Guillermo de Jesús Buitrago Henríquez, known as Guillermo Buitrago was a Colombian composer and songwriter of vallenato music. He is one of the most successful composers in his country. His songs became part of the typical music played during Christmas time in Colombia. Some of his hits are La Víspera de Año Nuevo, Grito Vagabundo, Ron de Vinola and Dame tu mujer José. Buitrago was an anomaly amongst the coastal residents — blonde, fair skinned, tall, neatly coiffed, tie with a perfect knot, and a triumphant smile that accentuated his prominent chin and his pronounced ears that gave away his paisa descent. Buitrago Muñoz had arrived to Ciénaga from Marinilla Antioquia, most likely attracted by the banana boom that had been dominating the Magdalena province's economy for several years already by that point. There Buitrago Muñoz married Teresa Henríquez and they had 7 children, 5 of which would die before turning 30, amongst them Guillermo, who would die at 29 precisely in the moment that he was about to sign a big contract that was going to launch his career internationally. At 18, Buitrago was already working as an in-house guitarist on a program called La hora infantil on the radio station Ecos del Córdoba, on which children from all the local towns would sing, competing for a prize. Buitrago started visiting radio stations to play his music, and finally had a stroke of luck at Radio Magdalena in the city ofSanta Marta, where he would gain sufficient experience for his next career step in the coastal city of Barranquilla. Buitrago since his adolescence had sought out business to record commercial jingles. On numerous occasions Buitrago explored various opportunities to make songs to promote products or brands. Amongst numerous brand names, he recorded jingles for Ginger Ale and Cerveza Águila. Perhaps the most famous was "El ron motilón", which promoted a rum from the province of Santander, and the long-running Colombian Christmas classic "El ron de vinola", which promoted a type of sugar cane juice that was said to have similarities to wine. 7 or 8 radio shows later, along with a successful jingle El Negro Mendo that he recorded for a furniture and mattress factory, convinced the station directors to give him more air time during prime time, ultimately giving him 3 shows weekly. By 1947 Buitrago was basically living in Barranquilla. During the week he would complete his radio show commitments that were starting to flood in by this point, and on weekends he would travel to Ciénaga to visit his family and friends. Emisoras Unidas, realizing the growing success of Buitrago's music, contracted Julio Bovea, who had just split from Buitrago and had formed his own band to take on an air slot that would compete directly with Buitrago's programming. Pressed to find replacements, Buitrago contacted two musicians he had played with in years prior. With this new group, he would go on to record the majority of his hits, all of which are still known today. Guillermo Buitrago y sus muchachos, his band, had Ángel Fontanilla on lead guitar, Buitrago on rhythm guitar and lead singer, and Carlos "stumpy" Rubio on guacharaca. What came next was fame and success. Aside from radio, private parties, local fairs, serenades, by 1947 Toño Fuentes, founder of Discos Fuentes in Medellín and pioneer of the LP industry in Colombia, arrived in Barranquilla looking for Buitrago's band to take them to make a recording at his studio in Cartagena. Elsewhere, Odeón Records of Argentina had also contacted Buitrago, producing some recording that had won a strong following nationally, so much that plans were put in motion to have Buitrago and his band tour the south of the South America. 2 successful years later, Guillermo Buitrago woke up on a day in January 1949, sick and short on sleep. At first he suspected too many performances had him fatigued, but as the weeks passed by, he started realizing he had an illness that was threatening to become critical. Locals claimed he had a weakened voice and that his young handsome face looked like a specter with burning dark circles around his eyes. Guillermo Buitrago died on 19 April 1949 at the age of 29 years. The exact reason of his death remains a mystery. and there is no shortage of rumors and suspicions surrounding the young singer's demise.
Discography
His music was originally distributed in 78 rpm discs; nobody knows exactly how many songs he recorded but it is said to be more than 150 songs. His record producers were "Discos Fuentes", who have compiled most of his songs in LPs and CDs. Some of the main releases have been:
In English , his long play was edited by Discos Fuentes mixing between those 12 songs of the album, four songs that were recorded after Buitrago's death by another singer called Julio C. San Juan, and thus don't belong to Guillermo Buitrago. Those songs with an asterisk belong to San Juan.
Regalito de navidad*
Palomita mensajera*
Yo no monto en avión*
El amor es un collar
Las sábanas del diluvio
Luis Eduardo
Rosa Valencia*
La peste
Pacho y Abraham
Los enanos
El brujo de Arjona
Moralito.
El testamento y otros cantos ineditos
El cazador
La mujer que quiere a uno
La fiera de pabayo
Pacho y Abraham
La costumbre de los pueblos
El testamento
La matica de yuca
Espera que muera
El dolor de Micaela
La vida es un relajo
Released in 78s
Some other songs that have not been released in CD or LP but just recorded in 78s are: :
There are some more radio advertising recordings made by Buitrago and those with an asterisk are the only 3 that have been found.
Compilation: 16 Exitos de Navidad y Año Nuevo
One of the latest CDs produced is a compilation and restoration of his greatest hits called "16 Exitos de Navidad y Año Nuevo". Two of the songs were cut at the very beginning and are missing a small part of the original intro. Also, percussion and a bass were added to almost all the songs, differing from the original tracks:
