Fatimid art refers to Islamic artifacts and architecture from the Fatimid Caliphate, principally in Egypt and North Africa. The Fatimid Caliphate was initially established in the Maghreb, with its roots in a ninth-century ShiaIsmailistreligious movement originating in Iraq and Iran. Many monuments survive in the Fatimid cities founded in North Africa, starting with Mahdia, on the Tunisian coast, the principal city prior to the conquest of Egypt in 969 and the building of al-Qahira, the "City Victorious", now part of modern-day Cairo. The period was marked by a prosperity amongst the upper echelons, manifested in the creation of opulent and finely wrought objects in the decorative arts, including carved rock crystal, lustreware and other ceramics, wood and ivory carving, gold jewelry and other metalware, textiles, books and coinage. These items not only reflected personal wealth, but were used as gifts to curry favour abroad. The most precious and valuable objects were amassed in the caliphal palaces in al-Qahira. In the 1060s, following several years of drought during which the armies received no payment, the palaces were systematically looted, the libraries largely destroyed, precious gold objects melted down, with a few of the treasures dispersed across the medieval Christian world. Afterwards Fatimid artifacts continued to be made in the same style, but were adapted to a larger populace using less precious materials.
Rock crystal ewers are pitchers carved from a single block of rock crystal. They were made by Islamic Fatimid artisans and are considered to be amongst the rarest objects in Islamic art. There are a few that survived and are now in collections across Europe. They are often in cathedral treasuries, where they were rededicated after being captured from their original Islamic settings. Made in Egypt in the late 10th century, the ewer pictured is exquisitely decorated with fantastic birds, beasts and twisting tendrils. The Treasure of Caliph Mostansir-Billah at Cairo, which was destroyed in 1062, apparently contained 1800 rock crystal vessels. Great skill was required to hollow out the raw rock crystal without breaking it and to carve the delicate, often very shallow, decoration.
In architecture, the Fatimids followed Tulunid techniques and used similar materials, but also developed those of their own. In Cairo, their first congregational mosque was al-Azhar mosque founded along with the city, which, together with its adjacent institution of higher learning, became the spiritual center for Ismaili Shia. The Mosque of al-Hakim, an important example of Fatimid architecture and architectural decoration, played a critical role in Fatimid ceremonial and procession, which emphasized the religious and political role of the Fatimid caliph. Besides elaborate funerary monuments, other surviving Fatimid structures include the Aqmar Mosque as well as the monumental gates for Cairo's city walls commissioned by the powerful Fatimid emir and vizierBadr al-Jamali.
