Hollywood (miniseries)
Hollywood is an American drama web television miniseries starring an ensemble of David Corenswet, Darren Criss, Laura Harrier, Joe Mantello, Dylan McDermott, Jake Picking, Jeremy Pope, Holland Taylor, Samara Weaving, Jim Parsons, and Patti LuPone. Created by Ryan Murphy and Ian Brennan, it was released on Netflix on May 1, 2020.
The miniseries is about a group of aspiring actors and filmmakers during the Hollywood Golden Age in the post-World War II era trying to make their dreams come true. The series received mixed reviews from critics who praised the acting and production values, but criticized the tone, writing, and artistic license taken. The series has received 11 nominations at the 72nd Primetime Emmy Awards, including acting nods for Pope, Taylor, McDermott, and Parsons.
Cast and characters
Main
- David Corenswet as Jack Castello, a World War II veteran who moves to Hollywood in hopes of becoming an actor.
- Darren Criss as Raymond Ainsley, a half-Filipino aspiring film director hoping to break boundaries in Hollywood, and Camille's boyfriend.
- Laura Harrier as Camille Washington, an up-and-coming Black actress facing prejudice because of her race, and Raymond's girlfriend.
- Joe Mantello as Richard "Dick" Samuels, a studio executive at Ace Studios who is a closeted gay man. Hank Steuver of the Washington Post describes him as "intimidating but receptive".
- Dylan McDermott as Ernest "Ernie" West, a pimp, based on Scotty Bowers, who runs his business out of a gas station and recruits Jack.
- Jake Picking as Roy Fitzgerald / Rock Hudson, a fictionalized version of the actor, and Archie's boyfriend. Liz Cantrell of Town & Country magazine characterized this version of Rock Hudson as "a young unknown trying to make his way in the world, and beginning to understand who he really is."
- Jeremy Pope as Archie Coleman, a black aspiring screenwriter facing prejudice, and Roy's boyfriend.
- Holland Taylor as Ellen Kincaid, a studio executive and mentor for aspiring actors at Ace Studios. Cantrell wrote that the character "gets what she wants and knows a star when she sees one."
- Samara Weaving as Claire Wood, an up-and-coming actress, Camille's rival, and the daughter of Ace and Avis Amberg. Cantrell described her as "an ambitious up-and-comer".
- Jim Parsons as Henry Willson, a fictionalized version of the Hollywood talent agent whose clients included Rock Hudson.
- Patti LuPone as Avis Amberg, wife of Ace Amberg, the head of Ace Studios, and a former actress.
Recurring
- Maude Apatow as Henrietta Castello, Jack's wife who is pregnant with twins and works as a waitress. Robert Lloyd of the Los Angeles Times wrote that the character serves "largely as a millstone" and that the storyline does not give a lot of "attention" to her.
- Mira Sorvino as Jeanne Crandall, a successful but aging actress, Ace's mistress, and Camille's scene partner.
- Michelle Krusiec as Anna May Wong, a fictionalized version of the Chinese-American actress, whom Raymond tries to help.
Guest
- Rob Reiner as Ace Amberg, the head of Ace Studios and the husband of Avis.
- Brian Chenoweth as Lon Silver, Ace's attorney.
- Jake Regal as Erwin Kaye, a man Henrietta works with and has an affair with.
- William Frederick Knight as Harry Golden, a veteran film editor at Ace Studios.
- Queen Latifah as Hattie McDaniel, a fictionalized version of the actress, who gives Camille advice.
- Katie McGuinness as Vivien Leigh, a fictionalized version of the actress.
- Paget Brewster as Tallulah Bankhead, a fictionalized version of the actress.
- Harriet Sansom Harris as Eleanor Roosevelt, a fictionalized version of the First Lady and Avis's friend.
- Daniel London as George Cukor, a fictionalized version of the director and producer known for his grand house parties.
- Billy Boyd as Noël Coward, a fictionalized version of the playwright, composer, director, and actor.
- Alison Wright as Ms. Roswell, the gatekeeper to Ace Studios.
Episodes
Production
Development
On February 23, 2019, it was announced that Netflix had given the production a straight-to-series order consisting of seven episodes. The series was created by Ian Brennan, and Ryan Murphy. Brennan and Murphy were also set to executive produce the series alongside Darren Criss and David Corenswet. The series was released on May 1, 2020.Casting
On September 3, 2019, it was reported that Patti LuPone, Holland Taylor, Darren Criss, Jeremy Pope, Dylan McDermott, Jim Parsons, Corenswet, and Joe Mantello had been cast in series regular roles.Reception
On Rotten Tomatoes, the series holds an approval rating of 57% based on 118 reviews, with an average rating of 5.97/10. The site's critical consensus reads: "With its heart on its sleeve and style to spare, Hollywood is anything but subtle – if only its good intentions were paired with a less convoluted story." On Metacritic, the series has a weighted average score of 55 out of 100, based on 33 critics, indicating "mixed or average reviews".Writing for the Chicago Sun-Times, Richard Roeper gave the series two-and-a-half stars out of four, saying: "It's a fascinating blend of fact and fiction, and the performances from the cast of rising stars and reliable veterans are dazzling — but like many a motion picture, Hollywood can't overcome script problems that surface about midway through the story."
Conversely, Hugh Montgomery of the BBC described the series as "spineless and inert", giving it one out of five stars and saying "A show about Tinseltown that chose to confront and prod at these continuing, dispiriting realities rather than concoct its own vapid, hubristic fantasies would be worth 10 times this one." Similarly, The Guardians Lucy Mangan criticized its "counterfactual history", giving the series a two out of five-star review, writing: "This should be the perfect set-up for a scabrous look at prejudice, corruption, the trading of sexual currency, coercion, the well-oiled machinations that underlie an industry and how it all shapes history — all through a #MeToo lens. But it becomes a mere wish-fulfilment fantasy that, whether it intends to or not, suggests that if a few people had just been that bit braver, then movies – and therefore the world! — would be a glorious, egalitarian Eden. It is a show that is smug and obtuse enough to believe la la land's self-regarding idea that celluloid art directly shapes our lives."