After the death of her father in 1906, Belcher lived with her mother. In 1907, Belcher submitted The Checkered Dress, which may be an early portrait of Georgia O'Keeffe, to the New York Water Color Club. She became a member, and the painting was reproduced in the International Studio journal. Grace Conkling's poem To the Lady in the checkered dress lauds the choice of both lady and painter, asking "Did you dream, could you know / Snow and shadow upon snow / Thus could lend fantastic grace / To your subtly smiling face?" In 1908, Belcher won the Strathmore Prize from the New York Water Color Club for The Knitted Shawl. "Her success in capturing the coveted honor fairly took away the breath of the 692 men competitors, who saw themselves obliged to take second place to the young Vermont student," according to The New York Times In 1909, she received the Beal prize for Young Girl in White. In 1910, Belcher was invited by Robert Henri to participate in the Exhibition of Independent Artists, a non-juried, non-prized show. Belcher contributed three works, The Bathing Line, Portrait of Miss Tony Nell, and The Old Ladies. Belcher and her mother took extended trips to Italy, England, and Wales in 1910; the Rocky Mountains in the western United States in 1912; and Europe, for an eleven-month tour, in 1913–14. In 1926, Belcher was elected into the NationalAcademy of Design as an Associate member, and became a full member in 1932. She was the second woman to be elected to the National Academy of Design. In 1931, Belcher received both the Thomas R. Proctor Prize and the Walter Lippincott prize for Portrait by Night. The painting was cut from its frame while on display at the Pennsylvania Academy of the Fine Arts and stolen. It has never been recovered. Belcher also became well known in Georgia. During the 1920s and 1930s, Belcher often taught and exhibited at the Telfair Academy of Arts and Sciences. There she painted landscapes of the Savannah area and scenes representative of the area's African American culture in the early part of the century. Paintings such as Go Down Moses and The Choir are notable for their vibrancy, and for the respect and sensitivity with which Belcher portrayed African-American men, women and children. Belcher also published illustrations, cartoons, and caricatures that appeared in popular magazines such as Cosmopolitan, Good Housekeeping, and Town and Country, as well as in the catalogs of Sears, Roebuck and Company. Belcher began to suffer from health problems in the 1940s and rarely exhibited new work after this time. She died on April 27, 1963, in the Orthopedic Hospital, Orange, and was buried in Evergreen Cemetery in Rutland, Vermont. During her lifetime, Belcher had more than 28 solo exhibitions. Recently, Belcher's work has been featured in exhibitions at the Telfair Museum of Art, the Vermont Historical Society, and the Robert Hull Fleming Museum. Her work also can be found in other collections, private and public, including Robert Hull Fleming Museum, Morris Museum of Art, Pennsylvania Academy of the Fine Arts, and the Frances Lehman Loeb Art Center at Vassar College among others.
Awards
1908, Strathmore Watercolor Prize, New York Water Color Club, for The Knitted Shawl. The New York Times reported "Girl Painter Wins Prize from 692 Men Competitors".
1909, Beal Prize, New York Water Color Club, for Young Girl in White, “the most meritorious color in the exhibition”. She was the second woman to receive this award.
