Filmi qawwali is a form of qawwali music found in the Lollywood, Dhallywood, Tollywood, and Bollywood film industries. It represents a distinct subgenre of film music, although it usually bears little resemblance to traditional qawwali, which is the devotional music of the Sufis. One example of filmi qawwali is the song Pardah Hai Pardah sung by Mohammed Rafi, and composed by Laxmikant-Pyarelal in Indian filmAmar Akbar Anthony. Within the subgenre of filmi qawwali, there exists a form of qawwali that is infused with modern and Western instruments, usually with techno beats, called techno-qawwali. An example of techno-qawwali is Kajra Re, a filmi song composed by Shankar Ehsaan Loy. A newer variation of the techno-qawwali based on the more dance oriented tracks is known as the "club qawwali". More tracks of this nature are being recorded and released. Nusrat Fateh Ali Khan and A.R. Rahman have composed filmi qawwalis in the style of traditional qawwali. Examples include Arziyan, Khwaja Mere Khwaja and Kun Faya Kun. Examples in the Bengali Tollywood cinema include the song Remix Qawwali sung by Neha Kakkar and Nakash Aziz. In addition to this, the Bengali Dhallywood cinema also includes qawwalis such as the song Tikatuli sung by Motin Chowdhury.
One of Nusrat Fateh Ali Khan's famous Qawwali songs, "Tere Bin Nahin Lagda", appeared on two of his 1996 albums, Sorrows Vol. 69 and Sangam, the latter a collaborative album with Indian lyricist Javed Akhtar. Lata Mangeshkar recorded a cover version called "Tere Bin Nahin Jeena" for Kachche Dhaage Composed by Nusrat Fateh Ali Khan, the Kachche Dhaagesoundtrack album sold 3million units in India. British-Indian producer Bally Sagoo released a remix of "Tere Bin Nahin Lagda", which was later featured in the 2002 British filmBend It Like Beckham, starring Parminder Nagra and Keira Knightley. A cover version called "Tere Bin" was recorded by Rahat Fateh Ali Khan with Asees Kaur for the 2018 BollywoodfilmSimmba Nusrat Fateh Ali Khan's music had a big impact on Bollywood music, inspiring numerous Indian musicians working in Bollywood, especially during the 1990s. For example, he inspired A. R. Rahman and Javed Akhtar, both of whom he collaborated with. However, there were many instances of Indian music directors plagiarising Khan's music to produce hit filmi songs. Viju Shah's hit song "Tu Cheez Badi Hai Mast Mast" in Mohra was plagiarised from Khan's popular Qawwali song "Dam Mast Qalandar".
