Herb Trimpe


Herbert William Trimpe was an American comics artist and occasional writer, best known as the seminal 1970s artist on The Incredible Hulk and as the first artist to draw for publication the character Wolverine, who later became a breakout star of the X-Men.

Early life

Herb Trimpe was born May 26, 1939, in Peekskill, New York, the son of Anna and Herbert Trimpe. He graduated from Lakeland High School. His brother, Mike Trimpe, inked an Ant-Man story that Trimpe pencilled in Marvel Feature #6. Of his childhood art and comics influences, he said in 2002, "I really loved the Disney stuff, Donald Duck and characters like that. Funny-animal stuff, that was kind of my favorite, and I liked to draw that kind of thing. And I also liked... Plastic Man.... I loved comics since I was a little kid, but I was actually more interested in syndicating a comic strip than working in comics." As well, "I was a really big fan of EC comics and Jack Davis."

Career

Trimpe commuted to New York City for three years to attend the School of Visual Arts. There, Trimpe recalled in 2002, instructor and longtime comics artist Tom Gill needed a student "to ink his backgrounds and stuff. So that's how I started, at Dell Comics|Dell , doing mostly Westerns and also licensed books, like the adaptation of the movie Journey to the Center of the Earth."
Trimpe then enlisted in the United States Air Force "for four years," he recalled in 1997, "the standard enlistment time, from 1962 to 1966. I was a weatherman, and our unit was on loan, you might say, to the Army. We supplied aviation weather support to the First Air Cavalry Division based in the central highlands in Viet Nam. They used helicopters extensively to move troops around." He achieved the rank of Senior Airman.
Upon his discharge in October 1966, he learned that fellow SVA classmate John Verpoorten was working at Marvel Comics' production department, and
His joining the Marvel production staff was announced in the "Bullpen Bulletins" of Marvel comics cover-dated June 1967, such as Fantastic Four #63. He remained associated with the company through 1996. While operating the Photostat camera in the Marvel offices, Trimpe did freelance inking for Marvel, and made his professional penciling debut with two Kid Colt stories in the Western series Kid Colt, Outlaw #134–135. Shortly thereafter, Trimpe and writer Gary Friedrich created Marvel's World War I aviator hero the Phantom Eagle in Marvel Super-Heroes #16.

Hulk and the Silver Age of Comics

In the 1960s, during the period known as the Silver Age of Comics, Trimpe was assigned to pencil what became his signature character, the Hulk. Beginning with pencil-finishes over Marie Severin layouts in The Incredible Hulk vol. 2, #106, he went on to draw the character for a virtually unbroken run of over seven years, through issue #142, then again from #145–193. Additionally, Trimpe penciled the covers of five Hulk annuals, and both penciled and inked the 39-page feature story of The Incredible Hulk Annual #12. Under the Marvel Method of writer-artist collaboration, Trimpe, like other Marvel artists of the time, was uncredited co-plotter of most of his stories, a working arrangement Trimpe said he enjoyed.
Among the characters co-created by Trimpe during his run on the title were Jim Wilson in issue #131 and Doc Samson in #141. During his time on the comic, he became the first artist to draw for publication the character Wolverine, who would go on to become one of Marvel's most popular. The character was conceived by Roy Thomas, written by Len Wein and designed by Marvel de facto art director John Romita Sr. as an antagonist for the Hulk, introduced in the last panel of The Incredible Hulk vol. 2, #180 and making his first full appearance the following issue. Trimpe in 2009 said he "distinctly remembers" Romita's sketch, and that, "The way I see it, sewed the monster together and I shocked it to life!... It was just one of those secondary or tertiary characters, actually, that we were using in that particular book with no particular notion of it going anywhere. We did characters in The Hulk all the time that were in issues and that was the end of them." Trimpe co-created nearly all of the characters introduced during his run on The Incredible Hulk, with Wolverine being a rare exception.
He said that he devised the military unit the Hulkbusters, which became a regular element of The Incredible Hulk:
Trimpe also had a year's run on The Defenders, a superhero-team comic featuring the Hulk. He also drew the cover, featuring the Hulk, of the 1971 issue of Rolling Stone containing a major profile of Marvel Comics.
The artist in 2002 recalled a less-than-smooth start to his Hulk tenure: "I did, like, three or four pages, and Stan saw them and made Frank Giacoia do the layouts . It wasn't my storytelling, there was a good flow there, but it was too EC Comics|EC for Stan. I loved EC, the dark atmosphere and clean lines of it.... But it wasn't right for Marvel."

Other Marvel work

As a Marvel mainstay, Trimpe would draw nearly every starring character, including Captain America, the Fantastic Four, Iron Man, Ka-Zar, Nick Fury, Thor, Ant-Man, Killraven, Rawhide Kid, Spider-Man, and many more as the regular artist of Marvel Team-Up #106–118 and Marvel Team-Up Annual #3–4. As the artist of Super-Villain Team-Up, Trimpe co-created the Shroud with writer Steve Englehart. Captain Britain was introduced by Chris Claremont and Trimpe in an ongoing series published by Marvel UK. In 1976, Trimpe was one of the inkers of Captain America's Bicentennial Battles, an oversized treasury-format one-shot written and penciled by Jack Kirby. Trimpe drew Marvel Treasury Edition #25 "Spider-Man vs. the Hulk at the Winter Olympics" which featured a story set at the 1980 Winter Olympics by writers Mark Gruenwald, Steven Grant, and Bill Mantlo. Jack Kirby's Machine Man character was revived in a 1984 limited series drawn by Trimpe.
In the late 1970s and 1980s, Trimpe's Marvel work included licensed movie and TV franchises. He drew all but issues #4–5 of the 24-issue Godzilla ; drew all but one of the 20-issue Shogun Warriors; six issues of The Further Adventures of Indiana Jones ; #1 and eight other issues, three of which he also wrote or co-wrote; nearly the entire run of the 28-issue spin-off G.I. Joe Special Missions ; three of the four-issue miniseries G.I. Joe: The Order of Battle ; and three issues of The Transformers.
Trimpe, in a 1997 interview, described his Marvel arrangement: "I was a quota artist, which was non-contractual but received a salary. I got a regular two-week check, and anything I did over quota I could voucher for as freelance income. I also had the extras, the company benefits. It was like a regular job, but I worked at home. It was a good deal."

1990s–2015

When Marvel went bankrupt in the mid-1990s, Trimpe attended Empire State College, Hudson Valley Center, graduating with a bachelor's degree in Arts in 1997. He went on to a master's degree program at SUNY New Paltz. Beginning September 8, 1999, he taught art for two years at Eldred Central School in Sullivan County, New York.
He lost his staff position in the mid-1990s when Marvel downsized, but he continued to freelance for the publisher. In 2000, he wrote an article for The New York Times about ageism in comics.
Trimpe penciled BPRD: The War on Frogs for Dark Horse Comics, and returned to his signature character by drawing the eight-page story "The Death and Life of the Abomination" in Marvel's King-Size Hulk #1. In December 2009, Trimpe, a Bugatti airplane enthusiast and member of the Bugatti Aircraft Association, published the eight-page comic book Firehawks, in which the Bugatti 100P plays a major role. This was followed by a second Firehawks comic, the 24-page Firehawks 2: Breath of the Dragon.
Trimpe's last convention appearance was at the 2015 East Coast Comiccon in Secaucus, New Jersey.

Personal life

Sometime between 1969 and 1971, Trimpe was divorced from his first wife. In late 1972, Trimpe married Marvel Comics editorial assistant and writer Linda Fite, with whom he had four children. He later was married to Patricia, who survived him after his death. Trimpe's son, Alexander Spurlock "Alex" Trimpe, who co-pencilled RoboCop #11, The Mighty Thor Annual #16, and Fantastic Four Unlimited #3 with his father, is a member of the band The Chief Smiles. Trimpe's daughters Amelia Fite Trimpe and Sarah Trimpe were also in that band. At some point, Trimpe lived in Kerhonkson, New York, and afterward Hurley, New York.
Trimpe was ordained a deacon in the Episcopal Diocese of New York on May 30, 1992.
Trimpe died on April 13, 2015, aged 75.

Awards