Frederick Hemke
Fred Hemke, DMA was an American virtuoso classical saxophonist and influential professor of saxophone at Northwestern University. Hemke helped raise the popularity of classical saxophone, particularly among leading American composers and helped raise the recognition of classical saxophone in solo, chamber, and major orchestral repertoire. For a half century, from 1962 to 2012, Hemke was a full-time faculty music educator at Northwestern University's Bienen School of Music. In 2002, Hemke was named Associate Dean Emeritus of the School of Music. Hemke retired from Northwestern University in 2012. From the start of his career in the early 1960s, building on the achievements of earlier influential American teachers of classical saxophone — including those of Larry Teal, Joseph Allard, Cecil Leeson, Sigurd Raschèr, and Vincent Abato — Hemke, and a handful of peer American saxophonists — including Eugene Rousseau and Donald Sinta — helped build American saxophone repertoire through composers that included Muczynski, Creston, Stein, Heiden, and Karlins. Journalist and author Michael Segell, in his 2005 book, The Devil's Horn,'' called Hemke "The Dean of Saxophone Education in America." Hemke died on April 17, 2019.
Formal education
From 1955 to 1956, Hemke studied saxophone with Marcel Mule at the Paris Conservatoire National de Musique et de Declamation, earning in 1956 the Premier Prix diploma. Hemke holds the distinction of being the first American saxophonist to earn a Premier Prix diploma from the Paris Conservatory. In 1958, Hemke earned a Bachelor of Science degree in music education from University of Wisconsin–Milwaukee. In 1962, he earned a Master of Music degree from the Eastman School of Music. In 1975, Hemke earned an A.Mus.D. degree from the University of Wisconsin–Madison.In primary and secondary school, until the start of college, Hemke studied saxophone with Eddie Schmidt, a jobbing teacher, band director in Milwaukee, and a close friend of Ralph Joseph Hermann — musician, composer, songwriter, and music publisher. Hemke was highly influenced by Schmidt's recording of Marcel Mule — and also of his recordings of Al Gallodoro, and Freddy Gardner. At the University of Wisconsin-Milwaukee, Hemke studied with Jay Morton, teacher of woodwinds. Hemke did not have a formal saxophone teacher at Eastman, but while there, studied reeds with clarinetist Stanley Hasty, flute repertoire with Joseph Mariano, and oboe repertoire with Robert Sprenkle.
Teaching career
Hemke taught saxophone at Northwestern's School of Music for fifty years. He began in 1962 as a teaching associate. In 1964 he became an assistant professor and was appointed chairman of the newly formed Winds and Percussion Instruments Department. In 1967 Hemke was elevated to associate professor; on September 1, 1975, Full Professor; and on September 1, 1991, chairman of the Department of Music Performance Studies at the School of Music. Hemke served as senior associate dean for administration in the School of Music from 1995 to 2001. In 2002, Hemke was named the Louis and Elsie Snydacker Eckstein Professor of Music and also named associate dean emeritus of the School of Music. He retired from full-time teaching in 2012. As a music educator in higher education, Hemke has taught hundreds of saxophonists, many of whom have flourished as performing artists and music educators of international rank.Selected former students:
- Jan Berry Baker
Georgia State University
- Roger Birkeland
Elmhurst College
- James Bishop
Eastern Florida State College, Cocoa, FL
- Ron Blake
Juilliard
Jazz performer and
recording artist
- Dave Bomberg
- Paul Bro
Indiana State University
International jazz performer and
recording artist
- David Dees
Texas Tech University
- Geoffrey Deibel, DMA
Director of Jazz Studies
Florida State University
Associate Professor of Composition and
Electronic Music
University of North Carolina at Greensboro
- Susan Fancher
Duke University
- Dan Ferri
DRF Studios
Maitland, Florida
Saxophone Instructor
Stetson University
Deland, Florida
Jazz saxophonist
- Jason Fritts
Director of Jazz Studies
University of North Florida
- Jeffrey Loeffert, DMA
Oklahoma State University
- Jonathan Helton
University of Florida
- Frederic J.B. Hemke
Northern State University
- James S. Hill
Ohio State University
- William Hochkeppel
University of Louisiana at Lafayette
Professor of Music
Director of Music Technology
University of Central Missouri
- Jeremy Justeson
Kutztown University of Pennsylvania
- Gail B. Levinsky
Susquehanna University
International performer
Professor of Saxophone
Mansfield University of Pennsylvania
- Nathan Nabb
Stephen F. Austin State University
- Ryo Noda
- Stephen J. Parker
Naples philharmonic
Professor of Saxophone
University of Texas at Austin
- Scott Plugge
Professor of Saxophone
Sam Houston State University
Professor of Saxophone
University of Illinois
- Timothy Roberts
Shenandoah University
- Johnny Salinas
Oklahoma State University
Professor of Saxophone
Bowling Green State University
International jazz performer
and recording artist
- Andy Snitzer
recording artist
- William H. Street
University of Alberta
- Masahito Sugihara
Sam Houston State University
- Matthew Younglove
Tennessee Tech University
- Naomi Sullivan
Birmingham Conservatoire
- Shawn Tracy
Merit School of Music
- Jeremy Williamson
Seminole State College and
Seminole County Public Schools
Professor of Saxophone
The College of New Jersey
- Steven Jordheim
Lawrence University
Other positions
Hemke was well known as the designer of a line of reeds which bear the trademark "Frederick L. Hemke Reeds." Rico Reeds began making the brand in 1982. Hemke was an artist-clinician for The Selmer Company, the North American distributor of saxophones made in France by the Paris firm, Henri Selmer Paris. In 1979 Hemke was host for the Sixth World Saxophone Congress held at Northwestern University, Evanston, Illinois.Performing career
Hemke was an internationally acclaimed saxophone artist. Hemke has appeared extensively as a solo artist and has given master classes and lectures in the United States, Canada, Scandinavia, and the Far East. He performed with the Chicago Symphony Orchestra and many other orchestras. He premiered several works for saxophone, including Allan Pettersson's Symphony No. 16 and James Di Pasquale's Sonata for tenor saxophone. Di Pasquale, a prolific composer, had studied saxophone with Hemke and Sigurd Rascher.;;Selected performances
- Hemke made his New York debut on April 16, 1962, at the Town Hall, a storied concert venue that had its first-ever classical saxophone performance on February 5, 1937 — by Cecil Leeson. Hemke performed compositions by Pascal, Lantier, Rueff, Hartley, and Stein and arrangements by Mule of Bach and Leclair.
- Premier, February 27, 2014, Augusta Read Thomas, Hemke Concerto, Prisms of Light, for solo alto saxophone and orchestra
- "Illuminations"
- "Sunrise Ballad"
- "Chasing Radiance"
- "Solar Rings"
Advocacy for B tenor saxophone
Selected discography
;;Solo recordings- Contest Music for Saxophone, Lapider Records M 249-04, distributed by H. & A. Selmer, Elkhart
- Music for Tenor Saxophone, Brewster Records BR 1204 ;
- Sonata, for tenor saxophone and piano, by James Di Pasquale
- A Ballad in Time and Space, by William Duckworth
- Poem, for tenor saxophone and piano, by Walter Hartley
- Music for Tenor Saxophone and Piano, by Martin William Karlins
- The American Saxophone, Brewster Records BR 1203 ;
- Concerto, for alto saxophone, by Ingolf Dahl
- Farewell, by Warren Benson
- Concerto, for alto saxophone, Karel Husa
- Aeolian Song, by Warren Benson
- Music for Tenor Saxophone and The American Saxophone was
- Simple Gifts, EnF Records ;
- Fascinating Rhythm, Sins Of My Old Age, EnF Records ;
- Premier, February 27, 2014, Augusta Read Thomas, Hemke Concerto, Prisms of Light, for solo alto saxophone and orchestra
- "Illuminations"
- "Sunrise Ballad"
- "Chasing Radiance"
- "Solar Rings"
- Symphony No. 16, by Allan Pettersson, Stockholm Philharmonic Orchestra, Yuri Ahronovitch conducting, Swedish Society Discofil ; and
- Winds of Change – American Music for Wind Ensemble From the 1950s to the 1970s, New World Records NW-211 ;,
- Music by Warren Benson, CRI Records SD-433 & SD 418 ;
- Incantations, by Ralph Shapey, CRI Records 232 ;,
- Concerto for Saxophone and Winds by Paul Creston, Interlochen Arts Academy Records
- Concerto for Saxophone and Wind Orchestra by Ingolf Dahl, University of Wisconsin–Madison Records ;
- Pictures at an Exhibition, by Mussorgsky, orchestrated by Ravel, Ozawa conducting ;
- L'Arlésienne Suites Nos. 1 and 2, by Bizet, RCA Red Seal LSC-2939 ;
- Age of Gold, by Shostakovich, RCA Red Seal GL 42916 ;
- Boléro, by Ravel, Quintessence PMC 1017 ;
- Boléro, by Ravel, Decca Matrix N° ZAL 14720
- Final Alice, by Del Tredici, Decca, London ;
Selected publications
- The Early History of the Saxophone, by Hemke, University of Wisconsin ;
- On Reading Music: An Information Processing Analysis, by Gilbert Koreb Krulee & Hemke ;
Commissions and dedications
- "Music for Tenor Saxophone and Piano," by M. William Karlins ;
- Symphony No. 16, for orchestra with bravura alto saxophone, by Allan Pettersson, commissioned by Hemke ;
- The Dream Net, 1974, revised 1978, by Warren Benson, commissioned by Hemke, dedicated to Alec Wilder, premiered by Hemke May 23, 1975, with the Eckstein Quartet, Lutken Hall, Northwestern University;
- "Wind Rose", by Warren Benson, commissioned by Hemke and the Northwestern University Saxophone, dedicated to Hemke and the Northwestern University Saxophone Quartet on their tour of Asia, Spring, 1966;
- Little Suite, by Walter Hartley, for Hemke, for baritone saxophone and piano ;
- 5 Etudes for Alto Saxophone, by Robert Lemay :fr:Robert Lemay|, Courlay: Éditions Fuzeau
- Episode, for saxophone quartet, by Jared Tozier Spears, commissioned by Hemke ;
- Symphony for Saxophone and Wind Band, by Gerald Eugene Kemner
- Hemke has edited works for saxophone solos and saxophone ensembles, twenty-five of which are part of the Frederick Hemke Saxophone Series published by the Southern Music Company.
Awards and honors
Hemke's saxophone and accessories
Hemke had been a primary design consultant for the S-80 mouthpiece manufactured by Henri Selmer Paris. For alto saxophone, Hemke uses a custom version of the S-80. The mouthpiece is metal with a square chamber.The Selmer Mark VII E alto and B tenor saxophones, introduced in 1974, were designed in consultation with Hemke.
Miscellaneous
- For research, while in grad school at Eastman, Hemke had borrowed from H. & A. Selmer one of the world's original saxophones made by Adolphe Sax around 1860. On September 17, 1960, a custodian unwittingly stuffed a cardboard box containing the instrument into an incinerator and completely destroyed it. The only other one in existence was in a Paris museum.
- Hemke has been a lifelong visual artist. His works are in the Regenstein Hall of Music at Northwestern University and on the covers of his albums.
Audio samples and videography
- , by Allan Pettersson
- , by
- , by
- , Eric Howell Music ;