Harihara was a noted Kannada poet and writer in the 12th century. A native of Halebidu in modern Hassan district, he came from a family of accountants and initially served in that capacity in the court of Hoysala King Narasimha I. Later, he moved to Hampi and authored many landmark classics. Among his important writings, the Girijakalyana written in champu metre is considered one of the enduring classics of Kannada language.
Famous writings
Magnum opus
Harihara, although one of the earliest Veerashaiva writers, was not part of the famous Vachanaliterary tradition. He wrote under the patronage of King Narasimha I. He wrote his magnum opus, the Girijakalyana in the Kalidasa tradition, though employing the old Jainchampustyle, with the story leading to the marriage of God Shiva and his consort Parvati in ten sections. Harihara brings out his ability for narration while describing the lamentation of Rati for Kama, and the intense love and devotion of Parvati for Shiva. Though known for his magnum opus, his poetic talent found complete expression in his lyrical and narrative ragale poems. It was Harihara who popularised the ragale, a metre native to Kannada language. In a deviation from the norm of the day, Harihara avoided glorifying famous mortals and continued the Jain tradition of "glorifying the spirit" and the "conquest of evil within oneself". So against eulogising earthly mortals was Harihara, legend has it that he physically abused his protégé Raghavanka for writing about King Harishchandra in the workHarishchandra Kavya.
Other poetic works
Shivaganada ragale Harihara is credited with a collection of more than one hundred poems in the ragale metre called the Nambiyanana ragale after the saint Nambiyana. In this writing, which is a eulogy of the 63 saints of early Shaivism, of the later social reformers such as Basavanna, Allama Prabhu and Akka Mahadevi, and of God Virupaksha, Harihara express emotions as few poets could. Referenced in this writing is the Tamil epic Periyapuranam. Basavarajadevara ragale Another important writing, in the ragale metre is the Basavarajadevara ragale. It is on the life of Basavanna emphasizing the protagonist's compassion for devotees of the god Shiva. This work is the earliest biography of Basavanna from which 13 out of 25 sections are available and are considered important because the author was a near contemporary of his protagonist and set the trend for future biographers. Harihara thus became the earliest poetic biographer in the Kannada language. Interesting details of Basavanna's life are narrated by Harihara, some of which contradict commonly held beliefs. The author, who does not appear to be personally acquainted with his protagonist, mixed facts with some mythological details. While popular theory holds that Basavanna left his native place over a difference of opinion with his father regarding the brahminical initiation ritual, Harihara's account states Basavanna lost his parents early in life and was cared for by his grandmother. Later he discarded his thread and left for Sangama, indicating he was already initiated. Regarding Basavanna's employment under King Bijjala II, while popular theory holds that Basavanna succeeded his deceased maternal uncle as the treasurer of the king, according to Harihara, Basavanna's introduction to the king was made by the incumbent treasurer Sidhdandadhisa, whom he later succeeded to the post. Mudigeya Ashtaka Mudigeya ashtaka is an important ashtaka poem by Harihara. Legend has it that once when Harihara bowed down in prayer to his God, the "Rudraksha" flowers in his headgear fell on the floor. Seeing this, the devotees who had gathered there derided Harihara for wearing the headgear. In response, Harihara composed the ashtakaextempore in honor of his deity and included a challenging phrase "I have laid the mudige on the floor, let me see who can pick it up". Other writings Harihara's other works include Pushpa ragale, Marichanana ragale and Pampa sataka, in praise of the god Virupaksha of Hampi. For his poetic talent, he has earned the honorific "poet of exuberance".
