Fazal Sheikh


Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world.

Life and career

Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world. His principle medium is the portrait, although his work also encompasses personal narratives, found photographs, archival material, sound, and his own written texts. He works from the conviction that a portrait is, as far as possible, an act of mutual engagement, and only through a long-term commitment to a place and to a community can a meaningful series of photographs be made. His overall aim is to contribute to a wider understanding of these groups, to respect them as individuals and to counter the ignorance and prejudice that often attaches to them.
Frequently collaborating with local communities around the world, Sheikh has engaged long-term projects in Africa, Afghanistan, India, and in Israel/Palestine. As part of his practice, and in order to create a dialogue surrounding substantive human rights issue, Sheikh offers most of his projects online free of charge.
Fazal Sheikh was born in New York City, 1965, and attended Princeton University, graduating in 1987. Sheikh's work first came to prominence with his work in the Rwandan, Sudanese, Ethiopian, Somali, and Mozambican refugee camps of his father's homeland, Kenya, and throughout eastern and southern Africa. Early exhibitions from his first monograph, A Sense of Common Ground, were held in New York City at the International Center of Photography and Pace/MacGill Gallery. His second long-term project, The Victor Weeps, explored the legacy of war in Afghanistan as Sheikh followed the trajectory of his family heritage back to the lands in northern India where his grandfather was born, and from where he would later migrate to Kenya at a time before the partition of India in 1947, when the region would become Pakistan.
In the following years, exhibitions were held internationally at venues which include Tate Modern, where his work was included in the landmark "Cruel and Tender" survey exhibition of 20th Century photography which traveled to the Museum Lugwig, Cologne, Germany. Sheikh's work has been exhibited in solo exhibitions at the Fotomuseum Winterthur, the Henri Cartier-Bresson Foundation, Paris, which awarded him the Henri Cartier-Bresson Grand Prize in 2005, the Sprengel Museum, Germany, and the Nelson-Atkins Museum of Art. In 2008 Sheikh's work was included in Okwui Enwezor's, Archive Fever: Uses of the Document in Contemporary Art exhibition at the International Center of Photography in New York City.
In 2009 the Mapfre Foundation, Spain, organized a mid-career retrospective and publication that opened in Madrid and traveled to the Huis Marseille, Amsterdam; the Museum of Art, Bogota; and Sala Rekalde, Bilbao.
In 2015, at the end of four years working in Israel and Palestine, Sheikh produced The Erasure Trilogy, a set of books and exhibitions which explores the anguish caused by the loss of memory—by forgetting, amnesia or suppression—and the resulting human desire to preserve memory, all seen through the prism of the Israeli-Palestinian conflict.
Sheikh then worked in collaboration with Eyal Weizman on The Conflict Shoreline, a publication in response to Sheikh's "Desert Bloom’ series which explored the historical, legal, and archival underpinnings of the land claims of the Bedouin community of Al-‘Araqib, the ‘unrecognized’ village at the threshold of the Negev desert which has been demolished more than 70 times in the ongoing "battle over the Negev." The Conflict Shoreline was submitted as evidence for the NGO Zochrot's project on transitional justice, the Truth Commission on the responsibility of Israeli society for the events of 1948–1960. In 2015, Eduardo Cadava, the author and Princeton scholar, who has written extensively on Sheikh's work in the past, published the monograph, Erasures, in response to The Erasure Trilogy.

Awards