Hindolam


Hindōḷaṃ is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. Hindolam is not the same as the Hindustani Hindol. The equivalent of Hindolam in Hindustani music is Malkauns.
It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts.

Structure and Lakshana

Hindōḷaṃ is a symmetric rāgam that does not contain rishabham and panchamam. It is a pentatonic scale. Since pentatonic scales can be found in other world music such as Chinese music, shades of Mohanam and Hindōḷaṃ can sometimes be traced in Chinese and east Asian music. Its structure is as follows :
This rāgam uses the swaras sadharana gandharam, shuddha madhyamam, shuddha dhaivatam and kaisiki nishadam. Hindolam is not a melakarta rāgam, since it does not contain all the seven swaras.
Experts in Carnatic music hold differences of opinion on the janaka rāgams that should be attributed to Hindolam. It is widely accepted that the 20th melakarta, Natabhairavi, is the parent rāgam of Hindolam, but some would like to associate it with the 8th melakarta, Hanumatodi. It can be derived from both, by dropping the rishabham and panchamam.

Popular Compositions

Sāmajavara gamanā by the maestro Tyagaraja is one of the most popular compositions in Hindolam. Mamavatu śri Sarasvati by Mysore Vasudevachar is another popular composition. Here are some more kritis composed in Hindolam.
Numerous bhajans, stotras, kritis and film music numbers also have been composed in the Hindolam rāgam.

Film Songs

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Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.
Hindolam's notes when shifted using Graha bhedam, yields 4 other major pentatonic rāgams, namely, Mohanam, Shuddha Saveri, Udayaravichandrika and Madhyamavati. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Mohanam.

Scale similarities