Granville Bantock
Sir Granville Ransome Bantock was a British composer of classical music.
Biography
Granville Bantock was born in London. His father was an eminent Scottish surgeon. His younger brother was the dramatist and film director Leedham Bantock. Granville Bantock was intended by his parents for the Indian Civil Service but he suffered poor health and initially turned to chemical engineering. At the age of 20, when he began studying composers' manuscripts, at South Kensington Museum Library, he was drawn into the musical world. His first teacher was Dr Gordon Saunders at Trinity College of Music. In 1888 he entered the Royal Academy of Music where he studied harmony and composition with Frederick Corder winning the Macfarren Prize in the first year it was awarded.Early conducting engagements took him around the world with a musical comedy troupe. With his brother Leedham Bantock he wrote a couple of music hall songs which met with some success. He founded a music magazine, The New Quarterly Music Review, but this lasted only a few years. In 1897, he became conductor at the New Brighton Tower concerts, where he promoted the works of Joseph Holbrooke, Frederic Hymen Cowen, Charles Steggall, Edward German, Hubert Parry, Charles Villiers Stanford, Corder and others, frequently devoting whole concerts to a single composer. He was also conductor of the Liverpool Orchestral Society with which he premiered Delius's Brigg Fair on 18 January 1908. He became the principal of the Birmingham and Midland Institute school of music in 1900. He was a close friend of fellow composer Havergal Brian. He was Peyton Professor of Music at the University of Birmingham from 1908 to 1934. In 1934, he was elected Chairman of the Corporation of Trinity College of Music in London. He was knighted in 1930. His students included the conductor and composer Anthony Bernard and the composer Eric Fogg. In 1898 he married Helena von Schweitzer who acted as a librettist for him.
He was influential in the founding of the City of Birmingham orchestra, whose first performance in September 1920 was of his overture Saul. Bantock's Hebridean Symphony was recorded by the CBO on 28 January 1925 at Riley Hall, Constitution Hill, Birmingham. This acoustic version, conducted by Adrian Boult, was never released.
His music was influenced by folk song of the Hebrides and the works of Richard Wagner. Many of his works have an "exotic" element, including the choral epic Omar Khayyám. Among his other better-known works are the overture The Pierrot of the Minute and the Pagan Symphony. Many of his works have been commercially recorded since the early 1990s.
Shortly after the composer's death in London, in 1946, a Bantock Society was established. Its first president was Jean Sibelius, whose music Bantock championed during the early years of the century. Sibelius dedicated his Third Symphony to Bantock.
Edward Elgar dedicated the second of his Pomp and Circumstance Marches to Bantock.
Granville Bantock is the father-in-law of the composer Margaret More via her marriage to Granville's son, Raymond Bantock.
Discography
A broad selection of Bantock's orchestral output, including all the symphonies, has been recorded in an edition by the Hyperion label in performances with the Royal Philharmonic Orchestra conducted by Vernon Handley, now available also as a box set. Handley also recorded a largely complete performance of Omar Khayyám with the BBC Symphony Orchestra and Chorus on the Chandos label. However, the only complete recording is available on the Lyrita Recorded Edition label. An alternative recording of the Hebridean Symphony is available on the Naxos label, with the Czechoslovak Philharmonic Orchestra conducted by Adrian Leaper. Historic recordings of miniatures and songs have appeared on the Dutton label. The Cameo Classics label has re-issued its Granville Bantock recordings made with conductor Geoffrey Heald-Smith from 1978 to 1982 on a double CD set, which includes the Hebridean Symphony, the Pagan Symphony and Witch of Atlas, and the Sapphic Poem.Selected works
Operas
- The Pearl of Iran, a romantic opera
- Caedmar, a Romantic Opera
- The Seal Woman, a Celtic Folk Opera
- Eugene Aram
Choral works
- The Fire Worshippers, dramatic cantata for solo voices chorus and orchestra
- Christus, a Festival Symphony in ten parts for solo voices chorus and orchestra
- The Time Spirit, rhapsody for chorus and orchestra ;
- Sea Wanderers, poem for chorus and orchestra
- Omar Kháyyám for solo voices chorus and orchestra - Part I, Part II, Part III ; complete
- The Song of Liberty for solo voices, chorus and orchestra
- The Great God Pan, a Choral Ballet for solo voices, chorus and orchestra
- The Song of Songs for soloists, double chorus and orchestra
- The Burden of Babylon for chorus, brass and drums
- The Pilgrim's Progress for solo voices, chorus and orchestra
- Prometheus Unbound for chorus and orchestra
- King Solomon for chorus, narrator and orchestra
Choral unaccompanied works
- Atalanta in Calydon, a Choral Symphony
- Vanity of Vanities, a Choral Symphony
- A Pageant of Human Life, a Choral Suite
- The Golden Journey to Samarkand
- America - National Song
- Choral Hymn for a Priest's First Mass
For male voice
- Mass in B-flat major
- Choral Suite from the Chinese
- Suite from Cathay
- Choral Suite
- Seven Burdens of Isaiah
- Three Sea Songs
- Three Cavalier Tunes
- Three Browning Songs
- Lucifer in Starlight
For solo voice and orchestra
- Wulstan - baritone
- Five Ghazals of Hafiz with a Prelude - baritone
- Ferishtah's Fancies - tenor
- Sappho, nine fragments with a Prelude
- Pagan Chants - tenor ;
- The Vale of Arden
- The March - tenor
- The Sphinx, a cycle - baritone or contralto
- Thomas the Rhymer
Symphonies
- Hebridean Symphony ;
- Pagan Symphony
- The Cyprian Goddess: Symphony No. 3
- Celtic Symphony for strings and six harps
Concertos
- Elegiac Poem for cello and orchestra
- Sapphic Poem for cello and orchestra
- Celtic Poem for cello and orchestra ;
- Hamabdil for cello, harp and strings
- Dramatic Poem for cello and orchestra
Tone poems
- Tone Poem No. 1, Thalaba, The Destroyer
- Tone Poem No. 2, Dante and Beatrice
- Tone Poem No. 3, later dubbed Orchestral Drama: Fifine at the Fair. A classic recording of Fifine was made by Beecham conducting the RPO for EMI in 1947. This recording was made under the auspices of the British Council and the Bantock Society
- Tone Poem No. 4, Hudibras
- Tone Poem No. 5, The Witch of Atlas
- Tone Poem No. 6, Lalla Rookh
Other orchestral works
- Two Orchestral Scenes from The Curse of Kehama: Processional, Jaga-Naut
- Symphonic Overture with organ, Saul
- Russian Scenes, Suite of five pieces for small orchestra
- Helena: Orchestral Variations on the Theme HFB
- English Scenes, Suite of five pieces for small orchestra
- Comedy Overture, Pierrot of the Minute
- Three Dramatic Dances
- Old English Suite for small orchestra
- Overture to a Greek Tragedy
- From the Far West for strings
- In the Far East, Serenade for strings
- Scottish Rhapsody
- Scenes from the Scottish Highlands, Suite for strings
- The Land of the Gael, Suite for strings
- Coronach for strings, harp and organ
- Suite from Judith
- Festal Hymn of Judith
- The Sea Reivers, an Orchestral Ballad
- Caristiona, A Hebridean Seascape
- Comedy Overture, The Frogs
- Two Marches for the Ceylon Police
- Four Chinese Landscapes
- Aphrodite in Cyprus, Symphonic Ode
- Macbeth Overture
- Comedy Overture, Circus Life
- Overture to a Greek Comedy, The Women's Festival
- Two Heroic Ballads. 1: Cuchullan's Lament, 2: Kishmul's Galley
- Comedy Overture, The Birds
- The Funeral
Works for brass band
- Festival March
- Oriental Rhapsody
- Prometheus Unbound
- Overture to Shakespeare's King Lear
- Suite, Russian Melodies
- Two Irish Melodies
- Three Scottish Melodies
- Two Welsh Melodies
- Orion
- The Land-of-the-ever-Young, Hebridean Sea-Poem
- Kubla Khan
- Peter go ring dem bells - hymn arrangement
- The Frogs of Aristophanes - arranged by Frank Wright
Incidental music
- Rameses II
- Hippolytus
- Elektra
- The Cortège, a Harlequinade
- Salome, The Dance of the Seven Veils
- Judith
- Macbeth
- Fairy Gold, a Fairy Play
Chamber music
- String Quartet in C minor
- Serenade for horns
- Pibroch, a Highland Lament for cello and harp
- Hamabdil for cello and piano
- Viola Sonata in F major
- Fantastic Poem for cello and piano
- Sonata in G minor for solo cello
- Violin Sonata No. 1 in G major
- Pagan Poem for flute and piano
- Violin Sonata No. 2 in D major
- A Chinese Mirror for string quartet
- Viola Sonata in B minor
- Cello Sonata No. 1 in B minor
- Violin Sonata No. 3
- Cello Sonata No. 2 in F-sharp minor
- Dramatic Poem for cello and piano
Piano music
- Suite, a Marionette Show
- Three Scottish Scenes
- Lalla Rookh, Tales and Dances
- The Cloisters at Midnight
- Arabian Nights
- Miniatures
- Phantoms
- Nine Dramatic Poems
- Memories of Sapphire dedicated to Muriel Mann
Songs
- Songs from the Chinese Poets
- *A feast of lanterns
- Songs of the East and many others