McMaster draws and paints with humour and an ironic juxtaposition of traditional and contemporary pop culture elements. Identities, fluid and multiple, are central to his art practice. In his piece Eclectic Baseball, "traditional Plains Indian symbols of warfare and sacred ceremony were freely mixed with symbols and actual equipment of contemporary baseball". One of his best known series is The cowboy/Indian Show. Hide painting, pictographs, and petroglyphs inspire his methods of representation. He works in oil and acrylic. In 1995, he ceased being a full-time artist in order to devote more time to curating, critical theory, and writing.
Career
From 1977 to 1981, McMaster coordinated the Indian Art Program and was an instructor at the Saskatchewan Indian Federated College at the University of Regina in Saskatchewan. Beginning in 1981, he was curator of Contemporary Indian Art at the Canadian Museum of Civilization in Ottawa. McMaster has curated a number of thought-provoking contemporary Native art shows, including INDIGENA at the Canadian Museum of Civilization. In 2011, he curated with Ingo HesselInuit Modern at the Art Gallery of Ontario in Toronto. In 1995, McMaster curated Edward Poitras's exhibition at the Biennale di Venezia. In 2005, Poitras, of Gordon First Nation, was the first aboriginal artist to represent Canada in the Biennale di Venezia. He served as the director's special assistant and deputy assistant director for cultural resources at the National Museum of the American Indian in New York City from 2000 to 2004. He worked with the permanent collections there, as well as curating the shows, First American Art in 2004 and New Tribe/New York in 2005. He was curator of Canadian art at the Art Gallery of Ontario until 2012, when he was succeeded by Andrew Hunter.
Awards and honors
In 2005, McMaster was awarded Canada's highest honor, the Order of Canada. That same year he also received the national Aboriginal Achievement Award.
Selected published works
McMaster, Gerald and Clifford E. Trafzer, eds. Native Universe: Voices of Indian America: Native American Tribal Leaders, Writers, Scholars, and Story Tellers. National Geographic, 2008..
McMaster, Gerald and Joe Baker, ed. Remix: New Modernities in a Post-Indian World. Washington DC: National Museum of the American Indian, 2007..
McMaster, Gerald, Bruce Bernstein, Kathleen Ash-Milby, eds. First American Art: The Charles and Valerie Diker Collection of American Indian Art. Washington DC: National Museum of the American Indian, 2004..
McMaster, Gerald. The New Tribe: Critical Perspectives and Practices in Aboriginal Contemporary Art. Amsterdam: Acedemisch Proefschrift, University of Amsterdam, 1999. ASIN B001ELWQLK.
McMaster, Gerald. "Museums and Galleries as Sites for Artistic Intervention", In The Subjects of Art History: Historical Objects in Contemporary Perspectives. Eds. Mark A. Cheetham, Michael Ann Holly, and Keith Moxey. Oxford: Oxford University Press: 250–261. 1998.
McMaster, Gerald. Jeffery Thomas: Portraits from the Dancing Grounds. Exhibition catalogue. Ottawa: Ottawa Art Gallery, 1996
McMaster, Gerald. Mary Longman: Traces. Exhibition catalogue. Kamloops, BC: Kamloops Art Gallery, 1996.
McMaster, Gerald and Lee-Ann Martin. Indigena. Contemporary native perspectives in Canadian art. 1992. ASIN B0010YFFSC.
McMaster, Gerald, Jennifer S. H. Brown, Clara Harfittay, and Shirley J. R. Madill. Robert Houle: Indians from A to Z. Goose Lance Editions, 1990..
McMaster, Gerald. Edward Poitras: Canada Xlvi Biennale Di Venezia. Seattle: University of Washington Press, 1995..