arts, 2000.
“The Dark Copy,” Prism International .
“Clouds,” The Literary Review, Spring 2001.
“Faithful Masha” Partisan Review, Summer 2001
“Directions” The New Renaissance, Fall 2001.
“No Kin, No Kith,” Partisan Review, January 2003.
Michigan Review Quarterly, Spring 2003
“On the Commissars, Cosmopolites, and the Inventors of Electric Bulbs,” The North American Review, Nov-Dec 2004.