Furniture (band)


Furniture were a British new wave band, active from 1979 to 1991. The band is best known for the 1986 Top 30 hit, "Brilliant Mind".
The longest-serving and best-known line-up of Furniture, comprised founder members Jim Irvin, singer/multi-instrumentalist Tim Whelan and drummer Hamilton Lee, plus bass player/occasional singer Sally Still and keyboard player Maya Gilder. Larry N’Azone was an occasional member during this period and often appeared with the band live. Furniture's chief success was in the UK but they also enjoyed a following throughout Eastern Europe where they toured in 1987 and 1988.
Since the break-up of the band, Furniture has retained a certain cult appeal, partly due to a continuing high reputation for songwriting and partly due to the nature of the band's career. Noted for the bad luck and practical frustration that prevented them from making a long term-breakthrough, Furniture have been described as "one of the most unfortunate of bands, and a salutory lesson for any young hopefuls being courted by minor labels."
After the band's break-up, Whelan and Lee went on to form Transglobal Underground, while Irvin and Still became high-profile British music journalists.

Overview

Musical style

Furniture's musical style was eclectic and has been described as a fusion of "new wave, jazz, blues, post-punk, alt-rock, and about a dozen other genres with some of the most poetic lyrics ever written." The band was also noted for the quality of its compositions, hailed as "storytelling songwriting at its best."

History

Formation and early releases (1979–1984)

Furniture was formed in 1979 in the Ealing area of London, England by Jim Irvin, Tim Whelan and Hamilton Lee. Simon Beaton and Ian Macdonald joined shortly afterwards, and together Furniture played their first gig in 1979. In 1981 the band set up their own independent record label and released their first single, "Shaking Story"/"Take A Walk Downtown". In the same year, Tim Whelan joined The Transmitters as lead vocalist. He would remain in The Transmitters until 1989 but would continue working with Furniture at the same time..
Shortly after the release of the debut single, Macdonald and Beaton left the band. Furniture remained a trio until full-time bass player Sally Still and keyboard player Maya Gilder joined in 1983. Tim Whelan's brother Larry N'Azone also joined as part-time saxophonist. In 1983, Furniture released a mini-album entitled When the Boom Was On, on the Premonition imprint of the Ealing-based Survival record label.
Switching fully to Survival in spring 1984, Furniture released their second single, "Dancing the Hard Bargain", which was produced by former Blue Zoo member, Tim Parry. This was followed in December 1984 by "Love Your Shoes", produced by Troy Tate. A self-produced EP – "I Can’t Crack" – followed in the summer of 1985. Much of the material on these releases was collected on a 1986 Japan-only LP on Survival, called The Lovemongers.

Stiff Records period – "Brilliant Mind" and ''The Wrong People'' (1986–1987)

In 1986, Furniture signed to a higher-profile independent label, Stiff Records, and released the sardonically wistful single "Brilliant Mind". The song peaked at number 21 in the UK Singles Chart.
It was accompanied by a moody, jazz-inspired video clip recorded at the Wag Club in Soho, London. Irvin apparently wrote the song while travelling back from a London dole office on the top of a bus.
"Brilliant Mind" remains Furniture's most popular song, still receiving airplay on British radio stations. It has also become a staple of many 1980s compilation albums, and was nominated by Boy George as his favourite record of the period. It has been used as TV incidental music and was re-recorded for use in the John Hughes film Some Kind of Wonderful.
The band's follow-up to "Brilliant Mind" was a re-recorded version of the earlier single "Love Your Shoes". Although this became a radio hit, it fell foul of a financial crisis at Stiff Records, who couldn't afford to press enough records to match demand. Although discouraged by the setback, Furniture went on to record their first album of new material, The Wrong People. Advance orders for the album were fulfilled by Stiff Records with a single pressing of 30,000 copies, which sold out quickly. Shortly afterwards, Stiff Records succumbed to its financial problems and went into liquidation.

Exile (1987–1989)

Following Stiff's bankruptcy, the company's assets and catalogue were quickly sold to another label, ZTT, who pressed no further copies of The Wrong People. This ensured that Furniture could not build on their growing momentum.
The band spent the next three years extricating themselves from the Stiff contract. During this time they toured the world with the assistance of the British Council, which allowed them to hone their sometimes reluctant performance skills. Whelan recalls that while touring Jordan in 1987 "we played a great big theatre in Amman in front of the Crown Prince. We’d been a shambolic indie band, turning our back to the audience. Suddenly we found we had to put on a show."
Other countries in which Furniture performed during this period were Egypt, Cyprus, Turkey, Greece, Czechoslovakia, Yugoslavia and Romania Ceaușescu

The Arista period – ''Food, Sex & Paranoia'' (1989–1990)

By 1989 Furniture had resolved their contractual problems. This time, the band signed to a major label – Arista Records. Under the new contract, the band recorded another album, Food, Sex & Paranoia, which was produced by Mike Thorne and released in February 1990. The album was notable for Whelan and Lee's growing and prominent use of instruments which were not generally used in Western pop music – such as tongue drums and the yangqin zither – which presaged their later work in Transglobal Underground. The album was preceded in October 1989 by the single "Slow Motion Kisses". A second single "One Step Behind You" was released alongside the album. Unfortunately, the three years of lawsuits had dissipated Furniture's career momentum and media profile, and the album was not a commercial success.

Final year and break-up (1990)

Despite this and further setbacks – including the departure of Maya Gilder early in 1990 – Furniture continued working, with the remaining members dividing Gilder's keyboard playing role between themselves. The band also played a series of higher profile gigs, one of which was a headlining slot on the second stage at the 1990 Reading Festival. With the Arista contract now over, Furniture returned to their first record label, Survival.
Although by now the band was beginning to divide into factions, Furniture set up plans to put together a compilation album of past work to entice a new major label contract, as well as beginning recording sessions for a brand new album. Plans for the compilation were complicated and blocked by legal problems regarding rights for both the Stiff and Arista material, meaning that the band began to pad out the running order with various alternative versions and B-sides. Two songs for the intended new album were recorded at Survival Studios, but the sessions were curtailed when the studios were shut down.
Exhausted and discouraged by their continual bad luck, the band finally decided to split up: initial plans to reconvene at a later date simply petered out. The compilation album – now titled – was released posthumously on vinyl and CD by Survival in 1991. It compiled all of the band’s singles and also included "How I’ve Come to Hate the Moon" and "Farewell", which now served as the band’s final output.

Post-Furniture activities

Subsequent projects

From 1992, Tim Whelan and Hamilton Lee went on to enjoy success with their subsequent project, Transglobal Underground, a groundbreaking world-dance troupe with an ever-changing line-up. Prior to this, they spent some time in the Ealing-based world music band The Flavel Bambi Septet, which also included various members of The Transmitters and other local bands.
After the demise of Furniture, Jim Irvin joined Melody Maker as a journalist, writing under the pseudonym of "Jim Arundel". He subsequently became the founding features editor at Mojo, eventually becoming the magazine's senior editor and compiling the acclaimed book "The Mojo Collection". Irvin has also continued with his musical career as songwriter, producer and occasional performer. In the early 1990s he formed the short-lived keyboards-and-voice duo Because with jazz musician Chris Ingham, recording one album. Working with the Domino Recording Company, Irvin set up the Dusty Company imprint and released an album by the band Clearlake. He also collaborated with the band Gay Dad, co-writing songs which appeared on their 1999 album Leisure Noise. In 2002 Irvin signed a new deal as a songwriter with Warner Chappell, initially specialising in dance music with acts Special Unit and Miami Ice. He has written songs for many acts, including David Guetta, Lissie, Simple Plan and Lana Del Rey.
Sally Still became a Melody Maker journalist at the same time as Irvin, writing under the name of "Sally Margaret Joy". She was later involved in promoting, encouraging and managing female underground rock acts. Still has also written, and sung on, dance music records including "Better Than Perfect" by Miami Ice.
In addition, Jim Irvin and Sally Still have maintained their own partnership and continued to write songs together. Their best-known collaboration is the Michael Gray international house music hit, "The Weekend".
After leaving Furniture, Maya Gilder became a producer at the BBC World Service. She now lives in Australia.
In the early 1990s, Sally Still and Hamilton Lee played as members of the band Catwalk. They were both featured on the 12-inch single 'Damascus'.
An active fan forum, named "wrongpeople" after the band's album, has existed since 2002 on Yahoo, on which fans of Furniture discuss the band's music and exchange information and updates.

Reissue programme

As of 2010, the band's pre-Arista back catalogue became available for MP3 download from Amazon.com and other sites.
A remastered and expanded version of the ill-fated The Wrong People was finally reissued on CD by Cherry Red Records on 19 April 2010. The reissue included nine additional tracks: the B-sides "To Gus", "Turnupspeed", "Me, You & the Name", "It Continues" and "Brilliant Fragments" along with the extended remixes of "Brilliant Mind" and "Love Your Shoes" and two previously unreleased demos. The band contributed a track-by-track commentary and photos from their personal archives to the sixteen-page covering booklet, which also featured an introductory essay by veteran British music journalist and longterm fan Chris Roberts.
In 2019, Emotional Rescue reissued Furniture's debut, six-song mini-album, When the Boom Was On and an EP of 12" mixes called On Broken Glass.

Cover versions of Furniture songs

German pop singer Marian Gold released a cover version of "One Step Behind You" as a single in March 1993.

Band members

Full members

Studio albums