Evan Ziporyn
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
Ziporyn is the Kenan Sahin Distinguished Professor of Music at the Massachusetts Institute of Technology as well as director of MIT's Center for Art, Science & Technology. At MIT he directs Gamelan , an ensemble he founded in 1993, a group of 30 MIT students, staff and community members, devoted to the study and performance of new works for Balinese Gamelan.
In 1992 Ziporyn founded the Bang on a Can All Stars, with whom he performed and recorded until 2012. He also was a member of Steve Reich and Musicians, with whom he shared a 1998 Grammy Award for Best Chamber Music Performance. He is currently a member of the , with Czech violinist/vocalist Iva Bittovà and American guitarist Gyan Riley.
He has released albums on Cantaloupe, New Albion, New World, Victo, Airplane Ears, and CRI Emergency Music; his works have also been recorded on Naxos, Koch, Innova, and World Village. As a performer, he has recorded for Nonesuch, Sony Classical, and Point Music, among others. He has composed music for a wide range of ensembles worldwide, including Yo-Yo Ma's Silk Road Project, the American Composers Orchestra, the Boston Modern Orchestra Project, the Kronos Quartet, Brooklyn Rider, Ethel, cellist Maya Beiser, the Netherlands Wind Ensemble, the MIT Wind Ensemble, Gamelan Sekar Jaya, Sentieri Selvaggi, Gamelan Salukat, and Gamelan Semara Ratih.
Evan Ziporyn was named a 2007 USA Walker Fellow by United States Artists, an arts advocacy foundation dedicated to the support and promotion of America's top living artists.
He was born in Chicago, Illinois and now lives in Lexington, Massachusetts with composer Christine Southworth. He is the brother of Brook Ziporyn and Terra Ziporyn Snider, and has two children, Leonardo Ziporyn and Ava Ziporyn.
Career
Ziporyn studied at Eastman, Yale & UC Berkeley with Joseph Schwantner, Martin Bresnick, & Gerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah, Colin McPhee's 1930s musical informant. He returned on a Fulbright in 1987.Earlier that year, he performed a clarinet solo at the First Bang on a Can Marathon in New York. His involvement with BOAC continued for 25 years: in 1992 he co-founded the Bang on a Can All-stars, with whom he toured the globe and premiered over 100 commissioned works, collaborating with Nik Bartsch, Iva Bittova, Don Byron, Ornette Coleman, Brian Eno, Philip Glass, Meredith Monk, Thurston Moore, Terry Riley and Tan Dun. He co-produced their seminal 1996 recording of Brian Eno's Music for Airports, as well as their 2012 Big Beautiful Dark & Scary. He left the group in the fall of that year to form Eviyan with Iva Bittová and Gyan Riley, with whom he now concertizes and records regularly. In the fall of 2013 he founded the , a group devoted to the music of the late British composer Steve Martland.
Ziporyn joined the MIT faculty in 1990, founding Gamelan Galak Tika there in 1993, and beginning a series of groundbreaking compositions for gamelan & western instruments. These include three evening-length works, 2001's ShadowBang, 2004's Oedipus Rex at the American Repertory Theater, and 2009's A House in Bali, an opera which joins western singers with Balinese traditional performers, and the All-stars with a full gamelan. It received its world premiere in Bali that summer and its New York premiere at BAM Next Wave in October 2010.
As a clarinetist, Ziporyn recorded the definitive version of Steve Reich's multi-clarinet New York Counterpoint in 1996, sharing in that ensemble's Grammy Award in 1998. In 2001 his solo clarinet CD, This is Not A Clarinet, made Top Ten lists across the country. His compositions have been commissioned by Yo-Yo Ma's Silk Road Ensemble, Kronos Quartet, American Composers Orchestra, Maya Beiser, So Percussion, Wu Man, and the Boston Modern Orchestra Project, with whom he recorded two CDs, Frog's Eye and Big Grenadilla/Mumbai. His honors include awards from the Massachusetts Cultural Council, The Herb Alpert Foundation, USA Artists Walker Fellowship, MIT's Kepes Prize, the American Academy of Arts and Letters Goddard Lieberson Fellowship, as well as commissions from Meet the Composer/Commissioning Music USA and the Rockefeller MAP Fund. Recordings of his works have been released on Cantaloupe, Sony Classical, New Albion, New World, Koch, Naxos, Innova, and CRI.
He is Kenan Sahin Distinguished Professor of Music at MIT. He has also been Inaugural Director of MIT's new Center for Art Science and Technology and still serves as Head of Music and Theater Arts at the Center for Art, Science and Technology. He is also founder and Artistic Director of Gamelan Galak Tika, and curator of the MIT Sounding performance series.
Recordings
- Eviyan Live
- In My Mind and In My Car
- Big Grenadilla / Mumbai
- Frog's Eye
- Typical Music
- Shadowbang
- This is Not a Clarinet
- Evan Ziporyn: Gamelan Galak Tika
- Animal Act
- American Works for Balinese Gamelan
Works
Works for clarinet / bass clarinet
- Notes to Self 15' – solo bass clarinet
- Hive 17' clarinet quartet – 2 clarinets, 2 bass clarinets
- Big Grenadilla 15' – concerto for bass clarinet and chamber orchestra
- Drill 10' – concerto for solo bass clarinet with wind ensemble
- Four Impersonations 18' – solo clarinet
- Partial Truths 17' – solo bass clarinet
- Tsmindao Ghmerto 7' – solo bass clarinet and wind ensemble
- Tsmindao Ghmerto 4' – solo bass clarinet
- Walk the Dog 25' – bass clarinet and electronics
- Be-In 9' – bass clarinet and string quartet
- What She Saw There 13' – bass clarinet and 2 marimbas
- Waiting By The Phone 12' – solo clarinet
- Two Obsessions 15' – solo clarinet
Works for gamelan
- Hujan Arja 12' – Balinese gamelan semara dana
- Lapanbelas 18' – Balinese gamelan semara dana
- Bali Tiba 7' – Balinese gamelan gong kebyar
- Bayu Sabda Idep 27' – Just Intonation slendro chamber gamelan and chamber string orchestra
- CuBre 3'30" – gender wayang duo
- Sabar Gong 5' – Balinese gamelan with Senegalese Sabar drums
- Aradhana 15' – Balinese gamelan with Chinese pipa
- Ngaben 15' – Balinese gamelan & orchestra
- Kebyar Kebyar 7' – Balinese gamelan gong kebyar
- Amok! 32' – six movements for Balinese gamelan, double bass, percussion sampler, keyboard sampler
- Tire Fire 25' – Balinese gamelan, two electric guitars, electric bass, and keyboard
- Aneh Tapi Nyata 14' – chamber ensemble and Balinese percussion
- Kekembangan 16' – saxophone quartet and Balinese gamelan
- Night Bus 12' – Sundanese gamelan
Theater
- A House in Bali 90' – opera based on the memoir of Colin McPhee, for amplified sextet, Balinese gamelan, two tenors, one soprano, and four Balinese actors/dancers www.houseinbali.org
- Oedipus Rex 90' – Greek choruses and onstage incidental music the American Repertory Theater production of the original Sophocles tragedy. Directed by Robert Woodruff, Loeb Theater, Cambridge, MA
- ShadowBang 90' – full-length theater work for Balinese dalang and Bang on a Can Allstars.
Orchestra
- Tabla Concerto: Mumbai 25' – tabla solo, strings and percussion
- Hard Drive 18' – orchestra with electric guitar
- Bayu Sabda Idep 27' – chamber string orchestra with gamelan
- Big Grenadilla 15' – orchestra and solo bass clarinet
- War Chant 15' – orchestra with Hawaiian-style lap-steel guitar
- Ngaben 15' – orchestra with gamelan
- Frog's Eye 13' – chamber orchestra
- Filling Station 12' – orchestra premiered by UC Berkeley Symphony, EZ conductor, October 1986
- Pleasureville, Pain City 6' – premiered by UC Berkeley Symphony, John Sackett, conductor, February 1985
Wind ensemble
- Drill 10' – concerto for solo bass clarinet with wind ensemble
- Tsmindao Ghmerto 7' – solo bass clarinet and wind ensemble
- Houtman's Men in Buleleng 15'
Chamber music
Standard ensembles
- Where Was I? 25' – cello, piano, percussion
- Hive 17' – clarinet quartet – 2 clarinets, 2 bass clarinets
- Speak, At-man! 10' – alto flute and piano
- Breathing Space 20' – three movements for string quartet
- Typical Music 30' – three movements for piano trio
- Melody Competition 21' – for percussion sextet
- Dreams of a Dominant Culture 20' – for flute, clarinet, percussion, electric piano, violin, cello
- Eel Bone 13' – string quartet
- Kebyar Maya 14' – cello octet
- Be-In 11' – multiple versions: string quartet and bass clarinet/bassoon/double bass, clarinet, mandolin, cello, electric piano, double bass, hand percussion
- Bossa Nova for brass quintet 3' – commissioned by MIT for the inauguration of President Charles Vest
- Dog Dream 12' – flute, clarinet, percussion, piano, violin, cello, electric guitar
- Ten String Quartets 10'
Non-standard ensembles
- Sulvasutra 18' – string quartet, pipa, and tabla
- Belle Labs 20' – violin, clarinet, and robotic xylophone
- Thread 25' – clarinet, alto and bass flute, violin, cello
- No Return 30' – 4 movements for violin, clarinet, and sounds of the Salmon River
- More Songs About Telephones and Dogs 20' – 4 movements for mixed ensemble – 'Iris in Furs' 'Jubilee of Indifference' '...no messages...' 'Dog Heaven'
- Tight Fitting Garments 15' – violin and clarinet: "It Is And It Isn't," "Illusions of Purity," "Jubilee of Indifference"
- Serenity Now 5'
- Pay Phone – violin, viola, electric guitar, bass clarinet, keyboard for the Michael Gordon Philharmonic
- Esto House 10' – violin, viola, electric guitar, bass clarinet, keyboard for the Michael Gordon Philharmonic
- Tree Frog 25' – bass clarinet, baritone saxophone, trombone, percussion, keyboard, violin; commissioned by Toronto Border Crossings Festival for Sound Pressure, premiered at the Music Gallery, Toronto, May 1990
- Twine 12' – three movements for soprano, two saxophones, bass clarinet, violin, viola, percussion
- LUVTime 15' – three movements for bass clarinet, baritone saxophone, trombone, percussion, piano
Works for one
Solo piano
- In Bounds
- Pondok 21'
- Fractal-Head 15'
- Some Coal, ten movements 30'
- The Water's Fine 30' – premiered by Michael Orland
- Weltscenen 20' – premiered by Christopher Oldfather
Solo pieces for other instruments
- Hval – solo bass, commissioned by Robert Black
- Current Rate 15' – solo Chinese pipa and pre-recorded CD, commissioned and premiered by Wu Man at Bang on a Can Women and Music, Henry Street Settlement
- Kebyar Maya 14' – solo cello and prerecorded CD, commissioned by Rockefeller Multi-Arts Program for Maya Beiser
- Studies in Normative Behaviour, Vol 1 10' – solo percussionist, commissioned and premiered by Danny Tunick
- The Motions 9' – solo viola, premiered by John Lad
- China Spring 15' – for oboe and piano, commissioned and premiered by Peter Cooper and Evan Ziporyn
Listening
- Ethel, "Be-in", Ethel
Published musical scores