Helen Mack was an American actress. Mack started her career as a child actress in silent films, moving on to Broadway plays, and touring one of the vaudeville circuits. Her greater success as an actress was as a leading lady in the 1930s. Eventually Mack transitioned into performing on radio, and then into writing, directing, and producing some of the best known radio shows during the Golden Age of Radio. Later in life, Mack billed herself as a professional writer, writing for Broadway, stage, and television. Her career spanned the infancy of the motion picture industry, the beginnings of Broadway, the final days of Vaudeville, the transition to "talking pictures", the Golden Age of Radio, and the rise of television.
Youth and stage
Helen Mack, born Helen McDougall in Rock Island, Illinois, was the daughter of William George McDougall, a barber, and Regina McDougall, who had a repressed desire to become an actress. She attended the Professional Children's School of New York City. Vera Gordon was a friend who helped her along as a child actress. She appeared on Broadway and in vaudeville and debuted in films at age 10 in 1925. Mack debuted on stage in The Idle Inn with Jacob Benami. She performed with Roland Young in The Idle Inn and toured America with William Hodge in Straight Through The Door.
Film actress
Her Fox Film screen test came in March 1931 and within three weeks she was on the studio lot. Mack began her film career, first billed as Helen Macks, in Success. The motion picture featured Brandon Tynan, Naomi Childers, and Mary Astor. In Zaza, Mack worked with Gloria Swanson. She also had a small role in D. W. Griffith's last film The Struggle. She made her debut as a leading lady opposite Victor McLaglen in While Paris Sleeps and was cast with John Boles in his initial Fox Film venture, Scotch Valley. Mack played in several westerns in the early 1930s. Among these are Fargo Express with Ken Maynard and The California Trail with Buck Jones. Reviewer Norbert Lusk commented favorably regarding Mack's performance in the 1933 motion picture, Sweepings. He said "she has a lively personality, appreciated all the more in a heavy, loomy picture, and she plays her shopgirl role with understanding and finesse." Prior to this film Mack's career had declined for three years. Three of her productions failed. One reason for this career downturn is that she was usually a character star. Her employers had used Mack as an ingenue. RKO Radio Pictures Inc. offered her a second chance as Mamie Donahue in Sweepings. She may be best remembered for the 1933 movie sequel The Son of Kong, as Harold Lloyd's sister in The Milky Way and as the suicidal Molly Malloy in His Girl Friday. She also played an important role as Tanya in Merian C. Cooper's production of H. Rider Haggard's She opposite Randolph Scott, Nigel Bruce, and Helen Gahagan. Other roles for Mack included the bank-robbing ingenue opposite Richard Cromwell and Lionel Atwill in 1937's The Wrong Road for RKO.
WAMPAS wrangle
In 1931, thirteen members of the Fox Film Company publicity department resigned in protest after WAMPAS did not include a Fox starlet on their annual list of baby stars. Linda Watkins missed by one vote and Mack was a bit farther down the list of those omitted. In response Fox named Mack, Watkins, and Conchita Montenegro as rival debutantes or budding stars. Fox proposed to name baby stars for each year after, by a vote of its executives.
Later career
In the 1940s and 1950s, Mack worked as a producer and director of radio programs including such series as Richard Diamond, Private Detective, The Saint and Meet Corliss Archer. As TV succeeded radio as the prevalent entertainment medium, she continued to write plays and TV episodes until her death. In 1949, she collaborated with Roger Price in writing the children's record Gossamer Wump, narrated by Frank Morgan and released by Capitol Records.
