Ernst Kurth Ernst Kurth was a Swiss music theorist of Austrian origin.Career Kurth studied musicology with Guido Adler in Vienna, and earned his Ph.D. with a thesis about Christoph Willibald Gluck's operatic style. In a relatively short publishing career of about 15 years, Kurth wrote four enormously influential works: Grundlagen des Linearen Kontrapunkts , Romantische Harmonik und ihre Krise in Wagners "Tristan" , Bruckner , and Musikpsychologie . Since the 1940s , Kurth was gradually eclipsed by other theorists. However, his concept of "developmental motif" has remained influential. A developmental motif is one which gradually changes or grows, becoming a structural carrier of formal developments. An example is the triadic motif heard at the beginning of the first movement of Beethovens' third symphony which only becomes a closed theme at the culminating closing of the movement. Unfortunately, only a small selection of excerpts from Kurth's writings was translated into English by Lee A. Rothfarb.Writings Der Stil der opera seria von Gluck bis zum Orfeo , Kritische Bemerkungen zum V. Kapitel der 'Ars cantus mensurabilis' des Franko von Köln , KJb, xxi, 39–47Die Voraussetzungen der theoretischen Harmonik und der tonalen Darstellungssysteme Grundlagen des linearen Kontrapunkts: Einführung in Stil und Technik von Bachs melodischer Polyphonie Zur Motivbildung Bachs , BJb 1917 , 80–136Romantische Harmonik und ihre Krise in Wagners 'Tristan ' Bruckner Die Schulmusik und ihre Reform , SMz, lxx , 297–304Musikpsychologie Ernst Kurth: Selected Writings , ed. and trans. RothfarbLiterature E. Bücken: "Kurth als Musiktheoretiker", Melos , iv, 358–64 H. Eimert: Bekenntnis und Methode', ZMw, ix, 99–127 J. Handschin: "De différentes conceptions de Bach", Schweizerisches Jb für Musikwissenschaft, iv, 7–35 D. Menstell Hsu: "Ernst Kurth and his Concept of Music as Motion", JMT, x, 2–17 C. Dahlhaus: Untersuchungen über die Entstehung der harmonischen Tonalität W. Seidel: Über Rhythmustheorien der Neuzeit B. Billeter: "Der Briefwechsel Albert Schweitzer-Ernst Kurth", Festschrift Hans Conradin, ed. V. Kalisch, 233–46 J. Willimann, ed.: Schweizer Jb für Musikwissenschaft, new ser ., vi–vii L.A. Rothfarb: Ernst Kurth as Theorist and Analyst Ernst Kurth: Selected Writings, ed. and trans. L.A. Rothfarb L. Schader: Ernst Kurths 'Grundlagen des linearen Kontrapunkts' und die Rezeption der Schrift in den zwanziger Jahren''
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