Henri Mulet


Henri Mulet was a French composer, organ, harmonium and cello player.

Biography

Mulet was born on 17 October 1878 in Paris. His father Gabriel was choirmaster of the Basilica of Sacré-Cœur, where his mother would also play the harmonium; as a boy he sometimes deputised for her. He studied at the Paris Conservatoire from 1890, where his teachers included Jules Delsart, Raoul Pugno, Xavier Leroux, Alexandre Guilmant and Charles-Marie Widor. He originally intended to be a cellist, but later served as an organist at Saint-Pierre-de-Montrouge and also taught at the École Niedermeyer and the Schola Cantorum, where he worked with his friend Vincent d'Indy. From 1922 to 1937 he was organist at St. Phillippe du Roule.
Mulet's most notable works are for organ: the Esquisses byzantines and the Carillon sortie. The former, a set of ten pieces, was a recollection of the Romano-Byzantine style of Sacré-Cœur and five of the pieces are named after some of its architectural features, including "Campanile" and "Chapelle des Morts". The Carillon has been called "one of the great showpieces of French Romantic organ music". Mulet's complete organ works were published in a set of two CDs in 1989, played by Paul Derett.
In 1922 Mulet published "Les tendances et antireligieuses néfastes de l'orgue moderne", an attack on modern schools of organ building;this was followed by similar essays. He deplored the trend to create organs which he felt were more appopriate for the cinema than for church: the organ was "a stained-glass window. Its tones of imposing and embracing calm flood the air of our cathedrals, in the same way that...stained-glass windows bring doen meditation upon the congregation."
In 1937, Mulet, following a financial crisis, destroyed his manuscripts and many of his possessions and left Paris for Draguignan. There he continued as organist until 1958, often in poverty. Ill-health led Mulet and his wife to retire to a convent in Draguignan, where he died in 1967.

Works

Organ
Harmonium
Orchestral
Vocal
Chamber and instrumental
Essays