Ethel Louise Spowers was born on 11 July 1890, in South Yarra, Melbourne, daughter of a New Zealand father and a London-born mother. Her father, William Spowers, owned a newspaper. Spowers trained as an artist in Melbourne, with some study in Paris as well. She was educated at Girls Grammar in Melbourne. Wealthy and cultured, her family owned a mansion in St Georges Road, Toorak. Ethel continued to live there as an adult and maintained a studio above the stables. ----
Career
Spowers had her first solo exhibit in Melbourne at age 30, showing fairy-tale illustrations as those of Ethel Jackson Morris. Two further solo shows at the New Gallery, Melbourne, confirmed her reputation as an illustrator of fairy tales, though by then she was also producing woodcuts and linocuts inspired by Japanese art and covering a broader range of subjects. ----Her style and artistic focus changed in 1928–29 when she studied linocut printmaking with Claude Flight at the Grosvenor School of Modern Art in London. She was one of several Australian women artists at the Grosvenor School, including Dorrit Black and Eveline Winifred Syme. Further classes followed in 1931, during which Spowers absorbed modernist ideas of rhythmic design and composition from the principal of Grosvenor School Iain Macnab. In the 1930s her linocuts attracted critical attention for their bold, simplified forms, rhythmic sense of movement, distinctive use of colour and humorous observation of everyday life, particularly the world of children. They were regularly shown at The Redfern Gallery, London. ----Spowers mounted an exhibition of Australian linocuts in Melbourne in 1930. In 1932, she became a founder of the Contemporary Art Society, promoting modern art in Australia.
Spowers died on 5 May 1947, after a long illness from cancer, in Melbourne, age 56. She was buried at Fawkner Memorial Park.
Legacy
A children's book illustrated by Spowers, Cuthbert and the Dogs, was published the year after her death. Editions of the book are still available from antique book vendors. ----The Art Gallery NSW holds several of her works, some from an early period of realistic illustrations, others showing the marked influence of her time at the Grosvenor School. The National Gallery of Australia holds 47 of her prints executed in the 1920s and 1930s. Her prints are also held in the National Gallery of Victoria and the Ballarat Fine Art Gallery, Victoria. The British Museum and the Victoria and Albert Museum purchased a number of her linocuts. ----Spowers apparently destroyed some of her original works late in life; the surviving prints are now especially valued by collectors. In 2011, Ethel Spowers' Wet Afternoon sold in New York City for £51,650, much higher than any of her previous works had brought at auction. The next year, Spowers' The Gust of Wind more than doubled that mark, selling for £114,050 in April 2012, a record price for any Grosvenor School print up to that date.
