Hao Huang
Hao Huang is an American concert pianist, author and the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College.
Huang authored or co-authored over two dozen scholarly articles in general music, popular music, ethnomusicology, anthropology, American Studies and Humanities. He has performed and lectured in North and South America, Europe, Asia, Africa and the Middle East.
Education
Awarded the Leonard Bernstein Scholarship at Harvard College, Harvard University, Huang was referred to study with Leon Fleisher. Graduating with an AB cum laude in music, Huang was selected by audition for the national Frank Huntington Beebe Award for European Study. Upon returning to the States, he studied with Beveridge Webster at the Juilliard School on a piano scholarship, earning an M.M. in piano. Huang finished his academic studies as a Graduate Council Fellow at the Stony Brook University, earning a Doctor of Musical Arts in piano performance degree under the guidance of Charles Rosen and Gilbert Kalish.Professional career
Currently the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College, Hao Huang has performed in over 30 countries across the globe. As a four-time United States Information Agency Artistic Ambassador, he was a featured performer at the George Enescu Festival and the Barcelona Cultural Olympiad. Huang continues to be active internationally as a recitalist, concerto soloist and chamber musician with the Mei Duo and the Gold Coast Trio. He has appeared in broadcasts on television and radio in concert and interviews in the USA and abroad and was featured in an Artist/Educator interview on The Piano Education Page.Huang's article, "The Parable of the Grasshoppers"was honored as American Music Teacher's 1995 Article of the Year by the Music Teachers National Association. His 30+ scholarly articles have been published in refereed journals in Hungary, Russia, UK, Greece, Japan, the PRC and the USA. Huang was interviewed on NPR's Morning Edition about "The 'Lost' Opera of James P. Johnson and Langston Hughes".
Awards and honors
Winner of the USIA David Bruce Smith National Competition, the Overman Foundation Competition first prize, the Van Cliburn Piano Award at Interlochen Center for the Arts and other awards, Huang was chosen to be featured as the China Institute in America's New York Solo Debut Artist at Weill Recital Hall in Carnegie Hall. He has received grants from the National Endowment for the Arts, National Endowment for the Humanities, the New York and Colorado Councils of the Arts and the California Meet the Composer Series. In 2008, Huang served as a Fulbright Scholar in Music and American Studies at Eötvös Loránd University in Budapest, Hungary. He was selected to be on the 2012-2017 Fulbright Specialist roster, a program that serves over 140 countries worldwide.Other honors include selection as an NEH Scholar for the last international National Endowment for the Humanities Summer Seminar, "Arts, Architecture and Devotional Interaction in England, 1200-1600", York UK; a National Endowment for the Humanities Teaching Development Fellowship "Bridging Cultures"; a Mellon Foundation Inter-Institutional Travel Grant to Xinjiang and Inner Mongolia, PRC ; and a James Irvine Foundation Diversity in the Curriculum Development Grant. Dr. Huang was an American Council on Education Fellow, recipient of the ACE Council of Fellows Fund for the Future grant and the Fidelity Investments Leadership Development institutional grant.
Selected publications
Higher Education
- Commentary, “Building Bridges: How American Colleges Should Approach China”, The Chronicle of Higher Education, 2011
Piano Pedagogy
- "Making Transcultural Connections through Teaching Piano in China", Piano Journal, European Piano Teachers Association, Issue 113, 2017
- “What We Learned About Music in China: Teaching Piano Lessons in the PRC”, American Music Teacher, journal of the Music Teachers National Association, June/July 2017
- “Perspectives on Body Posture for Pianists”, Проблемы Постановки Пианистического Аппарата, Collection: Arts Education: Problems and Perspectives, Художественное Образование: Проблемы и Перспективы Развития.;УМЦ УПИ with Ural State Pedagogical University, Ekaterinburg, Russia, 2014
- Featured in article, "On Practicing", The Washington Post, March 19, 1996
- Internet Web Page feature, PEP Distinguished Artist/Educator Interview, October 1995
Ethnomusicology
- “Nature and the Spirit: Tri Hita Karana, Sacred Artistic Practices, and Musical Ecology in Bali”, Asia journal, Vol. 3, Issue 2, 2019
- Book chapter, "The Oekuu Shadeh of Ohkay Owingeh" in Voices from Four Directions, Brian Swann, ed., 2004
- "Rattling the Gourd at Ohkay Owingeh: Music Lessons with Peter Garcia Sr. at San Juan Pueblo", College Music Symposium, Vol. 41, 2001
- "The 1992 Turtle Dance of San Juan Pueblo: Lessons with the Composer, Peter Garcia", American Indian Culture and Research Journal, Vol. 21, No. 4, 1998
Popular Music
- “She Sang as She Spoke: Billie Holiday and Aspects of Speech Intonation and Diction”, Jazz Perspectives, UK, vol. 7, issue 2 DOI: 10.1080/17494060.2014.903055, 2014
- "Voices from Chinese Rock, Past and Present Tense: Social Commentary and Construction of Identity in Yaogun Yinyue from Tiananmen to the Present," Popular Music and Society, vol. 26, nr. 2, 2003
- "Yaogun Yinyue: rethinking mainland Chinese rock 'n' roll", Popular Music, Vol. 20, Nr. 1, 2001
- "Towards an Understanding of Rhythmic Expressivity: Billie Holiday's Rubato", co-author Dr. Rachel Vetter Huang, Annual Review of Jazz Studies, Vol. 7, 1994–95
General Music Studies
- Review of HH article: “From Confucius to Chopin”, The Wilson Quarterly, Washington D.C., Spring 2012
- "Why Chinese People Play Western Classical Music: Transcultural Roots of Music Philosophy”, International Journal of Music Education, Vol 30, No. 2, 2011
- "Music Appreciation Courses: a Multicultural Approach", tr. Greek Society for Music Education Journal, Vol. 2, No. 1, 1998
- Entries, in Encyclopedia of Music in the Twentieth Century, M.E. Sharpe, London, 1998
Anthropology
- “Afterthoughts: Nature, Culture, and Shamanism in Inner Mongolia, PRC,” EnviroLab Asia journal, Vol. 3, Issue 3, 2019
- "Speaking with Spirits: The 'Ntoo Xeeb' Hmong New Year Ceremony", Asian Folklore Studies, vol. 63, nr. 1 , 2004
American Studies
- "Enter the Blues: Jazz Poems by Langston Hughes and Sterling Brown", Hungarian Journal of English and American Studies, 2011
Humanities
- “Jazzlines: Drawing relationships between American poetry, jazz and gospel music”, TOPOS, Bilingual Journal of Space and Humanities, I /2013
- “The Harlem Renaissance and the ‘American Dream’”, Humanities International, vol. 3, 2012
Recordings
- THE GOLD COAST TRIO "live at Mondavi Center" 2006
- THE MEI DUO, American Romantics 2001