For All the Saints


"For All the Saints" was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The hymn was first printed in Hymns for Saints' Days, and Other Hymns, by Earl Nelson, 1864.

Tune

The hymn was sung to the melody Sarum, by the Victorian composer Joseph Barnby, until the publication of the English Hymnal in 1906. This hymnal used a new setting by Ralph Vaughan Williams which he called Sine Nomine in reference to its use on the Feast of All Saints, 1 November. It has been described as "one of the finest hymn tunes of century."
Although most English hymn tunes of its era are written for singing in SATB four-part harmony, Sine Nomine is primarily unison with organ accompaniment; three verses are set in sung harmony. The tune appears in this forms in most English hymnbooks, New English Hymnal, Common Praise ) and American hymnals.
Since the 1990s, some Presbyterian churches and groups affiliated with Reformed University Fellowship in the United States use a tune composed by Christopher Miner.
Charles Villiers Stanford's tune Engelberg was also written to be partnered with this hymn, although in the wake of Sine nomine it never gained popularity and is now more commonly used with other hymns, including "When in Our Music God is Glorified."

Text

Some versions substitute "far off we hear" for "steals on the ear". There are other minor variations as well. Most renditions omit verses 3, 5 and 6.