The Friedrich Wilhelm Murnau Foundation, based in Wiesbaden, was founded in 1966 to preserve and curate a collection of the works of Friedrich Wilhelm Murnau as well as a collection of other German films totaling to about 6,000 produced between 1890 and 1960.
The foundation runs "the German Film House in a central location in the state capital of Hesse – Wiesbaden" as well as the "Murnau cinema theatre where films are shown to the public and a multi-function area where numerous events and exhibitions are held."
The foundation's most prominent film restoration was the 2010 re-release of Fritz Lang's Metropolis which was originally screened at the 60th Berlin International Film Festival. It has additionally restored, with financial support from the prior owners of their film stock, Bertelsmann, The Cabinet of Dr. Caligari which premiered "at the Berlinale in February 2014" which it won an award for best archive restoration in 2015 from FOCAL International. The foundation was also involved in the restoration of Fritz Lang's Destiny which had "faded and degraded almost beyond recognition." The foundation maintains about 80% of Germany's forbidden Nazi-era films referring to this collection of 40 films as "reserved" films which are "propagandistic productions created under Hitler, which may only be used for scientific evaluation in Germany and within the framework of political education." This collection includes the notorious Jud Süß, Quax the Crash Pilot, Kolberg, I Accuse, and The Eternal Jew.
Criticism
The treatment of reserved films by the Murnau Foundation has been met with criticism. Critics accuse the foundation of misusing copyrights for film censorship and not for the intended purpose of copyright law where, they argue, the government should institute a ban through legislation instead. Unlike the FSK, there are no legal evaluations for the decisions of the Board of Trustees. Critics also point out the opaque process of deciding which films should be reserved, noting that there is no transparent criteria, the experts consulted are not publicized, and any reports used are not publicized. For instance, the film The Old and the Young King contains Nazi propaganda, however, it was allowed to be screened publicly. Additionally, the nature of the reserved film screenings has been criticized, since the only option is to view them with accompanying expert supervision, commentary, and discussion.