Green Grow the Rushes, O


Green Grow the Rushes, O , is an English folk song popular across the English-speaking world. It is sometimes sung as a Christmas carol.
The song is not to be confused with Robert Burns's similarly titled "" nor with the Altan song of the same name. It is cumulative in structure, with each verse built up from the previous one by appending a new stanza. The first verse is:
The song occurs in many variants, collected by musicologists including Sabine Baring-Gould and Cecil Sharp from the West of England at the start of the twentieth century. The stanzas are clearly much corrupted and often obscure, but the references are generally agreed to be both biblical and astronomical.

Lyrics

The twelfth, cumulated, verse runs:

Origins

The lyrics of the song are in many places extremely obscure, and present an unusual mixture of Christian catechesis, astronomical mnemonics, and what may be pagan cosmology. The musicologist Cecil Sharp, influential in the folklore revival in England, noted in his 1916 One Hundred English Folksongs that the words are "so corrupt, indeed, that in some cases we can do little more than guess at their original meaning".
The song's origins and age are uncertain: however, a counting song with similar lyrics, but without the 'Green grow the rushes' chorus, was sung by English children in the first half of the 19th century. By 1868 several variant and somewhat garbled versions were being sung by street children as Christmas carols. Sharp states that the song was very common in Somerset and the whole of the West of England.
"Green grow the rushes, Ho", the chorus, is not included in Sharp's version, which has simply the call and refrain "Come and I will sing to you. What will you sing to me? I will sing you one-e-ry. What is your one-er-y? One is One..." However, Sharp records that "a form of this song, 'Green grow the rushes, O' is known at Eton", that it was printed in English County Songs, and that Arthur Sullivan had included a version in the Savoy opera The Yeomen of the Guard. Sharp discusses at length the similar Hebrew song "Echad Mi Yodea", which accumulates up to thirteen and is sung at many Jewish Passover seders.

Interpretation

The twelve stanzas may be interpreted as follows:
This refers to the twelve Apostles of Jesus, although the number has other meanings; it may originally have referred to the months of the year, for example. Sharp states that there were no variants of this line.
These are the eleven Apostles who remained faithful, or possibly St Ursula and her companions.
This refers to the ten commandments given to Moses.
The nine may be an astronomical reference: the Sun, Moon and five planets known before 1781 yields seven and to this may be added the sphere of the fixed stars and the Empyrean, or it may refer to the nine orders of angels. Sharp records no variants in Somerset, but that Sabine Baring-Gould found a Devon variant "The nine delights" which Sharp glosses as "the joys of Mary".
The April rainers refer to the Hyades star cluster, called the "rainy Hyades" in classical times, and rising with the sun in April; the Greeks thought of the Hyades as inaugurating the April rains. Or this may refer to the rains of Noah's Flood.
The seven are probably the Seven Sisters, the Pleiades star cluster. Other options include Ursa Major, or the seven traditional planets. Alternatively, they could be the seven stars of Revelation chapter 1, verse 16, which are held in the right hand of Christ and explained as referring to seven angels of the seven early Christian churches. Another possibility is the Jewish cross, a constellation over Israel.
This may be a corruption of 'six proud waters', a reference to the six jars of water that Jesus turned into wine at the wedding feast at Cana of Galilee,. Sharp notes that this was suggested by the editors of English County Songs. Or it may refer to Ezekiel 9:2 where six men with swords come in a vision of the prophet to slaughter the people, whose leaders have committed such sins as turning East to worship the Sun, and "have filled the land with violence".
The symbols above the door could mean the mezuzah, which contains a section of the Torah and is inscribed with symbols or could be a reference to the marks of blood that God commanded the Israelites to put upon their doorways at the Exodus. It may also allude to the practice of putting a pentagram at the door of a house to ward off witches and evil spirits in the late Middle Ages and the Early Modern period, and is alluded to in literary works. John Timpson's book Timpson's England states that it refers to five symbols displayed above the doorways of houses that would shelter Catholic priests. He gives an example of a house where these can still be seen.
This refers to the four Evangelists, Mathew, Mark, Luke and John.
'Rivals' may be a corruption of "Riders", "Arrivals", or "Wisers", referring to the three Magi of the Nativity. The suggestion of the Trinity leaves "the rivals" unexplained. Perhaps it is not intended to mean "3 competitive rivals" but rather, the 4th century rival philosophical controversies about the trinitarianism: the nature of God as 3 entities? The rivalry was about which wording could be accepted by a majority, and so would become established as part of the orthodox Christian creed. Another possibility is the trio of Peter, James and John, often mentioned together in the Gospels, who had a dispute "among them as to which of them was considered to be greatest". Pastor Paul Kolch of Trinity Lutheran Church in Sacramento taught that the three referred to Shadrach, Meshach, and Abednego, who resisted burning in the fiery furnace and were "rivals" to the Babylonians. Another option is Yr Eifl, a group of three similar and adjacent mountains in Wales called "The Rivals" in English. A classical option is Hera, Athena, and Aphrodite, the three goddesses between whom the Judgement of Paris was made.
This may refer to the story of the Transfiguration of Jesus where Moses and Elijah appear with Jesus in clothes of 'dazzling white'. The "dressed in green" would then refer to St Peter's suggestion that the disciples build shelters of branches for Moses, Elijah and Jesus. Robert Graves suggested that the reference is the defeat at Yule of Holly King by the Oak King.
Sharp cites Baring-Gould's suggestion of an astronomical mnemonic, the Gemini twins or "signs for Spring". In support of this, Gemini is the northernmost constellation in the zodiac, therefore high in the winter sky in the northern hemisphere where the Aurora Borealis on occasion clothes the heavenly twins in green.
Another explanation is that the statues of St John and Our Lady which, in Christian churches, flank the crucifix on the altar reredos or the rood screen were, during Holy Week, bound with rushes to cover them. The two figures were portrayed in similar garments, hence "lily-white boys", and wrapped in rushes they were "Clothed all in green".
There is also a version: "two, two, the lily white pair, clothen all in green, Ho" which may refer to Adam and Eve.
William Winwood Reade implies that the stanza refers to Ovades who performed sacrifices for the Druids. Normally they would be dressed in white, but their sacerdotal robes would be green. These people would be novices, hence the slang 'green'. According to the writer and folklorist Tom Slemen, such practices were still being performed in secret in the last century, by a cult known as "The Lily White Boys" in the North West of England.
This appears to refer to God.

Variants

Apart from the Notes and Queries and the Hebrew versions already mentioned, the following variants are known.

The Twelve Apostles

A variant, sung in the American Ozarks, is entitled The Twelve Apostles. Its twelfth, cumulated, verse, is:

The Dilly Song

A similar variant is found in Winston Graham's The Twisted Sword, the penultimate book in the Poldark series. It is sung by a Cornish choir on Christmas Eve.
English folksinger Kate Rusby recorded a rendition of "The Dilly Carol" for her 2015 Christmas album The Frost is All Over.

Alternative titles