Francesco Robortello was a Renaissance humanist, nicknamed Canis grammaticus for his confrontational and demanding manner.
As scholar
Robortello, who was born in Udine, was an editor of rediscovered works of Antiquity, who taught philosophy and rhetoric, as well as ethics, and Latin and Greek, roving from Padua through universities at Lucca, Pisa, Venice, Padua, and Bologna before finally returning to Padua in 1560. Robortello's scientific approach to textual emendations laid the groundwork for modernHermeneutics. His commentary on Aristotle's Poetics formed the basis for Renaissance and 17th centurytheories of comedy, influential in writing for the theatre everywhere save in England. At the same time he was the conservative Aristotelian philosopher who urged woman to submit her will to that of her husband on the basis of her moral weakness, in his libro politicos: Aristotelis disputatio. He followed his In librum Aristotelis de arte poetica explicationes, in which he emended the Latin version of Alessandro de’ Pazzi, with a paraphrase of Horace's Ars poetica and with explications of genres missing in the surviving text of Aristotle: De Satyra, De Epigrammate, De Comoedia, De Salibus, De Elegia. In the fields of philology and history he sustained controversies in print with Carolus Sigonius and Vincenzo Maggi in the form of essay-like orations, correcting the editions published in Venice by Aldus Manutius, and even philological missteps of Erasmus. These brief essays were collected and published at intervals. A convention of surveys of Italian linguistics is to start with Robortello. Robortello died at Padua, where, in the 1550s, one of his pupils was Giacomo Zabarella. Another pupil was Jan Kochanowski, a poet who wrote both in Polish and Latin and introduced the ideas, forms and spirit of the Renaissance into Polish literature.
In Aristotelis poeticam explicationes, Florence 1548, 2nd edition 1555. Reinterpreting Aristotle's Poetics for the humanist.
Dionysi Longini rhetoris praestantissimi liber de grandi sive sublimiorationis genere... cum adnotationibus, Basel 1554. Recovering the lost literary criticism of Longinus, On the Sublime.
Thesaurus criticus, 1557, second edition, 1604
De arte, sive ratione corrigendi antiquorum libros disputatio, Florence 1548; 2nd edition 1562 This "Lecture on the art and method of correcting the books of the old writers" was one of the first critical discussions of the methodologies to apply in correcting texts of Antiquity.
De artificio dicendi 1567. A textbook of rhetoric.
