Graham Waterhouse


Graham Waterhouse is an English composer and cellist. For his own instrument, he composed a cello concerto and Three Pieces for Solo Cello. He has written string quartets and compositions which juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has composed song cycles. His compositions reflect the individual capacity and character of players and instruments, from piccolo to contrabassoon.
Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and were recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in several European countries.

Career

Graham Waterhouse was born in London, the son of the noted bassoonist and musicologist William Waterhouse. Graham attended Highgate School and studied music at the University of Cambridge, and in Germany at the Folkwang Hochschule and Hochschule für Musik Köln. He has lived in Munich since 1992.
He has received commissions by the International Double Reed Society, the Orchestre de Chambre de Lausanne, Munich Biennale, Schleswig-Holstein Musik Festival, Orquesta Sinfónica Nacional del Estado de Mexico, the Kaske Stiftung and the Park Lane Group, among others. His compositions have earned prizes at competitions of Münchener Tonkünstlerverband and of Via Nova in Weimar. His string quartet Chinese Whispers was awarded the "BCMS Composition Prize" of the Birmingham Chamber Music Society in 2011.
He has performed as the soloist of his Cello Concerto in Mexico City, Nizhny Novgorod, Weimar, Baden-Baden, St. Martin, Idstein, Cambridge, and on 8 July 2016 once more in Nizhny Nowgorod, with the Academic Symphony Orchestra conducted by Alexander Skulsky.
In 2001, Waterhouse was the composer in residence of Solisten der Kammerphilharmonie Berlin, in 2006 artiste en residence in Albertville, France, and in 2008 Musician By-Fellow at Churchill College, University of Cambridge.
He has worked with Ensemble Modern and participated in the concert tour 2001 of the Ensemble Modern Orchestra under Pierre Boulez. He has also performed with the ensembles musikFabrik and Kammerensemble Neue Musik Berlin, among others.
As a composer and a performer, he is mostly dedicated to chamber music, and has co-founded several chamber ensembles, including the Vuillaume-Cello-Ensemble playing instruments built by Jean-Baptiste Vuillaume. He established in 1998 a regular chamber music concert series at Gasteig Munich, programming contemporary works alongside classical repertory. Players for his chamber music concerts have included members of the Munich Philharmonic, such as bassoonist Lyndon Watts. Waterhouse has collaborated with the composers Jens Josef and Rudi Spring. They appeared together in a trio concert at the Gasteig, performing Martinů's trio, the premiere of the flute version of Gestural Variations, and a Christmas carol by each composer, In dulci jubilo set by Waterhouse. The song Im Gebirg on a poem of Hans Krieger for mezzo-soprano, alto flute, cello and piano, was premiered at the Gasteig in 2010 by Martina Koppelstetter, Jens Josef, the composer and Christopher White. In a concert The Proud Bassoon in Wigmore Hall, celebrating his father on 16 April 2011, he performed as a cellist, and two works he had written in memory of his father, Epitaphium and Bright Angel, received their premiere in the UK. In a concert concluding the Gasteig's Liszt Festival to honour the 200th birthday of Franz Liszt, his chamber music scored for piano solo up to piano and string quartet appeared in the context of pieces in similar settings by Liszt. In 2011, he composed a Christmas cantata on a text by Krieger. In 2013 his piano trio Bells of Beyond was premiered at the Gasteig with Yury Revich and Valentina Babor. Incantations, a Concerto da camera for piano and ensemble, was premiered and recorded in Birmingham on 26 March 2015 at the CBSO Centre with Huw Watkins, piano, and the Birmingham Contemporary Music Group, conducted by Richard Baker.
The compositions reflect the individual capacity and character of players and instruments from piccolo to contrabassoon, even unusual ones such as the heckelphone or didgeridoo. He scored Chieftain's Salute for Great Highland Bagpipe and string orchestra, Hale Bopp, inspired by comet Hale–Bopp, for string orchestra with boy soprano. He also wrote several compositions for cello and speaking voice, based on literature as diverse as limerick, ballad and drama, which he plays and recites himself. He has lectured on contemporary music at the yearly Komponisten-Colloquium of the University of Oldenburg, initiated by Violeta Dinescu. Several of his pieces have been composed for the competition Jugend musiziert and performed at the prize winners' concerts.
The first publisher of his works was the Friedrich Hofmeister Musikverlag, beginning with Aztec Ceremonies and Three Pieces for Solo Cello in 1996. His music appeared also with Zimmermann and Robert Lienau in Frankfurt, Heinrichshofen in Wilhelmshaven. His set of pedagogical pieces for cello, Thomas Tunes, was published in 2017 by Breitkopf & Haertel.
His music has been recorded, notably on Portrait with works for piano, clarinet and cello, and Portrait 2 with music for string orchestra, played by the English Chamber Orchestra, and for wind ensemble, played by Endymion.

Reviews

Waterhouse's 50th birthday was celebrated with concerts dedicated to his works in London, Munich and Frankfurt, featuring performances of chamber music by members of the Munich Philharmonic. Peter Grahame Woolf wrote about the Graham Waterhouse Portrait Concert at Highgate School on 9 October 2012, focussing on the string quartet Prophetiae Sibyllarum and Rhapsodie Macabre. A review in the Süddeutsche Zeitung of the concert at the Gasteig on 4 November 2012 was titled "Hochexpressiv" and covered additionally Praeludium, Bassoon Quintet and Piccolo Quintet. Reinhard Palmer wrote in the magazine Neue Musikzeitung about the concert in Munich, under the title "Beliebter Außenseiter", comparing the quintets to concertos, noting the influence of Karol Szymanowski and Witold Lutoslawski and the qualities of musical story-telling. The broadcaster Hessischer Rundfunk aired an interview on his birthday.

Works

Single works