Heretics (book)


Heretics is a collection of 20 essays originally published by G. K. Chesterton in 1905. While the loci of the chapters of Heretics are personalities, the topics he debates are as universal to the "vague moderns" of the 21st century as they were to those of the 20th. He quotes at length and argues against atheist apologist and eugenicist Joseph Martin McCabe extensively, delivers diatribes about his close personal friend and intellectual rival, George Bernard Shaw, as well as Nietzsche, H. G. Wells, Rudyard Kipling and an array of other major intellectuals of his day, many of whom he knew personally. The topics he touches upon range from Cosmology to Anthropology to Soteriology and he argues against French nihilism, German Humanism, English Utilitarianism, the Syncretism of "the vague modern", Social Darwinism, Eugenics and the arrogance and misanthropy of the European Intelligentsia. Together with Orthodoxy, this book is regarded as the finest flagship of his corpus of moral theology; a binary system in the cosmos of western philosophy.

Chapters

  1. Introductory Remarks on the Importance of Orthodoxy
  2. On the Negative Spirit
  3. On Mr. Rudyard Kipling and Making the World Small
  4. Mr. Bernard Shaw
  5. Mr. H. G. Wells and the Giants
  6. Christmas and the Esthetes
  7. Omar and the Sacred Vine
  8. The Mildness of the Yellow Press
  9. The Moods of Mr. George Moore
  10. On Sandals and Simplicity
  11. Science and the Savages
  12. Paganism and Mr. Lowes Dickinson
  13. Celts and Celtophiles
  14. On Certain Modern Writers and the Institution of the Family
  15. On Smart Novelists and the Smart Set
  16. On Mr. McCabe and a Divine Frivolity
  17. On the Wit of Whistler
  18. The Fallacy of the Young Nation
  19. Slum Novelists and the Slums
  20. Concluding Remarks on the Importance of Orthodoxy

    Summary of chapters

Chapter 1: Introductory Remarks on the Importance of Orthodoxy

In his first essay, Chesterton describes his understanding of the words Orthodox and Heretic as they apply to, and have changed in, the modern period. Chesterton argues that in modernity, "The word 'orthodoxy' not only no longer means being right; it practically means being wrong". He continues to write that society no longer tolerates a man’s life philosophy or religion, yet is increasingly absorbed in "art for art’s sake." Chesterton identifies this trend to replace ideological substance with vagueness and criticizes popular writers, public figures, politicians, and others for proclaiming a gospel of silence when moral and philosophical direction is needed.

Quotes