Godaan


Godaan is a famous Hindi novel by Munshi Premchand. It was first published in 1936 and is considered one of the greatest Hindi novels of modern Indian literature. Themed around the socio-economic deprivation as well as the exploitation of the village poor, the novel was the last complete novel of Premchand. It has been translated into English in 1957 by Jai Ratan and P. Lal as The Gift of a Cow. A 1968 translation by Gordon C. Roadarmel is now considered "a classic in itself".
Godaan was made into a Hindi film in 1963, starring Raaj Kumar, Kamini Kaushal, Mehmood and Shashikala. In 2004, Godan was part of the 27-episode TV series, Tehreer.... Munshi Premchand Ki, based on the writing of Premchand, starring Pankaj Kapur and Surekha Sikri, directed by Gulzar and produced by Doordarshan.

Plot

The story revolves around many characters representing the various sections of Indian community. The peasant and rural society is represented by the family of Hori Mahato and his family members which includes Dhania, Rupa and Sona, Gobar, Jhunia. The story starts from a point where Hori has a deep desire of having a cow as other millions of poor peasants. He purchased, on debt of Rs. 80, a cow from Bhola, a cowherd. Hori tried to cheat his brothers for 10 rupees. This in turn led to a fight between his wife and his younger brother, Heera's wife. Jealous of Hori, his younger brother Heera poisoned the cow and ran away because of the fear of police action. When the police came inquiring the death of the cow, Hori took a loan and paid the bribe to the police and was able to clear off his younger brother's name. Jhunia, the daughter of Bhola, was a widow and eloped with Gobar after she got pregnant by him. Because of the fear of the action from villagers Gobar also ran away to the town. Hori and Dhania were unable to throw a girl carrying their son's child and gave her protection and accepted her as their daughter-in-law. The village Panchayat fines Hori as his wife tackles the personal attack of the Pandit on them for sheltering Jhunia. Hori again is compelled to take a loan and pay the penalty.
Hori is in huge debt from local money lenders and eventually married off his daughter Rupa for mere 200 rupees to save his ancestral land from being auctioned because of his inability to pay land tax. But his determination to pay those 200 rupees and to have a cow to provide milk to his grand son, leads to Hori's death because of excessive work. When he is about to die, his wife Dhania took out all the money she had and made Hori pay the priest on behalf of . This eventually fulfils the traditional dream of Hori but still his desire to pay back the rupees 200 to his son- in-law and to have a cow to feed the milk to his grandson remain unfulfilled.
Hori is shown as a typical poor peasant who is the victim of circumstances and possess all the deficiencies of common man but despite all this, he stands by his honesty, duties and judgement when time requires. He is shown dead partially satisfied and partially unsatisfied.

Characters

The urban society is represented by Malati Devi, Mr. Mehta, Mr. Khanna, Rai Sahib, Mr Tankha and Mr. Mirza.
The novel has several themes:
  1. Problems due to caste segregation: People of different vocation and their respective castes represent the village. Datadin, the Brahmin priest represents the uppermost caste; he exploits the lower caste villagers with his various religious sanctions. Hori , Bhola, Seliya represent the various hierarchies of lower castes in the caste system that existed in India.
  2. Exploitation of the lower class: Premchand has drawn a realistic picture of the poor peasants exploited by the village zamindar and the greedy moneylenders. The zamindars collected the revenue and imposed fine. Here, Rai Saheb fined Hori for the death of the cow, though he did not kill it. The peasants are unable to pay the debts in time and it gets multiplied with the passage of time. They are caught in a debt trap and they suffer, like Hori, until their end. The author is advocating the need to end the feudal system that existed in the country.
  3. Exploitation of Women: the women characters Dhaniya, Jhunia, Seliya and Roopa are exploited by the men they love and are dedicated to.
  4. Problems due to industrialization: growth of capitalistic greedy industrialist who exploit the labour class. Migration of youngsters from the villages to cities, conflicts and tensions in cities are some of the problems.
  5. Interpersonal relationships, Love, and marriage: Premchand as a progressive writer envisages a modern India where love and inter-caste marriages would thrive. We have the inter-caste marriages of Gobar and Jhunia, Mataadin and Seeliya and that of the educated pair, Rudra Pratap and Saroj. The marital relationship of Mr. Khanna and his wife is strained as he lacks love and respect for her. Mr. Mehta and Miss Malati have serious thought provoking discussions on the issues of love, the institution of marriage, the relation of man and woman and womanhood. They represent the voice of modern India and mutually decide to live as friends serving society in their respective capacities.
  6. Political scenario of the period: The country was fighting for its liberation from colonial powers. It was the period for the growth and development of different parties and ideologies. Premchand, through the novel, expresses his stand as a socialist. Socialism is a panacea for all kinds of discrimination and exploitation.
The narrative represents the average Indian farmer's existence under colonial rule, with the protagonist facing cultural and feudal exploitation. It shows how the life of these characters takes shape.

Connection with Hinduism

The act of donating a cow in charity, or Godaan, is considered to be an important Hindu ritual, as it helps in absolving one of sin, and incurring divine blessings. It is nevertheless, not essential. The word dharma has been used 34 times in the novel in different context and by different characters. The word connotes as religion, moral principles and values, conscience and duty. It has a different meaning to each character.