Greenberg—a former Republican campaign worker—lived as a housewife in Passaic, New Jersey. In the mid-1950s she was in her mid-forties with two children, Mary Jane and Stanley, who were both in school, so she had nothing to do at home during the day.
Career (1956 - 1976)
By 1956, a 43 year-old Greenberg was desperately searching for an escape from suburban lifestyle that accompanied her being a housewife. She did not know what she wanted to do but could often be seen hanging out at the Turf restaurant in New York City as she was enamored with the atmosphere surrounding the Brill Building. A friend of her husband's, Freddy Bienstock, helped her to get in the record business by one day inviting her over to the Hill & Range Music offices when he was working with his cousins Jean and Julian Aberbach. Greenberg was a natural and immediately began exploring her options of career paths in the music industry. In 1958, she started her own record label, called Tiara Records. After a performance by a group of girls at Passaic High School in 1957, Greenberg's daughter Mary Jane convinced her that she had to hear the group sing. She signed the group—popularly known as the Shirelles—to Tiara after they auditioned for Greenberg in her living room. The first song recorded and released on the Tiara Records label was "I Met Him On a Sunday" the Shirelles' talent show song that grabbed the attention of Greenberg in the first place. Just as the record started to break locally, Greenberg sold the company with the Shirelles' contract to Decca Records for $4,000. However, she started a new label in 1959, called Scepter Records which became one of the leading independent record labels in the 1960s. Under Scepter Records Greenberg resigned the Shirelles, becoming their manager once again. In 1961, Greenberg launched another record label, called Wand Records, as a subsidiary of Scepter Records. In 1963 the Shirelles learned that a trust, holding their royalties, that they allegedly were promised by Greenberg and Scepter, and supposed to receive on their 21st birthdays, did not exist. In response, they left the label,and later filed a breach of contract suit against the company. Scepter met this with a countersuit for quitting; both suits were withdrawn in 1965, after an agreement was reached. It is said that since Greenberg was a "a white woman who was in a black business,” Scepter did not truly begin to see success until Greenberg began her partnership with Luther Dixon. Once confirming their financial partnership, Greenberg became exclusively in charge of the business development of the label while Dixon would manage Scepter's publishing and artistic production. Around this same time, she moved her labels' offices into the offices of 1650 Broadway: the home of Aldon Music. Due to its close proximity, 1650 Broadway shared many songwriters and artists with the infamous Brill Building. In 1965, Greenberg received an offer of $6 million for Scepter from Gulf+Western, an offer that she rejected and later regretted not accepting. Greenberg retired from business in 1976, and sold all of her labels to Springboard International.
Notable work
Greenberg's labels produced some of the most applauded and awarded songs of the Brill Building era including:
Greenberg was married to an accountant with whom she had two children, Mary Jane Goff and Stanley Greenberg. At the time of her death, she was a grandmother to six and had five great-grandchildren. Her son-in-law, Sam Goff, is a managing partner in Essex Entertainment.
Death and legacy
Greenberg died on November 2, 1995, of heart failure at Hackensack University Medical Center. She was 82, and lived in Teaneck, New Jersey. She is remembered fondly by those with whom she worked. For example, Maxine Brown, a Scepter artist, defined Greenberg in saying "She was a brave woman... to be the only woman to own a record label in this business, competing with men and standing in there toe to toe with male producers and record owners." In 2011, a Broadway show based on Greenberg's life called Baby It's You! debuted starring Beth Leavel as Greenberg. The law firm Baker Hostetler has filed a complaint in the Supreme Court of the State of New York against Warner Brothers Entertainment seeking damages on behalf of performers Beverly Lee of The Shirelles, Dionne Warwick and Chuck Jackson, as well as the Estates of Doris Coley Jackson and Addie Harris Jackson, for the unauthorized use of their names and likenesses in connection with the Broadway musical, Baby, It's You,
