Hair (film)
Hair is a 1979 American musical anti-war comedy-drama film based on the 1968 Broadway musical Hair: The American Tribal Love-Rock Musical about a Vietnam War draftee who meets and befriends a "tribe" of hippies on his way to the army induction center. The hippies introduce him to marijuana and LSD, and their environment of unorthodox relationships and draft evasion.
The film was directed by Miloš Forman and adapted for the screen by Michael Weller. Cast members include John Savage, Treat Williams, Beverly D'Angelo, Annie Golden, Dorsey Wright, Don Dacus, Cheryl Barnes, Melba Moore, and Ronnie Dyson. Dance scenes were choreographed by Twyla Tharp, and were performed by the Twyla Tharp Dance Foundation. The film was nominated for two Golden Globes: Best Motion Picture – Musical or Comedy, and New Star of the Year in a Motion Picture.
Plot
Hair is a rock musical focusing on the lives of two young men against the backdrop of the hippie counterculture of the Vietnam era.Claude Hooper Bukowski is a naive Oklahoman sent off to New York City after being drafted by the Army. Before his draft board-appointment, Claude takes a self-guided tour of New York, where he encounters a close-knit "tribe" of hippies led by George Berger. As Claude looks on, the hippies panhandle from a trio of horseback riders including Sheila Franklin, a debutante from Short Hills, New Jersey. Claude later catches and mounts a runaway horse, which the hippies have rented, and with which Claude exhibits his riding skills to Sheila. Claude then returns the horse to Berger, who offers to show him around.
That evening, Claude gets stoned on marijuana with Berger and the tribe. He is then introduced to various race and class issues of the 1960s. The next morning, Berger finds a newspaper clipping which gives Sheila's address in Short Hills, New Jersey. The tribe members—LaFayette "Hud" Johnson, Jeannie Ryan, and "Woof Dacshund"—crash a private dinner party to introduce Claude to Sheila, who secretly enjoys the disruption of her rigid environment. After Berger and company are arrested, Claude uses his last $50 to bail Berger out of jail—where Woof's refusal to have his hair cut leads into the title song of the soundtrack.
When Sheila is unable to borrow any money from her father, Berger returns to his parents' home. His mother gives him enough cash to bail out his friends. They subsequently attend a peace rally in Central Park, where Claude drops acid for the first time. Just as Jeannie proposes marriage to Claude, in order to keep him out of the Army, Sheila shows up to apologize. Claude's "trip" reflects his inner conflict over which of three worlds he fits in with: his own native Oklahoman farm culture, Sheila's upper-class society, or the hippies' free-wheeling environment.
After snapping out of his acid trip, Claude has a falling-out with Berger and the tribe members, ostensibly due to a practical joke they pull on Sheila, but also due to their philosophical differences over the war in Vietnam—and over personal versus communal responsibility. After wandering the city, Claude finally reports to the draft board, completes his enlistment, and is shipped off to Nevada for basic training.
It's now Winter in New York when Claude writes to Sheila from Nevada. She, in turn, shares the news with Berger and his friends. Berger devises a scheme to visit Claude in Nevada. Meanwhile, Hud's fiancée—with whom he has a son, LaFayette Jr.—wants to marry as they had apparently planned to earlier. The tribe members trick Sheila's brother Steve out of his car, then head west to visit Claude.
Arriving at the Army training center where Claude is stationed, the hippies are turned away...ostensibly because the base is on alert, but also because the MP on duty doesn't like their looks. Sometime later, Sheila chats up army sergeant Fenton at a local bar. She lures the sergeant, with intimations of sex, to an isolated desert road, acquiring his uniform. The hippies steal Fenton's car, and Berger cuts his hair and puts on the uniform, then drives the sergeant's car onto the Army base. He finds Claude and offers to take his place for the next headcount so that Claude can meet Sheila and the others for a going-away picnic they're having for him in the desert.
As fate would have it, just after a disguised Claude slips away to the picnic, the base becomes fully activated with immediate ship-outs for Vietnam. Berger's ruse is never discovered; clearly horrified at the prospect of joining the war, he is herded onto the plane to be shipped out. Claude arrives back to see the barracks empty and frantically runs after Berger's plane but is unable to reach it before it takes off for Southeast Asia.
Months later, Claude, Sheila, and the tribe gather around Berger's grave in Arlington National Cemetery, whose grave marker shows that he was killed in Vietnam. As "Let the Sunshine In" plays, they mourn the loss of their friend. The movie ends with what appears to be a full-scale peace-protest in Washington, D.C.
Cast
- John Savage as Claude Hooper Bukowski
- Treat Williams as George Berger
- Beverly D'Angelo as Sheila Franklin
- Annie Golden as Jeannie Ryan
- Dorsey Wright as LaFayette "Hud" Johnson
- Don Dacus as Woof Daschund
- Nell Carter as Central Park singer
- Cheryl Barnes as Hud's fiancée
- Richard Bright as Sergeant Fenton
- Ellen Foley as Black Boys lead singer
- Miles Chapin as Steve, Sheila’s brother
- Charlotte Rae as Lady in Pink
- Laurie Beechman as Black Boys singer
- Nicholas Ray as the General
- Michael Jeter as Woodrow Sheldon
- Renn Woods as The Girl with Flowers
- David Rose as the Acid King
Differences from stage version
Plot
- In the musical, Claude is a member of a hippie "tribe" sharing a New York City apartment, leading a bohemian lifestyle, enjoying "free love", and rebelling against his parents and the draft, but he eventually goes to Vietnam. In the film, Claude is rewritten as an innocent draftee from Oklahoma, newly arrived in New York City to join the military. In New York, he gets caught up with the group of hippies while awaiting deployment to Army training camp. They introduce Claude to their psychedelically inspired style of living and eventually the tribe drive to Nevada to visit him at training camp.
- In the musical, Sheila is an outspoken feminist leader of the Tribe who loves Berger as well as Claude. In the film, she is a high-society debutante who catches Claude's eye.
- In the film, Berger is not only at the heart of the hippie Tribe but is assigned some of Claude's conflict involving whether or not to obey the draft. A major plot change in the film involves a mistake that leads Berger to go to Vietnam in Claude's place, where he is killed.
- The musical focuses on the U.S. peace movement, as well as the love relationships among the Tribe members, while the film focuses on the carefree antics of the hippies.
Soundtrack
- The film omits the songs "The Bed", "Dead End", "Oh Great God of Power", "I Believe in Love", "Going Down", "Air", "My Conviction", "Abie Baby", "Frank Mills", and "What a Piece of Work is Man" from the musical. The latter five songs, even though recorded for the film, were eventually cut, as they slowed the film's pace.
- A few verses from the songs "Manchester, England" and a small portion of "Walking in Space" have been removed
- While the songs "Don't Put It Down" and "Somebody to Love" are not sung by characters in the film, they are both used as background or instrumental music for scenes at the army base.
- A new song written by MacDermot for the film is "Somebody to Love".
- Several other differences from songs in the movie appear on the soundtrack, mainly in omitted verses and different orchestrations. One notable difference is that the Broadway version used only a jazz combo while the movie soundtrack use orchestrations that make ample use of full horn and string sections. Many of the songs have been shortened, sped-up, rearranged, or assigned to different characters to allow for the differences in plot.
Response from creators
Reception
The film received generally favorable reviews from film critics at the time of its release; it currently holds an 87% "fresh" rating on review aggregate website Rotten Tomatoes from 23 reviews. The critical consensus reads, "Spiritedly performed by a groovy cast and imaginatively directed by Milos Forman, Hair transports audiences straight to the Age of Aquarius."Writing in The New York Times, Vincent Canby called it "a rollicking musical memoir.... Weller's inventions make this Hair seem much funnier than I remember the show's having been. They also provide time and space for the development of characters who, on the stage, had to express themselves almost entirely in song.... The entire cast is superb.... Mostly... the film is a delight." Frank Rich said: "If ever a project looked doomed, it was this one" ; but that in spite of these obstacles, "Hair succeeds at all levels—as lowdown fun, as affecting drama, as exhilarating spectacle and as provocative social observation. It achieves its goals by rigorously obeying the rules of classic American musical comedy: dialogue, plot, song and dance blend seamlessly to create a juggernaut of excitement. Though every cut and camera angle in Hair appears to have been carefully conceived, the total effect is spontaneous. Like the best movie musicals of the '50s and the '60s, Hair leaps from one number to the next. Soon the audience is leaping too."
Box office
Hair grossed $15.3 million in the United States and Canada. By the end of 1979 it had grossed $38,290,492 worldwide.Awards and honors
The film was shown out of competition at the 1979 Cannes Film Festival.At the 37th Golden Globe Awards, the film was nominated for a Best Motion Picture – Musical or Comedy, and Williams was nominated for New Star of the Year in a Motion Picture – Male. The film was also nominated for Best Foreign Film at the 1980 César Awards, losing to Woody Allen's Manhattan.
Years later, Forman cited his loss of his moral rights to the film to the studio as eventually leading to his 1997 John Huston Award for Artists Rights from the Film Foundation:
The film is recognized by American Film Institute in these lists:
- 2004: AFI's 100 Years...100 Songs:
- * "Aquarius" – #33
- 2006: AFI's Greatest Movie Musicals – Nominated
Soundtrack