Andy Farmer is a New York Citysports writer who moves with his wife, Elizabeth to the seemingly charming town of Redbud, Vermont, so he can write a novel. They do not get along well with the residents, and other quirks arise such as being given exorbitant funeral bills for a long-dead man buried on their land years before they acquired the house. Marital troubles soon arise from the quirkiness of Redbud as well as the fact that Elizabeth was critical of Andy's manuscript, while having her own manuscripts for children's books published. They soon decide to divorce and sell their home. To expedite the sale, the Farmers offer the town's residents a $15,000 donation to Redbud, and $50 cash each if they help make a good impression on their prospective home buyers. To that end, the citizens remake Redbud into a perfect Norman Rockwell-style town. Their charade dazzles a pair of prospective buyers, who make the Farmers an offer on the house; however, Andy declines to sell, realizing that he genuinely enjoys small-town living. He and Elizabeth decide to stay together in Redbud, much to the chagrin of the locals, who are now angry that they lost their promised money. Though the mayor does not hold the Farmers liable for the $15,000, as the sale of their house did not occur, Andy decides to pay everyone in Redbud their $50, which helps improve his standing among the townspeople. The film ends with Andy taking a job as a sports writer for the Redbud newspaper, and Elizabeth, now pregnant with their first child, having written multiple children's stories.
Cast
Chevy Chase as Andy Farmer
Madolyn Smith as Elizabeth Farmer
Kevin O'Morrison as Sheriff Ledbetter
Alice Drummond as Ethel Dinges
Mike Starr as Crocker
Glenn Plummer as Mickey
Joseph Maher as Michael Sinclair
Bill Fagerbakke as Lon Criterion
Nicholas Wyman as Dirk Criterion
William Newman as Gus Lotterhand
Kevin Conway as Crum Petree
Brad Sullivan as Brock
Jack Gilpin as Bud Culbertson
Caris Corfman as Betsy Culbertson
Production
Screenwriter Jeffrey Boam said he "loved" the book. "It was exactly the kind of movie I always wanted to write,” said Boam. “It needed a lot of work because it wasn’t told in the fashion that could be filmed, but I loved the idea of working with Chevy. He was a comedy hero of mine and still is.” Boam says the tone of the film changed from what he expected when director George Roy Hill signed. "George wanted to do a much classier version than I ever imagined it to be," said Boam. "I imagined it to be a little cruder, more low-brow humor, rougher and more like the movies Chevy was doing at the time, but George was a classy guy and he wasn’t going to do that. He does what he does. He made the movie classy, and I think a lot of Chevy’s fans were let down because it wasn’t as raucous and vulgar as they might have expected."
Reception
Funny Farm received mixed reviews at the time of its release. On Rotten Tomatoes, the film has an approval rating of 65%, based on 20 reviews, with an average rating of 5.1/10. Vincent Canby, in his review for The New York Times, called the film "good-natured even when it's not funny," and went on to say that its best jokes are recycled from other, better, films. In a negative review for the Los Angeles Times, Michael Wilmington said "Funny Farm – a weak-fish-out-of-water comedy about a New York City couple who see their rural paradise turned into a rustic hell–is a movie with a doubly deceptive title. This movie isn't about a farm, and it isn't very funny, either." In a staff review, Variety said "As pleasant yuppie comedies go, this is about par." However, film criticsRoger Ebert and Gene Siskel were strong champions of the film, praising it on The Oprah Winfrey Show and The Tonight Show Starring Johnny Carson. Ebert called the film a "small miracle," while Siskel said it was "the best film Chase has made" and compared it to the films of Preston Sturges. Dialog from the film was sampled by rapper Cool Calm Pete as the intro for his album Lost. The film grossed $25 million on a $19 million budget, making it a modest box office success, but was seen as an overall disappointment especially considering Chevy Chase's popularity as a comic actor in the 1980s with a handful of box office hits. It was released during a very busy summer movie season. The Tom Hanks comedy Big, now considered a classic comedy, opened the very same day and became one of the year's highest grossing films while Crocodile Dundee II was in its second week of release and also became one of the year's biggest hits. Other releases throughout the summer including Coming to America, Who Framed Roger Rabbit, and Die Hard all were very high-grossing films giving Funny Farm a slim chance of high box office results in comparison. Screenwriter Jeffrey Boam has also said he felt the film did not do as well as hoped because Chase was known at the time for doing edgier comedies such as National Lampoon's Vacation and his fans were expecting similar humor from this film as a result. With the success of National Lampoon's Christmas Vacation the following year, Funny Farm did eventually gain a cult following and is now regarded by critics and Chevy Chase fans as one of if not his very best films.