"We've had so many conversations with . He never interfered with what we wanted to do, but he'd tell us what he thought was really strong. He'd say, 'That's a great direction. You can tap into more of that, if you want.' He taught us a lot about song arrangement. And he always said he really believes in what we're doing."
FrontmanRyan O'Neal spent the following two years writing the album, including writing out the lyrics on an old typewriter, without composing any of the music in mind during the sessions. With all of the lyrics written, he then began working on applying the lyrics to musical compositions; some went effortlessly, while others took extensive reworking. Corgan, impressed with the work, helped them secure a record deal with Interscope Records in late 2002. The band cancelled plans to record an EP in order to focus efforts on their first major record label album. The band had planned to start the recording sessions in 2002 and to release the album in early 2003, but the recording sessions did not start until the beginning of 2003 and it took six months to complete. The band recorded in music producer Steve Albini's Electrical Audio studio, and according to the studio's recommendation, worked with Susan Voelz on the album's orchestral arrangements, as the band generally knew the sounds they wanted to make, but did not necessarily have the means to convey it on paper. Corgan also helped to put them in contact with a number of people in the music industry who he had previously worked with, including the producerBjorn Thorsrud, with whom Corgan had recently collaborated on his Adore and Machina/The Machines of God albums with the Smashing Pumpkins, and with the mixerAlan Moulder, who had also worked on the Machina sessions.
Promotion and release
The album was released on October 7, 2003. The band found some success with their single "Say". The song was featured prominently on Fuse TV's "Oven Fresh" countdown, appearing at the top of the chart. The band also performed the single live on Fuse's IMX program. The band toured extensively in support of the album, doing a national tour with Switchfoot and also touring with Corgan's other band at the time, Zwan. The album's title track was used in the Warner Brotherstelevision show version of Tarzan.
Reception and aftermath
The album was generally well received by critics. AllMusic favorably compared the album to the work of Radiohead and U2, stating, " Ghosts could have easily become yet another album bleeding emo-inflected tears for the torturous souls of its creators. Instead, it's a life-size star map flecked with glimmering jewels of melody and the wondering promise of youth." Melodic praised the album's "huge" and "dream-like" sound. Hip Online was less positive about the album, stating that, overall, the album represented a failed attempt to create a Radiohead, U2, Goo Goo Dolls or Britpop album. The band chose to leave Interscope before independently releasing their follow up album, Keep No Score. The split was amicable, with Ryan O'Neal saying that working with the label had overall been a positive experience, but the band was so hands-on with the process that they felt they could do just as well independently.
