Henri Van Dievoet enrolled at the Académie Royale des Beaux-Arts on 1 August 1884 and took courses there until 1892. he was a brilliant student and distinguished himself by received numerous awards: the geometry award, the perspective award, the construction award, the archaeology award, the art history award, the hygiene award, the jurisprudence award, and the architecture history award. He also received a formation by architect Ernest Acker, who would eventually be a witness at his wedding.
His architectural work
His first house was the house and artist's studio built for stockbroker Félix Rodberg, 30 rue Washington in Ixelles. In 1890 he participated in the Salon d' Architecture de l'Exposition des Beaux-Arts de Bruxelles alongside his friend Victor Horta and Maurice Van Ysendijck. In 1894 he won the Grand Prix d'architecture of the City of Brussels for his project "House of Parliament for a constitutional country". He also won the Prix de Rome. In 1901, he conceived a series of buildings with apartments on rue Campenhout in Brussels. Other works include a house and artist's studio built for stockbroker Félix Rodberg in rue Washington ; the Evangelical Church in Haine Saint Paul Jolimont ; four houses on the rue General Patton ; the Royal Military Academy on the avenue de la Renaissance, with fellow architect Henri Maquet ; and the Hotel Astoria, rue Royale. Among his disciples appears Joseph Van Neck, who worked as draftsman in his workshop.
Positions held
He was for many years the secretary of the Central Société of Architecture of Brussels. Starting in 1910, he was professor at the Académie Royale des Beaux-Arts in Brussels. From 1924 to 1931, From 1924 to 1931 he taught architectural drawing and perspective at the Academy of Fine Arts in Saint Gilles.
Family
He married Eugenie Ernestine Clémence Hortense Masson in Ixelles on 2 October 1894. She was born in Ixelles on 9 July 1872, daughter of Captain Stanislas Jean Ernest Masson, knight of the Ordre of Léopold, and Marie Eugenie Louise Clémence Mounoury. His son, Paul Van Dievoet, was architect for the municipality of Schaerbeek, but also produced private work. His daughter, Germaine Van Dievoet, was a championship swimmer who took part in the 1920 Summer Olympics in Antwerp. Henri Van Dievoet was the brother of the famous decorator and modern-style sgraffitistGabriel Van Dievoet, whose works still decorate many frontages of Brussels. He also had a sister, Louise van Dievoet, who married André Gachassin-Lafite, Viscount of Orthez, Knight of the Legion of Honor, captain to the 3rd regiment of Hunters of Africa. He was Military Assistant-Attache at the Embassy of France in Brussels, then Member of the High Commission of the Ministry for the War near the factories Schneider, Creusot.
End of his life
Henri van Dievoet died at the Brugmann Hospital, and, according to his wishes, only his close friends and family were present, among whom was his friend Victor Horta. His burial took place in Brussels Cemetery in Evere. He is buried in the large central alley, n° 218, under a simple cross.
House and artist's studio built for stockbroker Félix Rodberg, 28 and 30 rue Washington in Ixelles. This workshop was rented by Félix Rodberg to several artists.
Protestant Temple of Haine-Saint-Paul-Jolimont, rue Henri Aubry, dedicated 1 November 1890.
Hotel Astoria, rue Royale, 103. built for the Brussels International Expo
Villas in Watermael-Boitsfort on the periphery of Brussels
Monument of Leon Rodberg, of Art nouveau style in the Cimetière of Robermont.
In Hasselt, he drew the designs of the National Bank.
Works of other Van Dievoet architects
Several members of Van Dievoet's family were also architects.
Paul Van Dievoet, his son, architect of the Commune of Schaerbeek
Gabriel Van Dievoet, his brother, author of many projects of sgraffitos
Eugène Van Dievoet, his first cousin, engineer, professor at the Military academy and architect, member of the Royal Company of Archeology of Brussels, designer of the Brison House, boulevard Reyers, 120.
Léon Van Dievoet, his nephew, who in addition to an architectural work left hundreds of drawings, watercolours, paintings and engravings of Brussels that were completed between 1923 and 1993 and which preserve a record of many places that have now disappeared.
Writings
"Exposure of work of the pupils of the Co-educational school of drawing and industry of Schaerbeek", in the Emulation, Brussels, 1893, E. Lyon-Claesen, pp. 152 to 154.
