Giovanni Paisiello
Giovanni Paisiello was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini and whose music was championed by Haydn and Beethoven.
Life
Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, La Pupilla and Il Mondo al Rovescio, for Bologna, and a third, Il Marchese di Tidipano, for Rome.His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, he produced a series of highly successful operas, one of which, L'ldolo cinese, made a deep impression upon the Neapolitan public.quote|Paisiello conducted the music of the court in the Tuileries with a stipend of 10,000 francs and 4,800 for lodging, but he entirely failed to conciliate the Parisian public, who received his opera Proserpine so coldly that, in 1803, he requested and with some difficulty obtained permission to return to Italy, upon the plea of his wife's ill health. On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Joachim Murat, but he had taxed his genius beyond its strength, and was unable to meet the demands now made upon it for new ideas. His prospects, too, were precarious. The power of the Bonaparte family was tottering to its fall; and Paisiello's fortunes fell with it. The death of his wife in 1815 tried him severely. His health failed rapidly, and constitutional jealousy of the popularity of others was a source of worry and vexation.
Works
Operas
- R 1.00 La moglie in calzoni
- R 1.01 Il ciarlone – lost
- R 1.02 I francesi brillanti
- R 1.03 Madama l'umorista, o Gli stravaganti – lost
- R 1.04 L'amore in ballo
- R 1.05 La mascherata delle nozze di Bacco e d'Arianna
- I bagni d'Abano
- Il negligente
- Pulcinella vendicato nel ritorno di marechiaro
- R 1.05a Le virtuose ridicole
- R 1.06 Le nozze disturbate
- R 1.07 Le finte contesse
- R 1.08 La vedova di bel genio
- R 1.09 Le 'mbroglie de le Bajasse – lost
- R 1.09a La serva fatta padrona 2nd version of Le 'mbroglie de le Bajasse
- R 1.10 L'idolo cinese
- R 1.11 Licenza to L'idolo cinese
- R 1.12 Lucio Papirio dittatore
- R 1.13 Il furbo malaccorto
- R 1.14 Alceste in Ebuda, ovvero Olimpia
- R 1.15 Le nozze di Peleo e Tetide
- R 1.16 Licenza to Peleo
- R 1.17 La luna abitata
- R 1.18 La finta maga per vendetta
- R 1.19 L'osteria di Marechiaro
- R 1.20 La Claudia vendicata
- R 1.21 Don Chisciotte della Mancia
- R 1.22 L'arabo cortese
- R 1.23 La Zelmira, o sia La marina del Granatello
- R 1.24 Le trame per amore
- R 1.25 Demetrio
- R 1.26 Annibale in Torino
- R 1.27 La somiglianza de' nomi
- R 1.28 and 1.29 I scherzi d'amore e di fortuna
- R 1.30 Artaserse
- R 1.31 Semiramide in villa
- R 1.32 Motezuma
- R 1.33 La Dardanè
- R 1.34 Gli amante comici
- Don Anchise Campanone
- R 1.35 L'innocente fortunata
- R 1.36 Sismano nel Mogol
- R 1.37 Il tamburo
- R 1.38 La semplice fortunata
- R 1.39 Alessandro nell'Indie – fragment
- R 1.40 Andromeda
- R 1.41 Il duello
- R 1.42 Il credulo deluso
- R 1.43 La frascatana
- R 1.44 Il divertimento dei numi
- R 1.45 Demofoonte
- R 1.46 La discordia fortunata
- R 1.47 Le astuzie amorose
- R 1.48 Socrate immaginario
- R 1.49 Il gran Cid
- R 1.50 Le due contesse
- R 1.51 La disfatta di Dario
- R 1.52 Dal finto il vero
- R 1.53 Il finto spettro
- R 1.54 Nitteti
- R 1.55 Lucinda e Armidoro
- R 1.56 Achille in Sciro
- R 1.57 Lo sposo burlato
- R 1.58 Gli astrologi immaginari ,
- R 1.59 Demetrio
- R 1.60 Il matrimonio inaspettato
- R 1.61 La finta amante
- R 1.62 Alcide al bivio
- R 1.63 La serva padrona
- Il duello comico
- R 1.64 Il barbiere di Siviglia, ovvero La precauzione inutile
- R 1.65 Il mondo della luna
- R 1.66 Il re Teodoro in Venezia
- R 1.67 Antigono
- R 1.68 L'amor ingegnoso, o sia La giovane scaltra
- R 1.69 La grotta di Trofonio
- R 1.70 Olimpiade
- R 1.71 Le gare generose
- R 1.72 Pirro
- Il barbiere di Siviglia, ovvero La precauzione inutile
- R 1.73 Giunone e Lucina
- R 1.74 La modista raggiratrice
- R 1.75 Fedra
- R 1.76 L'amor contrastato
- R 1.77 Catone in Utica
- R 1.78 Nina, o sia La pazza per amore
- R 1.79 I zingari in fiera
- R 1.80 Le vane gelosie
- R 1.81 Zenobia in Palmira
- La molinara
- Nina, o sia La pazza per amore
- R 1.82 Ipermestra
- R 1.83 La locanda
- R 1.84 I giuochi d'Agrigento
- Il fanatico in Berlina
- R 1.85 Il ritorno d'Idomeneo in Creta – lost
- R 1.86 Elfrida
- R 1.87 Elvira
- R 1.88 Didone abbandonata
- Nina, o sia La pazza per amore
- Chi la dura la vince
- R 1.89 La Daunia felice
- R 1.90 Andromaca
- R 1.91 L'inganno felice
- R 1.92 L'isola disabitata – lost
- R 1.93 La Pace
- R 1.94 Proserpine
- R 1.95 Elisa
- R 1.96 I pittagorici
Secular cantatas
- R 2.01 – L'Ebone
- R 2.02 – La sorpresa delli Dei
- R 2.03 – 2 Notturni
- R 2.04 – La Partenza
- R 2.05 – La Libertà e Palinodia a Nice
- R 2.06 – Il Ritorno di Perseo
- R 2.07 – Amor vendicato
- R 2.08 – Il Genio Poetico Appagato
- R 2.09 – Cantata epitalamica
- R 2.10 – Canone a 4 voci
- R 2.11 – Le nozze di Silvio e Clori
- R 2.12 – La Volontaria
- R 2.13 – Il mio bene, il mio tesoro
- R 2.14 – Birthday Cantata for Prince Felice of Lucca
- R 2.15 – Tirsi a Fille
- R 2.16 – Fille a Tirsi
- R 2.17 – La Lontananza di Tirsi
- R 2.18 – La scusa
- R 2.19 – Riede omai la nuova aurora
- R 2.20 – 3 Notturni for 2 sopranos
Oratorios, passions and sacred cantatas
- R 3.01 – Jephte sacrificium
- R 3.02 – La Passione di Nostro Signor Gesù Cristo
- R 3.03 – Passio secundum Mattheum
- R 3.04 – Passio di San Giovanni
- R 3.05 – Il transito di San Luigi Gansaga
- R 3.06 – Cantata fatta in occasione della transalazione del sangue di S. Gennaro
- R 3.07 – Baldassare
- R 3.08 – Cantata per la Sollenit‡ del SS. Corpo di Cristo
- R 3.09 – Cantata per la transalazione del sangue del glorioso martire S. Gennaro
- R 3.10 – Il fonte prodigioso di Orebre
- R 3.11 – Passio per la domenica delle Palme
- R 3.12 – Passio per il venerdi Santo
Sacred music for rulers' chapels
- R 4.01 – Virgam virtutis tuae in F major
- R 4.02 – Mass in F major
- R 4.03 – Absit sonitus tubae in D major
- R 4.04 – Mass in A major
- R 4.05 – Veni ferox, veni in G minor
- R 4.06 – Mass in C major
- R 4.07 – Splendete o coeli in G major
- R 4.08 – Mass in G major
- R 4.09 – Coeli stella amica in E-flat major
- R 4.10 – Mass in F major
- R 4.11 – Non est in vita amara in C major
- R 4.12 – Mass in B-flat major
- R 4.13 – Messa in Pastorale per il Natale in G major
- R 4.14 – Mass for Passion and Palm Sundays in F major
- R 4.15 – Veni sancte spiritus in E-flat major
- R 4.16 – Mass for the coronation of Napoleon I in B-flat major
- R 4.17 – Deh resplende o clara stella in D major
- R 4.18 – Gratiae sint Deo devotae in E-flat major
- R 4.19 – Splendete o coeli in G major
- R 4.20 – Sitibundi desolati in D minor
- R 4.21 – Alma fax et casti in E-flat major
- R 4.22 – Mass in D major
- R 4.23 – Ne lucem Bene in B-flat major
- R 4.24 – Altas Olympi fores in A major
- R 4.25 – Rosae lux e coelo in A major
- R 4.26 – Mass in F major
- R 4.27 – Vivat Deus in C major
- R 4.28 – Si mare ferox murmurat in F major
- R 4.29 – Coeli stella amica in E-flat major
- R 4.30 – Non est in vita amara in C major
- R 4.31 – Heu nos jam velum in E-flat major
- R 4.32 – Quis est? in C major
- R 4.33 – Mass in C major
- R 4.34 – Absit sonitus tubae in D major
- R 4.35 – In tuo beato ardore in G major
- R 4.36 – O mortales summo ardore in D major
- R 4.37 – Mass in D major
- R 4.38 – Mass for the Assumption of the Blessed Virgin Mary in G major
- R 4.39 – Sagro trattenimento musicale in B-flat major
- R 4.40 – Sagro componimento musicale in C major
- R 4.41 – Sagro componimento musicale in G major
- R 4.42 – Mass for the Assumption of the Blessed Virgin Mary in G major
- R 4.43 – Mass in E-flat major
- R 4.44 – Mass for the Assumption of the Blessed Virgin Mary in C major
- R 4.45 – Mass in B-flat major
- R 4.46 – Te Deum breve in G major
- R 4.47 – Laudate pueri in E minor
- R 4.48 – Salvum fac Domine in B-flat major
Masses (other than those for rulers' chapels)
- R 5.01 – Missa Defunctorum in C minor
- R 5.02 – Mass in G major
- R 5.03 – Mass in D major
- R 5.04 – Mass in F major
- R 5.05 – Mass in D major
- R 5.06 – Mass in B-flat major
- R 5.07 – Agnus Dei in G major
- R 5.08 – Mass in F major
- R 5.09 – Mass in C major
- R 5.10 – Mass in F major
- R 5.11 – Mass in C major
Pieces for the Mass Ordinary
- R 5.51 – Introit, offertory and communion for the mass in F major
- R 5.52 – Introit, kyrie and offertory
- R 5.53 – Introit, gradual, offertory, post-communion and responsory
- R 5.54 – Gradual: Omnes de Saba venient in G major
- R 5.55 – Offertory: Te gloriosus chorus in D major
Psalms, hymns or antiphons used during Mass
- R 5.56 – Veni sancte spiritus in D major
- R 5.57 – Exsulta jam cor meum in D major
- R 5.58 – Stabat Mater del Pergolese in C minor
- R 5.59 – Libera me Domine in D minor
- R 5.60 – Caro mea vere est cibus in B-flat major
- R 5.61 – Benedictus Rex in B-flat major
Psalms, canticles, hymns or antiphons
- R 6.01 – Te Deum in B-flat major
- R 6.02 – Te Deum in C major
- R 6.03 – Hymn: O salutaris hostia in A major
- R 6.04 – Dixit Dominus in A major
- R 6.05 – Antiphon: Domine ad adjuvandum in F major
- R 6.06 – Dixit Dominus in F major
- R 6.07 – Antiphon: Domine ad adjuvandum in G major
- R 6.08 – Dixit Dominus in C major
- R 6.09 – Dixit Dominus in D major
- R 6.10 – Dixit Dominus in G major
- R 6.11 – Dixit Dominus in D major
- R 6.12 – Dixit Dominus in G major
- R 6.13 – Psalm: Confitebor tibi in A major
- R 6.14 – Psalm: Laudate pueri in E-flat major
- R 6.15 – Psalm: Laudate pueri in C major
- R 6.16 – Psalm: Laudate pueri in C major
- R 6.17 – Psalm: Laetatus sum in D minor
- R 6.18 – Psalm: Magnificat in C major
- R 6.19 – Psalm: Magnificat in G major
- R 6.20 – Litany in G major
- R 6.21 – Responsoria Nativitatis Domini in E minor
- R 6.22 – Responsori per la settimana santa
- R 6.23 – Responsori per Giovedi Santo
- R 6.24 – Responsori per Venerdi Santo
- R 6.25 – Lamentazione prima in C major
- R 6.26 – Lamentazione seconda in G major
- R 6.26 – Lamentazione terza in F major
- R 6.28 – Lezione per la sera del Giovedi Santo
- R 6.29 – Christus factus est in A minor
- R 6.30 – Miserere a 5 in D minor
- R 6.31 – Hymn: Pange lingua in C minor
- R 6.32 – Hymn: Tantum ergo in A major
- R 6.33 – 3 Tantum ergo for soprano
- R 6.34 – Hymn: Tantum ergo in C major
- R 6.35 – Antiphon: Benedicat in F major
- R 6.36 – Antiphon: Regina coeli in B-flat major
- R 6.37 – Antiphon: Salve Regina in E-flat major
- R 6.38 – Antiphon: Ave maris stella in F major
Motets
- R 7.01 – Motet: Astra coeli in C major
- R 7.02 – Motet: O luminosa aurora in G major
- R 7.03 – Motet: In corde intrepido in C major
- R 7.04 – Motet: Mille furis in C major
- R 7.05 – Motet: Absit sonitus in D major
Instrumental works
- R 8.01 – String Quartet No.1 in C major
- R 8.02 – String Quartet No.2 in A major
- R 8.03 – String Quartet No.3 in D major
- R 8.04 – String Quartet No.4 in E-flat major
- R 8.05 – String Quartet No.5 in E flat major
- R 8.06 – String Quartet No.6 in C major
- R 8.07 – String Quartet No.7 in E-flat major
- R 8.08 – String Quartet No.8 in G major
- R 8.09 – String Quartet No.9 in A major
- R 8.10 – Keyboard Concerto No.1 in C major
- R 8.11 – Keyboard Concerto No.2 in F major
- R 8.12 – 4 Divertimenti for winds in E-flat major
- R 8.13 – 12 Divertimenti for winds
- R 8.14 – Collection of rondos and capriccios for keyboard
- R 8.15 – Keyboard Concerto No.3 in A major
- R 8.16 – Keyboard Concerto No.4 in G minor
- R 8.17 – Keyboard Concerto No.5 in D major
- R 8.18 – Keyboard Concerto No.6 in B-flat major
- R 8.19 – Keyboard Concerto No.7 in A major
- R 8.20 – Keyboard Concerto No.8 in C major
- R 8.21 – Violin Sonata in E major
- R 8.22 – Marche funèbre pour le Général Hoche in C minor
- R 8.23 – Andante for horn and harp in C major
- R 8.24 – 3 Pieces for Military Band
- R 8.25 – Symphony in C major
Works of doubtful authenticity
- R E.02 – Sinfonia in E-flat major
- R E.06 – Flute Quartet Op. 23 No.2 in D major
- R E.07 – Flute Quartet Op. 23 No.5 in G major
- R E.08 – Flute Quartet Op. 23 No.4 in G major
- R E.09 – Flute Quartet Op. 23 No.1 in C major
- R E.10 – Flute Quartet Op. 23 No.3 in E minor
- R E.11 – Flute Quartet Op. 23 No.6 in G major
- R E.13 – Marche du Premier Consul in B-flat major
- R 8.14 – Mandolin concerto in E-flat major
- R 8.15 – Mandolin concerto in C major
- R 8.16 – Mandolin concerto in G major
Educational treatises
- Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il Cembalo
- 298 Disposizione over partimenti by Giovanni Paisiello, in two large handwritten volumes. Presumably written by his student in composition Auguste Louis de Talleyrand. The name 'Taleyrand' appears on the inside of the cover of volume 2. Besides the 45 partimenti from Paisiello's Regole per bene accompagnare, the Taleyrand dispositions contain 41 partimenti that had not been previously known. These volumes are preserved in the Bibliothèque Nationale de France.
Editions
- Stefano Faglia, Franca Saini : Il Mondo della Luna, Saint Petersburg, 1783. Monza, Accademia Musicale IAMR, 2006. Parma, L'oca del Cairo Edizioni Musicali, 2006.